By making this lost masterpiece of Surrealist literature available to an English-speaking readership, this publication will bring further recognition to a seminal and previously underrated figure in 20th century art and literature.

"In May 1930, Editions Carrefour of Paris published 500 copies of a book called Aveux non Avenus, in which Cahun explored these same dialectics in book form. It is the nearest thing to a memoir Cahun wrote, but in fact the book is an anti-memoir, a critique of autobiography, where she uses subversive photomontages and statements to present herself as a force of genius possessed of the need to resist identification and to maintain within herself "the mania of the exception." Disavowals is the first appearance of that work, widely considered to be her most important text, in English."--BOOK JACKET.

Based on interviews with Islamic State insiders, Abdel Bari Atwan reveals the origins and modus operandi of the fastest-growing and richest terrorist group in the world. Outlining its leadership structure and strategies, Atwan describes the group's ideological differences with al-Qa`ida and why IS appear to pose a greater threat to the West. He shows how it has masterfully used social media, Hollywood `blockbuster'-style videos, and even jihadi computer games to spread its message and to recruit young people, from Tunisia to Bradford. As Islamic State continues to dominate the world's media headlines with acts of ruthless violence, Atwan considers its chances of survival and offers indispensable insight into potential government responses to contain the IS threat.

Over the last ten years, journalist and al-Qa'ida expert Abdel Bari Atwan has cultivated uniquely well-placed sources and amassed a wealth of information about al-Qa'ida's origins, masterminds and plans for the future. Atwan reveals how al-Qa'ida's radical departure from the classic terrorist/guerrilla blueprint has enabled it to outpace less adaptable efforts to neutralize it. The fanaticism of its fighters, and their willingness to kill and be killed, are matched by the leadership's opportunistic recruitment strategies and sophisticated understanding of psychology, media, and new technology - including the use of the internet for training, support, and communications. Atwan shows that far from committing acts of violence randomly and indiscriminately, al-Qa'ida attacks targets according to a decisive design underwritten by unwavering patience. He also argues that events in Iraq and Saudi Arabia are watershed moments in the group's evolution that are making it more dangerous by the day, as it refines and appropriates the concept of jihad and makes the suicide bomber a permanent feature of a global holy war. While Osama bin Laden and Ayman al-Zawahiri remain al-Qa'ida's figureheads, Atwan identifies a new kind of leader made possible by its horizontal chain of command, epitomized by the brutal Abu Mus'ab al-Zarqawi in Iraq and the bombers of London, Madrid, Amman, Bali, and elsewhere. Scholarly, analytical, objective, it is also intensely readable, being by far the best book on the subject.' -- Tony Benn 'This is a must-read book for anyone interested in understanding our increasingly scary world.' -- Gavin Esler 'What shines out ... is a profound desire to investigate and reveal the truth. Intelligent and informative.' -- Jason Burke, Guardian 'Deeply researched, well reported and full of interesting and surprising analyses. It demands to be read.' -- Peter Bergen, author of Holy War, Inc

Published to accompany an exhibition held at the National Portrait Gallery, London, 9 March-29 May 2017

Surrealist women’s writing: A critical exploration is the first sustained critical inquiry into the writing of women associated with surrealism. Featuring original essays by leading scholars of surrealism, the volume demonstrates the extent and the historical, linguistic, and culturally contextual breadth of this writing. It also highlights how the specifically surrealist poetics and politics of these writers’ work intersect with and contribute to contemporary debates on, for example, gender, sexuality, subjectivity, otherness, anthropocentrism, and the environment. Drawing on a variety of innovative theoretical approaches, the essays in the volume focus on the writing of numerous women surrealists, many of whom have hitherto mainly been known for their visual rather than their literary production. These include Claude Cahun, Leonora Carrington, Kay Sage, Colette Peignot, Suzanne Césaire, Unica Zürn, Ithell Colquhoun, Leonor Fini, Dorothea Tanning, and Rikki Ducornet.

Edited by Louise Downie. Essays by James Stevenson, Katharine Conley, Gen Doy, Claire Follain, Tirza True Latimer, Jennifer Shaw and Kristine von Oehsen.

THE UNKNOWN HEROINE is a limited edition artists' book made by conceptual artist Sherry Wiggins in collaboration with photographer Luís Filipe Branco. The book is comprised of text and images that are based on Wiggins's interaction with French photographer and writer Claude Cahun's essay "THE ESSENTIAL WIFE or the the Unknown Princess." The book includes this essay by Claude Cahun as well as an essay by curator and writer Cydney Payton.

The Russian poet Vladimir Mayakovsky was the author Elsa Triolet's first love. This memoir of him in was written in 1939 - nine years after his suicide aged 36. It reveals a paradoxical character: an enthusiastic womaniser who remained deeply in love with one woman until the day he died; a genius who often played the buffoon; a joyful extrovert so raw and prone to despair that he shot himself through the heart. This volume also includes some verses by Mayakovsky not translated into English.