Arthur Rimbaud burst onto the literary scene in 1871 with a startling new voice, transforming himself from an anonymous country boy into the sensation of Paris. His explosive life included a passionate affair with the older (and married) poet Paul Verlaine, and a prosperous career as a trader and arms dealer in Ethiopia. A cancerous leg forced him to return to France, where he died at the age of thirty-seven. Bruce Duffy takes these astonishing facts and brings them to vivid life in a story rich with humor, exquisite writing, and alarming parallels to our own contemporary moment. Disaster Was My God vividly conveys, as few works ever have, the inner turmoil of this calculating genius, and helps us understand why Rimbaud’s work and life continue to influence protean rock legends, from Bob Dylan to Patti Smith.

Hope Carpenter opens up about her personal struggles that nearly destroyed her family, her church, and her ministry, but then God did something miraculous—out of her brokenness, He made something beautiful. As co-pastor of one of the nation's largest megachurches, Hope Carpenter had perfected the roles of supportive wife, good mother, devoted worship leader, and dutiful homemaker. But inside, she was secretly ashamed, sad, and afraid. She didn't know who she was, and she didn't know how to ask for help without bringing down the whole façade. A series of bad choices led to multiple affairs; her husband kicked her out and announced from the pulpit of their church that their marriage was over. Hope was sure her life was done. But in her lowest moments, something beautiful happened. God met her there, and, with a lot of hard work, time, and mountains of therapy, she started to understand the pain that had caused her to act out. She and her family faced their brokenness together, and in powerful acts of forgiveness only God could have arranged, they all found real breakthrough and healing. Ron and Hope rebuilt their marriage and their family, and their ministry thrives today. In The Most Beautiful Disaster, Hope helps readers understand the lasting impact of childhood trauma and gives readers practical steps to uncovering the root of pain in their own lives. She shows how small decisions can lead to big changes, and helps readers find healing and wholeness in Scripture and prayer. Ultimately, readers will be led to hope, reconciliation, and true freedom.

Interweaving biblical insights and personal narratives, this eloquently written book shows how God often uses suffering and desert experiences to form us into Christ's image. Marlena Graves shares her experiences of growing up poor in a house plagued by mental illness as a means to explore the forces God uses to shape us into beautiful people in the midst of brokenness. This book offers a window into suffering through the motif of desert spirituality, revealing how God can use our painful experiences to show himself faithful. While no one welcomes suffering, God often uses desert experiences--those we initially despise and wouldn't wish on anyone--to transform us into beautiful souls who better resemble Jesus. Graves shows how God can bring life out of circumstances reeking of death and destruction, whether those circumstances are crises or daily doses of quiet desperation. Readers who have experienced suffering and question God's purpose for it will benefit from this book, as will counselors, pastors, professors, and mentors. It includes a foreword by John Ortberg and Laura Ortberg Turner.

This “wicked, melancholy, and . . . astonishing” novel reimagines the lives of three wildly different men adrift in the 20th century: Ludwig Wittgenstein, Bertrand Russell, and G. E. Moore (Newsday). When Bruce Duffy’s The World As I Found It was first published, critics and readers were bowled over by its daring reimagining of the lives of three very different men, the philosophers Bertrand Russell, G. E. Moore, and Ludwig Wittgenstein. A brilliant group portrait with the vertiginous displacements of twentieth-century life looming large in the background, Duffy’s novel depicts times and places as various as Vienna 1900, the trenches of World War I, Bloomsbury, and the colleges of Cambridge, while the complicated main characters appear not only in thought and dispute but in love and despair. Wittgenstein, a strange, troubled, and troubling man of gnawing contradictions, is at the center of a novel that reminds us that the apparently abstract and formal questions that animate philosophy are nothing less than the intractable matters of life and death.

Verses taken from the bible about the history of this great man, yes a man who bled like us. His great teachings and his mistake. We see his followers trying to cover up his failure and undermining the clarity of his words. I recover his true teachings that unveil the universe and show how we create our own reality, so we can achieve a more prosperous and happy life. The book is for sale on Amazon.

This revised edition features a new chapter analyzing the failed response to Hurricane Katrina. Steinberg argues that it is wrong to see natural disasters as random outbursts of nature or expressions of divine judgment. He reveals how business and government decisions have paved the way for the greater losses of life and property.

A leading Old Testament theologian addresses one of the most vexing questions in Christian life and theology: What is God's role in natural disasters?

"Despite warnings of impending disaster, preemptive action is rarely taken by those who have the ability to do so. How do smart, high-powered people, leaders of global corporations, national institutions, even nations, often get it so wrong? While most investigations focus on the technical causes of disaster, Flirting With Disaster examines the psychological, social, and cultural impediments to whistle-blowing, showing what we can do to reduce the possibility of disasters happening at all"--Publisher's website.

Although he abandoned poetry before he was twenty-one years old, and wrote for only five or six years in all, Arthur Rimbaud has had an extraordinary influence on modern poetry. His work helped inspire poetic Symbolism, Dadaism, and Surrealism. Rimbaud dreamed of re-creating life through his words. Not content merely to describe the world, he longed to reorder it through his revolutionary poetry. He rebelled against all forms of hypocrisy, as well as against conventional concepts of love, morality, religion, and art. He even dreamed of liberating women from "endless servitude." Written a century ago, A Season in Hell and The Illuminations read like the works of an avant-garde poet of today. In her Introduction dealing with Rimbaud's life and work, Enid Rhodes Peschel discusses his concept of the voyant, the poet-visionary he dreamed of becoming through a "reasoned deranging of all his senses." A Season in Hell, which combines autobiography with self-appraisal, vision and hallucination, reflects Rimbaud's tortures in trying to be a voyant. The forty-two poems of The Illuminations, kaleidoscopic evocations of a universe in continual evolution, are further evidence of his attempts to reach this transcendent state. Enid Rhodes Peschel has succeeded in not only translating these works but in recreating them. Eye, ear, mind, and heart have all been engaged in her effort to capture the tone and rhythm of Rimbaud's language as well as the quality of his thought. Book jacket.

"In 2003, an independent film called The room ... made its disastrous debut in Los Angeles. Described by one reviewer as 'like getting stabbed in the head,' the six-million-dollar film earned a grand total of $1800 at the box office and closed after two weeks. Ten years later, The room is an international cult phenomenon ... In [this book], actor Greg Sestero, Tommy's costar and longtime best friend, recounts the film's long, strange journey to infamy, unraveling mysteries for fans ... as well as the question that plagues the uninitiated: how the hell did a movie this awful ever get made?"--