" ... papers given at the conference 'William of Malmesbury and his Legacy' held at Oxford, 2-5 July 2015." -- cover verso.

" ... second volume ... contains an introduction and detailed commentary to accompany the Latin text and translation of the work appearing in Volume I. The introduction presents and analyses the reasons behind the work ... The commentary, linked to the Latin text, discusses problems and questions thrown up by the work, and illustrations appear throughout."--Jacket.

Best known for his historical writings ('Deeds of the Bishops' and 'Deeds of the Kings of England'), William of Malmesbury was also a biblical commentator, hagiographer and classicist. He was probably the best read of all 12th century men of learning; this work studies his intellectual achievement.

Alongside annals, chronicles were the main genre of historical writing in the Middle Ages. Their significance as sources for the study of medieval history and culture is today widely recognised not only by historians, but also by students of medieval literature and linguistics and by art historians. The series The Medieval Chronicle aims to provide a representative survey of the on-going research in the field of chronicle studies, illustrated by examples from specific chronicles from a wide variety of countries, periods and cultural backgrounds. There are several reasons why the chronicle is particularly suited as the topic of a yearbook. In the first place there is its ubiquity: all over Europe and throughout the Middle Ages chronicles were written, both in Latin and in the vernacular, and not only in Europe but also in the countries neighbouring on it, like those of the Arabic world. Secondly, all chronicles raise such questions as by whom, for whom, or for what purpose were they written, how do they reconstruct the past, what determined the choice of verse or prose, or what kind of literary influences are discernable in them. Finally, many chronicles have been beautifully illuminated, and the relation between text and image leads to a wholly different set of questions. The Medieval Chronicle is published in cooperation with the Medieval Chronicle Society (medievalchronicle.org).

The Historia Novella is a key source for the succession dispute between King Stephen and the Empress Matilda which brought England to civil war in the twelfth century. William of Malmesbury was the doyen of the historians of his day. His account of the main events of the years 1126 to 1142,to some of which he was an eyewitness, is sympathetic to the empress's cause, but not uncritical of her. Edmund King offers a complete revision of K. R. Potter's edition of 1955, retaining only the translation, which has been amended in places. Not only is this a new edition but it offers a new text, arguing that what have earlier been seen as William of Malmesbury's final revisions are not from hishand. Rather they seem to come from somewhere in the circle of Robert of Gloucester, the empress's half-brother, to whom the work is dedicated. In this way the work raises important questions concerning the transmission of medieval texts.

Henry of Huntingdon's narrative covers one of the most exciting and bloody periods in English history: the Norman Conquest and its aftermath. He tells of the decline of the Old English kingdom, the victory of the Normans at the Battle of Hastings, and the establishment of Norman rule. His accounts of the kings who reigned during his lifetime--William II, Henry I, and Stephen--contain unique descriptions of people and events. Henry tells how promiscuity, greed, treachery, and cruelty produced a series of disasters, rebellions, and wars. Interwoven with memorable and vivid battle-scenes are anecdotes of court life, the death and murder of nobles, and the first written record of Cnut and the waves and the death of Henry I from a surfeit of lampreys. Diana Greenway's translation of her definitive Latin text has been revised for this edition.

The practice and the representation of flaying in the middle ages and after are considered in this provocative collection.

NEW YORK TIMES BESTSELLER Around the year 1049, William, Duke of Normandy and future conqueror of England, raced to the palace of Baldwin V, Count of Flanders. The count’s eldest daughter, Matilda, had refused William’s offer of marriage and publicly denounced him as a bastard. Encountering the young woman, William furiously dragged her to the ground by her hair and beat her mercilessly. Matilda’s outraged father immediately took up arms on his daughter’s behalf. But just a few days later, Baldwin was aghast when Matilda, still recovering from the assault, announced that she would marry none but William, since “he must be a man of great courage and high daring” to have ventured to “come and beat me in my own father’s palace.” Thus began the tempestuous marriage of Matilda of Flanders and William the Conqueror. While William’s exploits and triumphs have been widely chronicled, his consort remains largely overlooked. Now, in her groundbreaking Queen of the Conqueror, acclaimed author and historian Tracy Borman weaves together a comprehensive and illuminating tapestry of this noble woman who stood only four-foot-two and whose role as the first crowned Queen of England had a large and lasting influence on the English monarchy. From a wealth of historical artifacts and documents, Matilda emerges as passionate, steadfast, and wise, yet also utterly ruthless and tenacious in pursuit of her goals, and the only person capable of taming her formidable husband—who, unprecedented for the period, remained staunchly faithful to her. This mother of nine, including four sons who went on to inherit William’s French and English dominions, confounded the traditional views of women in medieval society by seizing the reins of power whenever she had the chance, directing her husband’s policy, and at times flagrantly disobeying his orders. Tracy Borman lays out Matilda’s remarkable story against one of the most fascinating and transformative periods in European history. Stirring, richly detailed, and wholly involving, Queen of the Conqueror reveals not just an extraordinary figure but an iconic woman who shaped generations, and an era that cast the essential framework for the world we know today. Praise for Queen of the Conqueror “[Tracy Borman] brings to life Queen Matilda’s enormous accomplishments in consolidating early Norman rule. Alongside her warrior husband, William I, Matilda brought legitimacy, a deeper degree of education, diplomatic savvy and artistic and religious flowering to the shared Norman-English throne. Borman . . . the chief executive of Britain’s Heritage Education Trust, fleshes out the personality of this fascinating woman, who set the steely precedent for subsequent English female sovereigns by displaying great longevity and stamina in a rough, paternalistic time. . . . A richly layered treatment of the stormy reign that yielded the incomparable Bayeux Tapestry and the Domesday Book.”—Kirkus Reviews “Tracy Borman tells this story with a steady eye and a steady hand, tracing what can be known of Matilda’s part in the events that were to change the course of English history.”—Helen Castor, Literary Review

The future William II was born in the late 1050s the third son of William the Conqueror. The younger William, - nicknamed Rufus because of his ruddy cheeks - at first had no great expectations of succeeding to the throne. This biography tells the story of William Rufus, King of England from 1087-1100 and reveals the truth behind his death.