'This is a superb text which is relevant for anyone who has an interest in the turbulent post war years of Germany and the Weimar period ... It is very accessible ad easy to read, bolstered by the clarity of its language and organisation.' History Teaching ReviewThe period immediately following the First World War was one of great turbulence in Germany. The widespread dislocation throughout the country left morale crushed, and the economy crippled by Allied demands for reparations. Russia was in the hands of the Bolsheviks and Germany seemed on the brink of falling to working-class revolutionaries. Writing between 1919 and 1923 as special correspondent for the Manchester Guardian, Price was one of the very few British journalists in Weimar Germany during these important years. His unique position as an outsider allowed him to record what he saw with an objective eye, and his sympathy with the Bolsheviks gave him an understanding of the deeper implications behind the unfolding of events. These remarkable writings, reprinted for the first time in 80 years, cover the key events in postwar Germany. Price witnesses the establishment of the Weimar Republic, the emergence of Hitler and the Nazi Party, the inflammatory violence in the south of the country, which threatened civil war, and the signing of the Versailles Treaty.

Berlin! Berlin!, by Kurt Tucholsky, is a satirical selection from the man with the acid pen and the perfect pitch for hypocrisy, who was as much the voice of 1920s Berlin as Georg Grosz was its face. This book collects Tucholsky's news stories and poems about his hometown Berlin, never published in America before.

A Times Literary Supplement Book of the Year, chosen by Tom Stoppard "A revelation."—Marc Weingarten, Washington Post Acclaimed film director Billy Wilder’s early writings—brilliantly translated into English for the first time Before Billy Wilder became the screenwriter and director of iconic films like Sunset Boulevard and Some Like It Hot, he worked as a freelance reporter, first in Vienna and then in Weimar Berlin. Billy Wilder on Assignment brings together more than fifty articles, translated into English for the first time, that Wilder (then known as "Billie") published in magazines and newspapers between September 1925 and November 1930. From a humorous account of Wilder's stint as a hired dancing companion in a posh Berlin hotel and his dispatches from the international film scene, to his astute profiles of writers, performers, and political figures, the collection offers fresh insights into the creative mind of one of Hollywood’s most revered writer-directors. Wilder’s early writings—a heady mix of cultural essays, interviews, and reviews—contain the same sparkling wit and intelligence as his later Hollywood screenplays, while also casting light into the dark corners of Vienna and Berlin between the wars. Wilder covered everything: big-city sensations, jazz performances, film and theater openings, dance, photography, and all manner of mass entertainment. And he wrote about the most colorful figures of the day, including Charlie Chaplin, Cornelius Vanderbilt, the Prince of Wales, actor Adolphe Menjou, director Erich von Stroheim, and the Tiller Girls dance troupe. Film historian Noah Isenberg's introduction and commentary place Wilder’s pieces—brilliantly translated by Shelley Frisch—in historical and biographical context, and rare photos capture Wilder and his circle during these formative years. Filled with rich reportage and personal musings, Billy Wilder on Assignment showcases the burgeoning voice of a young journalist who would go on to become a great auteur.

First Published in 1988. Routledge is an imprint of Taylor & Francis, an informa company.

Scholars have long debated whether Heinrich Brüning, head of the German government from 1930 to 1932, was the 'last democratic chancellor'of the Weimar Republic or the trailblazer of the Nazi dictatorship. His memoirs (published in 1970) damaged his reputation badly by terming the restoration of monarchy the 'crux' of his policies. This 1998 book is the first scholarly biography of Bruning in any language and offers a systematic analysis of the economic, social, foreign, and military policies of his cabinet as it sought to cope with the Great Depression. With the help of newly available sources, it clarifies the peculiar distortions in the memoirs, showing that Chancellor Brüning intended to restore parliamentary democracy intact when the economic crisis passed. He was curbing the Nazi menace successfully when President Hindenburg, reactionary landowners, and army generals eager for massive rearmament made the disastrously misguided decision to topple him.

Between the two world wars, Germany managed - despite all the political upheavals it was experiencing - to attract extremely large numbers of British travellers and tourists. During the Weimar period in particular, Germany attracted visitors from virtually every section of British society. In this book, Colin Storer moves beyond the traditional scholarly focus on figures such as Christopher Isherwood and John Maynard Keynes to provide the first broad comparative study of British intellectual attitudes towards Weimar Germany. Based on original research and using striking examples from intellectual life and literature it highlights the diversity of British attitudes, challenges received opinions on areas such as the 'inevitable collapse' of the Republic, and seeks to establish why Weimar Germany was so appealing to such a variety of individuals.

November 1932. With the German economy in ruins and street battles raging between political factions, the Weimar Republic is in its death throes. Its elderly president Paul von Hindenburg floats above the fray, inscrutably haunting the halls of the Reichstag. In the shadows, would-be saviours of the nation vie for control. The great rivals are the chancellors Franz von Papen and Kurt von Schleicher. Both are tarnished by the republic's all-too-evident failures. Each man believes he can steal a march on the other by harnessing the increasingly popular National Socialists - while reining in their most alarming elements, naturally. Adolf Hitler has ideas of his own. But if he can't impose discipline on his own rebellious foot-soldiers, what chance does he have of seizing power?

This book represents a much-needed reappraisal of Germany between the wars, examining the political, social and economic aims of the new republic, their failure and how they led to Nazism and eventually the Second World War. The author includes: * an examination of the legacy of the First World War and the Treaty of Versailles * discussion of the early years of crisis culminating in the Ruhr Invasion and the Dawes Settlement * assessment of the leadership of Stresemann and Bruning * exploration of the circumstances leading to the rise of Hitler * an outline of the historiography of the Weimar Republic.

It is impossible to understand the history of modern Europe without some knowledge of the Weimar Republic. The brief fourteen-year period of democracy between the Treaty of Versailles and the advent of the Third Reich was marked by unstable government, economic crisis and hyperinflation and the rise of extremist political movements. At the same time, however, a vibrant cultural scene flourished, which continues to influence the international art world through the aesthetics of Expressionism and the Bauhaus movement. In the fields of art, literature, theatre, cinema, music and architecture – not to mention science – Germany became a world leader during the 1920s, while her perilous political and economic position ensured that no US or European statesman could afford to ignore her. Incorporating original research and a synthesis of the existing historiography, this book will provide students and a general readership with a clear and concise introduction to the history of the first German Republic.

Munich 1919 is a vivid portrayal of the chaos that followed World War I and the collapse of the Munich Council Republic by one of the most perceptive chroniclers of German history. Victor Klemperer provides a moving and thrilling account of what turned out to be a decisive turning point in the fate of a nation, for the revolution of 1918-9 not only produced the first German democracy, it also heralded the horrors to come. With the directness of an educated and independent young man, Klemperer turned his hand to political journalism, writing astute, clever and linguistically brilliant reports in the beleaguered Munich of 1919. He sketched intimate portraits of the people of the hour, including Erich Mühsam, Max Levien and Kurt Eisner, and took the measure of the events around him with a keen eye. These observations are made ever more poignant by the inclusion of passages from his later memoirs. In the midst of increasing persecution under the Nazis he reflected on the fateful year 1919, the growing threat of antisemitism, and the acquaintances he made in the period, some of whom would later abandon him, while others remained loyal. Klemperer's account once again reveals him to be a fearless and deeply humane recorder of German history. Munich 1919 will be essential reading for all those interested in 20th century history, constituting a unique witness to events of the period.