Part American road trip, part coming-of-age adventure, and part uncommon love story—a remarkable memoir that explores the evolution of the human-animal relationship, along with the raw beauty of a life lived outdoors. Melissa Chapman was 23 years old and part of a happy, loving family. She had a decent job, a boyfriend she cared about, and friends she enjoyed. Yet she said goodbye to all of it. Carrying a puppy named Gypsy, she climbed aboard a horse and rode away from everything, heading west. With no cell phone, no GPS, no support team or truck following with supplies, Chapman quickly learned that the reality of a cross-country horseback journey was quite different from the fantasy. Her solo adventure would immediately test her mental, physical, and emotional resources as she and her four-legged companions were forced to adapt to the dangers and loneliness of a trek that would span over 2,600 miles, beginning in New York State and reaching its end on the other side of the country, in California. Enchanted by the freedom a nomadic life seemed to promise, the young woman would soon find herself only more deeply connected…to the animals that accompanied her, to the varying and challenging landscapes through which she traveled, and to the people she met on the farms and back roads that crisscross the United States. Chapman's vigilance in detailing the quietest moments of heroism and beauty, as well as the startling and tragic, yields a read that convinces one of both the magnificence of the countryside and the generosity of the people who call it home. A book for the equestrian, the animal lover, and the outdoor enthusiast—or anyone who dreams about one day bringing a longed-for adventure to life.

Welcome! Come on in, the water’s freezing, and the ice is a-melting, so why not Tilt-a-whirl your universe inside this regurgitation of words wholly meant to imbibe all your soul’s dirty spirits? Kids, will you learn what’s on the other side of whatever it is that presently transfixes your mind’s eye? Probably not! Unless whatever hypnotizes you has the ability to curve its milky way round your curious cheekbones as your eyes bend directly towards the sun. As long as what is read passes two things, it scientifically cannot be marked as rubbish: time and space. I have taken care of the matter of space. I leave it to you to do your worst with the concept of time. Enjoy! (That is not a command.)

NEW YORK TIMES BESTSELLER “This is history at its most immediate and moving…A marvelous and memorable book.” —Jon Meacham “Remarkable…A priceless civic gift…On page after page, a reader will encounter words that startle, or make him angry, or heartbroken.” —The Wall Street Journal “Visceral...I repeatedly cried…This book captures the emotions and unspooling horror of the day.” —NPR “Had me turning each page with my heart in my throat…There’s been a lot written about 9/11, but nothing like this. I urge you to read it.” —Katie Couric The first comprehensive oral history of September 11, 2001—a panoramic narrative woven from the voices of Americans on the front lines of an unprecedented national trauma. Over the past eighteen years, monumental literature has been published about 9/11, from Lawrence Wright’s The Looming Tower, which traced the rise of al-Qaeda, to The 9/11 Commission Report, the government’s definitive factual retrospective of the attacks. But one perspective has been missing up to this point—a 360-degree account of the day told through the voices of the people who experienced it. Now, in The Only Plane in the Sky, award-winning journalist and bestselling historian Garrett Graff tells the story of the day as it was lived—in the words of those who lived it. Drawing on never-before-published transcripts, recently declassified documents, original interviews, and oral histories from nearly five hundred government officials, first responders, witnesses, survivors, friends, and family members, Graff paints the most vivid and human portrait of the September 11 attacks yet. Beginning in the predawn hours of airports in the Northeast, we meet the ticket agents who unknowingly usher terrorists onto their flights, and the flight attendants inside the hijacked planes. In New York City, first responders confront a scene of unimaginable horror at the Twin Towers. From a secret bunker underneath the White House, officials watch for incoming planes on radar. Aboard the small number of unarmed fighter jets in the air, pilots make a pact to fly into a hijacked airliner if necessary to bring it down. In the skies above Pennsylvania, civilians aboard United Flight 93 make the ultimate sacrifice in their place. Then, as the day moves forward and flights are grounded nationwide, Air Force One circles the country alone, its passengers isolated and afraid. More than simply a collection of eyewitness testimonies, The Only Plane in the Sky is the historic narrative of how ordinary people grappled with extraordinary events in real time: the father and son working in the North Tower, caught on different ends of the impact zone; the firefighter searching for his wife who works at the World Trade Center; the operator of in-flight telephone calls who promises to share a passenger’s last words with his family; the beloved FDNY chaplain who bravely performs last rites for the dying, losing his own life when the Towers collapse; and the generals at the Pentagon who break down and weep when they are barred from rushing into the burning building to try to rescue their colleagues. At once a powerful tribute to the courage of everyday Americans and an essential addition to the literature of 9/11, The Only Plane in the Sky weaves together the unforgettable personal experiences of the men and women who found themselves caught at the center of an unprecedented human drama. The result is a unique, profound, and searing exploration of humanity on a day that changed the course of history, and all of our lives.

From the origins of modern copyright in early eighteenth-century culture to the efforts to represent nature and death in postmodern fiction, this pioneering book explores a series of problems regarding the containment of representation. Stewart focuses on specific cases of "crimes of writing"--the forgeries of George Psalmanazar, the production of "fakelore," the "ballad scandals" of the eighteenth and nineteenth centuries, the imposture of Thomas Chatterton, and contemporary legislation regarding graffiti and pornography. In this way, she emphasizes the issues which arise once language is seen as a matter of property and authorship is viewed as a matter of originality. Finally, Stewart demonstrates that crimes of writing are delineated by the law because they specifically undermine the status of the law itself: the crimes illuminate the irreducible fact that law is written and therefore subject to temporality and interpretation.