From the bestselling author of The Hundred-Year Flood comes an incredibly entertaining and profoundly affecting tour de force about a Korean American man's strange and ordinary attempts to exist. Matt Kim is always tired. He keeps passing out. His cat is dead. His wife and daughter have left him. He's estranged from his adoptive family. People bump into him on the street as if he isn't there. He is pretty sure he's disappearing. His girlfriend, Yumi, is less convinced. But then she runs into someone who looks exactly like her, and her doppelgänger turns out to have dated someone who looks exactly like Matt. Except the other Matt was superior in every way. He was clever, successful, generous, and beloved--until one day he suddenly and completely vanished without warning. How can Matt Kim protect his existence when a better version of him wasn't able to? Or is his worse life a reason for his survival? Set in a troubling time in which a presidential candidate is endorsed by the KKK and white men in red hats stalk Harvard Square, Disappear Doppelgänger Disappear is a haunting and frighteningly funny novel about Asian American stereotypes, the desires that make us human, puns, and what happens to the self when you have to become someone else to be seen.

This national bestseller is "a significant contribution to discussions of the art of fiction and a necessary challenge to received views about whose stories are told, how they are told and for whom they are intended" (Laila Lalami, The New York Times Book Review). The traditional writing workshop was established with white male writers in mind; what we call craft is informed by their cultural values. In this bold and original examination of elements of writing—including plot, character, conflict, structure, and believability—and aspects of workshop—including the silenced writer and the imagined reader—Matthew Salesses asks questions to invigorate these familiar concepts. He upends Western notions of how a story must progress. How can we rethink craft, and the teaching of it, to better reach writers with diverse backgrounds? How can we invite diverse storytelling traditions into literary spaces? Drawing from examples including One Thousand and One Nights, Curious George, Ursula K. Le Guin's A Wizard of Earthsea, and the Asian American classic No-No Boy, Salesses asks us to reimagine craft and the workshop. In the pages of exercises included here, teachers will find suggestions for building syllabi, grading, and introducing new methods to the classroom; students will find revision and editing guidance, as well as a new lens for reading their work. Salesses shows that we need to interrogate the lack of diversity at the core of published fiction: how we teach and write it. After all, as he reminds us, "When we write fiction, we write the world."

In the tradition of Native Speaker and The Family Fang, Matthew Salesses weaves together the tangled threads of identity, love, growing up, and relationships in his stunning first novel, The Hundred-Year Flood. This beautiful and dreamlike debut follows twenty-two-year-old Tee as he escapes to Prague in the wake of his uncle's suicide and the aftermath of 9/11. Tee tries to convince himself that living in a new place will mean a new identity and a chance to shed the parallels between him and his adopted father. His life intertwines with Pavel Picasso, a painter famous for revolution; Katka, his equally alluring wife; and Picasso's partner--a giant of a man with an American name. In the shadow of a looming flood that comes every one hundred years, Tee contemplates his own place in life as both mixed and adopted and as an American in a strange land full of heroes, myths, and ghosts.

From the bestselling author of The Hundred-Year Flood comes an incredibly entertaining and profoundly affecting tour de force about a Korean American man's strange and ordinary attempts to exist. Matt Kim is always tired. He keeps passing out. His cat is dead. His wife and daughter have left him. He's estranged from his adoptive family. People bump into him on the street as if he isn't there. He is pretty sure he's disappearing. His girlfriend, Yumi, is less convinced. But then she runs into someone who looks exactly like her, and her doppelgänger turns out to have dated someone who looks exactly like Matt. Except the other Matt was superior in every way. He was clever, successful, generous, and beloved--until one day he suddenly and completely vanished without warning. How can Matt Kim protect his existence when a better version of him wasn't able to? Or is his worse life a reason for his survival? Set in a troubling time in which a presidential candidate is endorsed by the KKK and white men in red hats stalk Harvard Square, Disappear Doppelgänger Disappear is a haunting and frighteningly funny novel about Asian American stereotypes, the desires that make us human, puns, and what happens to the self when you have to become someone else to be seen.

The international phenomenon that has sold more than two million copies, If Cats Disappeared from the World--now a Japanese film--is a heartwarming, funny, and profound meditation on the meaning of life. This timeless tale from Genki Kawamura (producer of the Japanese blockbuster animated movie Your Name) is a moving story of loss and reconciliation, and of one man’s journey to discover what really matters most in life. The young postman’s days are numbered. Estranged from his family and living alone with only his cat, Cabbage, to keep him company, he was unprepared for the doctor’s diagnosis that he has only months to live. But before he can tackle his bucket list, the devil shows up to make him an offer: In exchange for making one thing in the world disappear, the postman will be granted one extra day of life. And so begins a very strange week that brings the young postman and his beloved cat to the brink of existence. With each object that disappears, the postman reflects on the life he’s lived, his joys and regrets, and the people he’s loved and lost.

"I'm Not Saying, I'm Just Saying," a novel in flash fiction, is a raw, honest look at parenting, commitment, morality, and the spaces that grow between and within us when we don't know what to say. In these 115 titled chapters, a man, who learns he has a 5-year-old son, is caught between the life he knows and a life he may not yet be ready for. This is a book that tears down the boundaries in relationships, sentences, origin and identity, no matter how quickly its narrator tries to build them up. "Matthew Salesses' "I'm Not Saying, I'm Not Saying" is an absolute stunner of a novel. Told in short, sharp vignettes with prose that is taut, yet overflowing with meaning, this is the story of a year in the life of a complex and haunted, cobbled together family. The beauty of Salesses' writing here lies in his fearlessness, the emotional blows to the heart and head and gut he's willing to deliver, as if to say: This, this is life And we are all, in one way or another, survivors." -Kathy Fish, author of "Together We Can Bury It" "Matthew Salesses has written an extraordinary and startlingly original novel that explores connection and disconnection, the claims and limitations of the self, and the shifting terrain of truth. Poetic, unforgettable, shot through with fury and yearning, "I'm Not Saying, I'm Just Saying" captures in clear and chilling flashes our capacity for the cruelty and tenderness of love." -Catherine Chung, author of "Forgotten Country" "In Matt Salesses's smart novel-in-shorts, a newly-minted father flees telling his own story by any means necessary-by sarcasm, by denial, by playful and precise wordplay-rarely allowing space for his emerging feelings to linger. But the truth of who we might be is not so easily escaped, and it is in the accumulation of many such moments that our narrator, like us, is revealed: both the people we have been, and the better people we might be lucky enough to one day hope to become." -Matt Bell, author of "In the House upon the Dirt between the Lake and the Woods" ""I'm Not Saying, I'm Just Saying" renders the messiness of life, family, love in its myriad complex forms-romance lost and found, blood ties, squandered, unrequited-via 115 micro-stories that add up to a pointillist masterpiece." -Marie Myung-Ok Lee, author of "Somebody's Daughter" "Through a series of provocative, beautiful, and at times, brutally raw shorts, Matthew Salesses creates a complex, vulnerable portrait of modern fatherhood and masculinity. Narrated by our seemingly reckless, yet hyper-observant narrator, these vignettes build with tension and trepidation, until we, like the members of this reluctant, fractured family, realize the weight, burden and comfort that only comes from finally belonging." -Aimee Phan, author of "The Reeducation of Cherry Truong"

NATIONAL BESTSELLER ONE OF THE BEST BOOKS OF THE YEAR: VOGUE • FORBES • BOOKPAGE • NEW YORK POST • WIRED “I have not been as profoundly moved by a book in years.” —Jodi Picoult Even after she left home for Hollywood, Emmy-nominated TV writer Bess Kalb saved every voicemail her grandmother Bobby Bell ever left her. Bobby was a force—irrepressible, glamorous, unapologetically opinionated. Bobby doted on Bess; Bess adored Bobby. Then, at ninety, Bobby died. But in this debut memoir, Bobby is speaking to Bess once more, in a voice as passionate as it ever was in life. Recounting both family lore and family secrets, Bobby brings us four generations of indomitable women and the men who loved them. There’s Bobby’s mother, who traveled solo from Belarus to America in the 1880s to escape the pogroms, and Bess’s mother, a 1970s rebel who always fought against convention. But it was Bobby and Bess who always had the most powerful bond: Bobby her granddaughter’s fiercest supporter, giving Bess unequivocal love, even if sometimes of the toughest kind. Nobody Will Tell You This But Me marks the creation of a totally new, virtuosic form of memoir: a reconstruction of a beloved grandmother’s words and wisdom to tell her family’s story with equal parts poignancy and hilarity.

A darkly comic foray into the world of men and women who fake their own deaths, the consultants who help them disappear, and the private investigators who’ll stop at nothing to bring them back to life. “A delightful read for anyone tantalized by the prospect of disappearing without a trace.” —Erik Larson, New York Times bestselling author of Dead Wake “Delivers all the lo-fi spy shenanigans and caught-red-handed schadenfreude you’re hoping for.” —NPR “A lively romp.” —The Boston Globe “Grim fun.” —The New York Times “Brilliant topic, absorbing book.” —The Seattle Times “The most literally escapist summer read you could hope for.” —The Paris Review Is it still possible to fake your own death in the twenty-first century? With six figures of student loan debt, Elizabeth Greenwood was tempted to find out. So off she sets on a darkly comic foray into the world of death fraud, where for $30,000 a consultant can make you disappear—but your suspicious insurance company might hire a private detective to dig up your coffin...only to find it filled with rocks. Greenwood tracks down a British man who staged a kayaking accident and then returned to live in his own house while all his neighbors thought he was dead. She takes a call from Michael Jackson (no, he’s not dead—or so her new acquaintances would have her believe), stalks message boards for people contemplating pseudocide, and gathers intel on black market morgues in the Philippines, where she may or may not obtain some fraudulent goodies of her own. Along the way, she learns that love is a much less common motive than money, and that making your death look like a drowning virtually guarantees that you’ll be caught. (Disappearing while hiking, however, is a way great to go.) Playing Dead is a charmingly bizarre investigation in the vein of Jon Ronson and Mary Roach into our all-too-human desire to escape from the lives we lead, and the men and women desperate enough to give up their lives—and their families—to start again.

A New York Times bestseller and a "Best Thriller of the Year" Winner of the Goncourt Prize and now an international phenomenon, this dizzying, whip-smart novel blends crime, fantasy, sci-fi, and thriller as it plumbs the mysteries surrounding a Paris-New York flight. Who would we be if we had made different choices? Told that secret, left that relationship, written that book? We all wonder—the passengers of Air France 006 will find out. In their own way, they were all living double lives when they boarded the plane: Blake, a respectable family man who works as a contract killer. Slimboy, a Nigerian pop star who uses his womanizing image to hide that he’s gay. Joanna, a Black American lawyer pressured to play the good old boys’ game to succeed with her Big Pharma client. Victor Miesel, a critically acclaimed yet largely obscure writer suddenly on the precipice of global fame. About to start their descent to JFK, they hit a shockingly violent patch of turbulence, emerging on the other side to a reality both perfectly familiar and utterly strange. As it charts the fallout of this logic-defying event, The Anomaly takes us on a journey from Lagos and Mumbai to the White House and a top-secret hangar. In Hervé Le Tellier’s most ambitious work yet, high literature follows the lead of a bingeable Netflix series, drawing on the best of genre fiction from “chick lit” to mystery, while also playfully critiquing their hallmarks. An ingenious, timely variation on the doppelgänger theme, it taps into the parts of ourselves that elude us most.

In this rousingly good ghost story, Setterfield's debut novel rejuvenates the genre with a closely plotted, clever foray into a world of secrets, confused identities, lies, and half-truths.