Read along with Disney! When a lovable, lonely robot named WALL-E falls in love with a sophisticated female robot named EVE, he follows his heart all the way into outer space!

The retelling of 3 Little Golden book favorites.

The Little Golden Book retellings of the Disney/Pixar blockbusters Brave, Cars 2, Monsters University, Toy Story 3, and WALL-E are collected in one terrific boxed set. Boys and girls ages 2 to 5 will love reading their favorite stories again and again. The Disney/Pixar Little Golden Book Library makes a great gift!

From Tom Fletcher and Dougie Poynter of McFly comes a supersonic space adventure filled with planets, poop, and pandemonium! One boy, one space rocket, one very hungry dinosaur: the ingredients for an explosive space adventure of epic poop-portions! But when Danny realizes he’s forgotten Dino’s lunch box, the very hungry dinosaur eats everything in sight, including their only way home: the rocket! How will Dino get them back home? Meet Danny and his pet Dinosaur, Dino. No matter what this ravenous reptile ingests, he never keeps it down for long.

In the second edition of The Idea of Nature in Disney Animation, David Whitley updates his 2008 book to reflect recent developments in Disney and Disney-Pixar animation such as the apocalyptic tale of earth's failed ecosystem, WALL-E. As Whitley has shown, and Disney's newest films continue to demonstrate, the messages animated films convey about the natural world are of crucial importance to their child viewers. Beginning with Snow White, Whitley examines a wide range of Disney's feature animations, in which images of wild nature are central to the narrative. He challenges the notion that the sentimentality of the Disney aesthetic, an oft-criticized aspect of such films as Bambi, The Jungle Book, Pocahontas, Beauty and the Beast, and Finding Nemo, necessarily prevents audiences from developing a critical awareness of contested environmental issues. On the contrary, even as the films communicate the central ideologies of the times in which they were produced, they also express the ambiguities and tensions that underlie these dominant values. In distinguishing among the effects produced by each film and revealing the diverse ways in which images of nature are mediated, Whitley urges us towards a more complex interpretation of the classic Disney canon and makes an important contribution to our understanding of the role popular art plays in shaping the emotions and ideas that are central to contemporary experience.

Pixar Animation Studios, the innovators behind Toy Story, Finding Nemo, and Ratatouille, created this genre-defying film with an intriguing and unorthodox question in mind: What if mankind had to leave Earth, and somebody forgot to turn off the last robot? WALL-E (Waste Allocation Load Lifter-Earth Class) is this last, soulful robot. When his lonely work is interrupted by the arrival of the sleek probe-droid EVE, a rollicking adventure across the galaxy ensues. The Art of WALL-E features the myriad pieces of concept art on which this fantastic, futuristic film was built, including storyboards, full-color pastels, digital and pencil sketches, character studies, color scripts, and more. Astute text-featuring quotes from the director, artists, animators, and production team-unearths the filmmakers' historical inspirations and recounts the creative process in intimate detail. This richly illustrated portal into the artistic spirit of Pixar reveals a studio confidently pushing the limits of animation.

BURN-E is fixing a light.

Six Disney•Pixar classics in one jumbo coloring book! Mega Movie Mix is a collection of Disney•Pixar’s greatest films, including Up, WALL•E, Cars, Monsters, Inc., The Incredibles, and Finding Nemo! This 224-page coloring book bind-up is a phenomenal value at only $5.99.

A collection of 35 of the most beloved Disney Little Golden Books--featuring old classics and new favorites! Create a whole personal library for a child with this terrific assortment of 35 Disney Little Golden Books retelling everyone's favorite movies from Disney and Disney/Pixar, including old classics and newer releases. The books in this bundle are 101 Dalmatians, Alice in Wonderland, Bambi, Beauty and the Beast, Brave, Cars, Cars 2, Cinderella, Dumbo, Finding Nemo, The Fox and the Hound, Frozen, The Jungle Book, Lady and the Tramp, The Little Mermaid, Monsters, Inc., Monsters University, Mulan, Peter Pan, Pinocchio, Planes, Planes: Fire and Rescue, Princess and the Frog, Ratatouille, Scamp, Sleeping Beauty, Snow White, Tangled, Toy Story, Toy Story 2, Toy Story 3, Up, Wall-E, and Wreck-it Ralph. Children ages 2 to 5 will love reading these beloved stories again and again. Each beautifully-illustrated Little Golden Book retells the movie. Makes a terrific baby shower gift or birthday present for a young child or Disney Little Golden Book collector of any age!

The co-founder and longtime president of Pixar updates and expands his 2014 New York Times bestseller on creative leadership, reflecting on the management principles that built Pixar’s singularly successful culture, and on all he learned during the past nine years that allowed Pixar to retain its creative culture while continuing to evolve. “Might be the most thoughtful management book ever.”—Fast Company For nearly thirty years, Pixar has dominated the world of animation, producing such beloved films as the Toy Story trilogy, Finding Nemo, The Incredibles, Up, and WALL-E, which have gone on to set box-office records and garner eighteen Academy Awards. The joyous storytelling, the inventive plots, the emotional authenticity: In some ways, Pixar movies are an object lesson in what creativity really is. Here, Catmull reveals the ideals and techniques that have made Pixar so widely admired—and so profitable. As a young man, Ed Catmull had a dream: to make the first computer-animated movie. He nurtured that dream as a Ph.D. student, and then forged a partnership with George Lucas that led, indirectly, to his founding Pixar with Steve Jobs and John Lasseter in 1986. Nine years later, Toy Story was released, changing animation forever. The essential ingredient in that movie’s success—and in the twenty-five movies that followed—was the unique environment that Catmull and his colleagues built at Pixar, based on philosophies that protect the creative process and defy convention, such as: • Give a good idea to a mediocre team and they will screw it up. But give a mediocre idea to a great team and they will either fix it or come up with something better. • It’s not the manager’s job to prevent risks. It’s the manager’s job to make it safe for others to take them. • The cost of preventing errors is often far greater than the cost of fixing them. • A company’s communication structure should not mirror its organizational structure. Everybody should be able to talk to anybody. Creativity, Inc. has been significantly expanded to illuminate the continuing development of the unique culture at Pixar. It features a new introduction, two entirely new chapters, four new chapter postscripts, and changes and updates throughout. Pursuing excellence isn’t a one-off assignment but an ongoing, day-in, day-out, full-time job. And Creativity, Inc. explores how it is done.