Dislocating Globality: Deterritorialization, Difference and Resistance offers a broad panorama of critical approaches to globalization, its effects, the critique of neoliberalism, and discusses various forms of resistance to its monocultural raison d’être. The authors in this volume address these issues from a variety of perspectives – theoretical, as well as geographically diverse case-based analyses ranging from South Asia, the Middle East, Latin America, Europe, and Australia in attempt to show the diverse effects of globalization, and varied forms of negotiating globalization on a local level. Contributors are: Allie Biswas, Katherine Burrows, Jacob P. Chamberlain, Vytis Čiubrinskas, Maria Halouva, Jeanne Kay, Mara Matta, Gintautas Mažeikis, Dennis Mehmet, Beatriz Miranda-Galarza, Mustafa Mustafa, Abhijeet Paul, Šarūnas Paunksnis, and Némésis Srour.

A provocative investigation into the root causes of the Ethiopian political upheavals in the second half of the twentieth century. During the 1960s and early 1970s, a majority of Ethiopian students and intellectuals adopted a Marxist-Leninist ideology with fanatic fervor. The leading force in an uprising against the imperial regime of Emperor Haile Selassie, they played a decisive role in the rise of a Leninist military regime. In this original study, Messay Kebede examines the sociopolitical and cultural factors that contributed to the radicalization of the educated elite in Ethiopia, and how this phenomenon contributed to the country's uninterrupted political crises and economic setbacks since the Revolution of 1974. Offering a unique, insider's perspective garnered from his direct participation in thestudent movement, the author emphasizes the role of the Western education system in the progressive radicalization of students and assesses the impact of Western education on traditional cultures. The most comprehensive study of the role of students in modern Ethiopian political history to date, Radicalism and Cultural Dislocation in Ethiopia, 1960-1974 opens the door for discussion and debate on the issue of African modernization and the effects ofcultural colonization. Messay Kebede is Professor in the Department of Philosophy at the University of Dayton and is author of Survival and Modernization -- Ethiopia's Enigmatic Present: A Philosophical Discourse [1999].

From today’s vantage point it can be denied that the confidence in the abilities of globalism, mobility, and cosmopolitanism to illuminate cultural signification processes of our time has been severely shaken. In the face of this crisis, a key concept of this globalizing optimism as World Literature has been for the past twenty years necessarily is in the need of a comprehensive revision. World Literature, Cosmopolitanism, Globality: Beyond, Against, Post, Otherwise offers a wide range of contributions approaching the blind spots of the globally oriented Humanities for phenomena that in one way or another have gone beyond the discourses, aesthetics, and political positions of liberal cosmopolitanism and neoliberal globalization. Departing basically (but not exclusively) from different examples of Latin American literatures and cultures in globalized contexts, this volume provides innovative insights into critical readings of World Literature and its related conceptualizations. A timely book that embraces highly innovative perspectives, it will be a mustread for all scholars involved in the field of the global dimensions of literature.

This book presents a new approach to studying the European Union’s regional and global relevance. It recasts into a dynamic perspective the three most significant systemic processes that define the EU as a regionalist project: its enlargement, neighborhood, and mega-regional policies. The book argues that these processes collectively demonstrate a dynamic shift of the core tenets of European regionalism from an inward-looking process of region building to an open, selective system of global interactions.

What haunts the city? Why is there so much pessimism in our urban lives? And how does this physical and psychological insecurity of relentless competition and a desire to succeed against all odds proliferate into cinema? Dark Fear, Eerie Cities analyses a wide array of films made in the early 21st century to offer a philosophical and psychoanalytical critique of the transforming cinematic imaginary—from the pre-1990s feudal family ideal to the contemporary construction of the new middle class’s subjectivities in the postcolonial context. Keeping in mind the effects of globalization, market liberalization, and the emergence of new forms of media and its consumption, the book proposes a theoretical engagement with cinematic transformations. Paunksnis presents an interdisciplinary study of a genre of cinema in which crime thrillers and horror films are aimed at answering some of the fundamental questions of our contemporary times.

Ludger Pries explores the important moral, social and political challenge facing Europe and the international community: the protection of refugees as one of the most vulnerable groups on the planet.

As much of the world turns its attention to questions of the role and even survival of the nation-state formation in an increasingly globalized world, the authors of this interdisciplinary volume shift the focus of the debate by examining various sites of social action where the nation-state is still in a formative stage even as it is increasingly under threat. Challenges to emergent nation-building arise both from within multi-ethnic "states" as well as from without, e.g., through pressure from international human rights organizations and the global capitalist marketplace. The authors demonstrate, too, that this betwixt and between situation is neither entirely new nor unique to the globalized world system; parallel tensions already existed between locals and migrants of regional trading networks before the European colonizers arrived on the scene to further complicate matters. Including micro level ethnographies, local histories and a macro-theoretical overview of the world-system, this volume directly engages with the complexities of globalization in marginal and troubled states, complexities that are themselves typically marginalized in debates all too often obsessed with the plight of the most powerful and developed nations.

Over the last decade, anti-government demonstrations worldwide have brought together individuals and groups that were often assumed unlikely to unite for a common cause due to differences in ideological tendencies. They have particularly highlighted the role of youth, women, social media, and football clubs in establishing unusual alliances between far left and far right groups and/or secular and religious segments of the society. In this wide-ranging volume, the contributors question to what extent political ideologies have lost their explanatory power in contemporary politics and society. This book aims to contribute to the ongoing debates about the relationship between ideology and public protests by introducing the global context that allows the comparison of societies in different parts of the world in order to reveal the general patterns underlying the global era. Tackling a highly topical issue, this book will be of particular interest to students and scholars of international relations, social movements and globalization.

This book offers interdisciplinary examination of gender representations in cinema and SVOD (Subscription Video on Demand) platforms in India. This book will identify how the so-called feminist enunciations in twenty-first century film and SVOD content in India are marked by an ambiguous entanglement of feminist and postfeminist rhetoric. Set against the backdrop of two significant contemporary phenomena, namely neoliberalism and the digital revolution, this book considers how neoliberalism, aided by technological advancement, re-configured the process of media consumption in contemporary India and how representation of gender is fraught with multiple contesting trajectories. The book looks at two types of media—cinema and SVOD platforms, and explores the reasons for this transformation that has been emerging in India over the past two decades. Keeping in mind the complex paradoxes that such concomitant process of the contraries can invoke, the book invites myriad responses from the authors who view the shifting gender representations in postmillennial Hindi cinema and SVOD platforms from their specific ideological standpoints. The book includes a wide array of genres, from commercial Hindi films to SVOD content and documentary films, and aims to record the transformation facilitated by economic as well as technological revolutions in contemporary India across various media formats.