In his composition Srī Rāmacaritamānasa, Gosvāmi Tulasīdāsa declares that the Rāma kathā is most profound; many are the gems hidden in it. Just as a specialist is needed to discern the location of precious stones buried in the mountains, so also is it the case for the gems embedded in the Rāma kathā. Swami Tejomayananda through his discourses manifests the self-effulgent jewel of bhakti in simple words soaked in devotion. In the process he sheds light on numerous facets of spiritual life. The crux of listening to or reading this story is to awaken and steadily deepen love for Srī Rāma. This is what Swamiji emphasizes again and again. Devotion for Sri Rama enhances and embellishes knowledge. We believe that the prayer of all seekers will be for such love to take root in their heart: priya lāgahu mohi rāma.

Shrimad Bhagavat is renowned as one of the greatest compositions in Sanskrit Literature. The 18th Purana composed by Maharishi Veda-Vyasa, it stands unparalleled in its distinct and resplendent exaltation of devotion to God, revealing throughout the quintessence of Vedantic teachings. Masterfully profound and delightfully enchanting, Shrimad Bhagavat abounds in work-paintings of the supreme Lord's wondrous and endearing avatars, divine sports and devotees - paintings that kindle, intensity and establish devotion in one's heart. This spring of devotion leads one to satsang, to the Guru and to teachings that unveil one's essential nature of Brahman.

Extended narrative poem on the life and exploits of Rāma, Hindu deity; originally serialized in Kalyana-kalpataru, 1949-1951.

The Book Centres Around The Multiple Levels Of Protocol I.E. - Social, Political, Administrative And Spiritual, Discernible In Tulsi S Celebrated Work. As Geological Excavations Continue To Reveal New Facets Of Past Civilisations; Classical Texts Also Yield Fresh Semantic Dimensions When Subjected To Close And Continuous Study. The Author, Who Has Been In Government Service For Long And Is Well-Conversant With Protocol At High Levels, Is Breaking New Ground By Concentrating On This Subject In Sri Ramcharitmanas. He Seeks To Demolish The British Contention That India Lacked Even Primary Concepts Of Protocol Before Their Arrival. Contents Chapter 1: Bal Kand; Chapter 2: Ayodhaya Kand; Chapter 3: Aranya Kand; Chapter 4: Kishkindha Kand; Chapter 5: Sundar Kand; Chapter 6: Lanka Kand; Chapter 7: Uttar Kand.

Vallabhacharya, the founder of the Pushti Maarg was a poet, scholar and passionate lover of Lord Krishna. Madhurashtakam is one of the immemorial compositions of Vallabhacharya, the founder of Pusti marg. These set of eight verses talk of Shri Krishna's bewitching personality. His pastimes, and His pranks all of which make Him loving and lovable. The composition has become more popular because of its simplicity. Pujya Guruji's commentary on it gives us a sense of immediacy with highlights of episodes from the lives of recent saints. It also makes us introspect on our hypocrisies which prevent us from flowing with sweetness. It opens our eyes to the healing energies of the Divine, clothed in a name and form.

Sitting on a hillside, Shri Rama and Lakshmana soak in the beauty of the rainy season. Rama draws many parallels between nature and human nature. For instance, the clear sky reminds Him of a pure soul, devoid of worldly desires. The imagery of nature helps Him unravel His thoughts on dharma, jnana, bhakti and niti. Swami Tejomayananda clubs his commentary on Kishkindha-kanda with Purajana-gita from Uttara-kanda, which is Shri Rama’s address after His coronation, very much like the Presidential address on the eve of the Republic Day. Swami Tejomayanandaji’s commentary is lucid and lively.

For each one of us, life is a journey, variously interspersed with occasions that bring joy, progress, good will, sorrow, and a sense of gratitude for all blessings we have received Adarsh Jivan is a compilation of Sanskrit verses that mark such occasions in our lives. These have been composed and set to music by Pujya Guruji Swami Tejomayananda.