Disintegration in Frames explores the relationship between aesthetics and ideology in the Yugoslav and post-Yugoslav cinema, with emphasis on issues of nationalism, internationalism, and interethnic relations.

In eleven sharp essays, the contributors to Decay attend to the processes and experiences of symbolic and material decay in a variety of sociopolitical contexts across the globe. They examine decay in its myriad manifestations—biological, physical, organizational, moral, political, personal, and social and in numerous contexts, including colonialism and imperialism, governments and the state, racism, the environment, and infrastructure. The volume's topics are wide in scope, ranging from the discourse of social decay in contemporary Australian settler colonialism and the ways infrastructures both create and experience decay to cultural decay in the aftermath of the Sri Lankan civil war and the relations among individual, institutional, and societal decay in an American high-security prison. By using decay as a problematic and expounding its mechanisms, conditions, and temporalities, the contributors provide nuanced and rigorous means to more fully grapple with the exigencies of the current sociopolitical moment. Contributors. Cameo Dalley, Peter D. Dwyer, Akhil Gupta, Ghassan Hage, Michael Herzfeld, Elise Klein, Bart Klem, Tamara Kohn, Michael Main, Fabio Mattioli, Debra McDougall, Monica Minnegal, Violeta Schubert

Dyneins: The Biology of Dynein Motors, Second Edition, offers a broad view of dyneins from structure, composition and organization, to biology of dynein function in both cytoplasm and cilia. As the second book in a pair on this topic, these works provide an overview of dyneins, from structure and function, to dysfunction and disease. Since the first edition, enormous strides have been taken in understanding dynein structure, its organization in the axoneme, single molecule motor mechanics and the consequences of defects for human biology, disease and development. This second edition is extensively revised, with coverage expanded from 24 to 42 chapters. Much of the expanded coverage occurs in Volume Two on dynein dysfunction and disease, such as the role of dynein and cancer, while Volume One covers the history and evolution of dyneins, dyneins in ciliary biology and cytoplasmic dynein biology. - Presents a broad-based, up-to date view of the biology of dynein motors - Discusses approaches from genetics, molecular biology, biochemistry and biophysics - Includes a companion website with movies of dynamic cell behavior - Covers the topic in comprehensive chapters written by world experts

“Frame analysis” has long been an active field in journalism and communication, but there are many chaotic, ambiguous definitions and duplicated studies. This book combines subjective philosophy with empirical research to fully explore what news framing is and how a media organization's news frame is constructed. Topics discussed include connotation and composition, facts and sources, functions and effects, construction and updates, competition and negotiation, presenting as a whole a clear and systematic epistemological framework and providing inspiration for news frame researchers, media practitioners and the public to understand the role of the news media. In addition, the book also examines and analyses empirical cases from different countries and regions, including particular emphasis on frame analysis in China, which can help foreign readers better understand Chinese media reports.

During its 200-year history, the Philosophical Magazine was transformed from a journal that published papers on all aspects of science to one that specialised in physics and more latterly in condensed matter. From 1950 it became a journal of choice for electron microscopists and in this fourth and last volume of the series, appear classic papers by

This title recounts the history of para-cinema - the long tradition within the avant garde of adapting the tools, technologies, and techniques of conventionalfilm-making. Levi's study considers works by filmmakers, artists, and theorists from France, Italy, the Soviet Union, Germany, Hungary, and Yugoslavia.