Dior and His Decorators is the first work on the two interior designers most closely associated with Christian Dior. Like the unabashedly luxurious fashions of Dior's New Look, which debuted in 1947, the interior designs of Victor Grandpierre and Georges Geffroy infused a war-weary world with a sumptuous new aesthetic--a melding of the refined traditions of the past with a wholly modern sense of elegance. Author Maureen Footer recounts the lives and work of this influential trio, illustrated with a trove of evocative vintage photographs. Grandpierre designed Dior's first couture house, creating not only the elegantly restrained look of the salons but also the template for the Dior brand, including typeface, logo, and packaging. Both Grandpierre and Geffroy (who worked independently) designed the interior of Dior's townhouse. After the couturier's untimely death in 1957, Grandpierre and Geffroy went on to design salons for other couturiers, as well as homes for the likes of Yves Saint Laurent, Marcel Rochas, Gloria Guinness, Daisy Fellowes, and Maria Callas.

The history of interior design is punctuated by a few legends-Billy Baldwin, Sister Parish-and should include trailblazing decorator George Stacey. When George Stacey shot to prominence in the 1930s with projects for socialite Frances Cheney and style priestess Diana Vreeland, the audacity of his work caught the eye of Vogue, Harper's Bazaar, Town and Country, and House & Garden. An appealing nonchalance and irreverence, combined with erudition, a flair for color, and an innate grasp of balance, scale, and proportion, produced rooms that were surprising as well as sophisticated. Balancing modern aesthetics and modern living with a lifelong passion for French classicism ensured that Stacey designs were both of the moment and enduring. For the next forty years, he deftly produced a string of stylish rooms for his stylish clientele. While the ground rules of Stacey's approach remained constant, he captured the nuances of mood and culture of an exceptionally dynamic era and established a design vocabulary that defined American chic in the American century and that endures, glitteringly, to this day.

An extraordinary book celebrating the unique connection between the House of Dior and the United States. Published on the occasion of the retrospective staged at the Brooklyn Museum, this new title chronicles the history of the House of Dior from 1947, when Chris-tian Dior heralded the birth of a new era of elegance with his revolutionary New Look, to the present day, with a special focus on the House’s legacy in America. Featuring a sophisticated Swiss binding, this book presents the exhibition’s highlights with creations by Christian Dior and the artistic directors who succeeded him: Yves Saint Laurent, Marc Bohan, Gianfranco Ferré, John Galliano, Raf Simons, and Maria Grazia Chiuri. Captured by artist Katerina Jebb, some of the House’s most legendary designs are displayed in highly unique images. A portfolio of iconic photographs by American masters—including Richard Avedon, Cass Bird, Henry Clarke, Louise Dahl-Wolfe, Zoë Ghertner, Ethan James Green, Tyler Mitchell, Irving Penn, and many more—underscores Dior’s undeniable cultural influence.

"Christian Dior caused a worldwide sensation in 1947, in a Paris still groping to recover from the devastation of wartime occupation. Reintroducing the flowing, ankle-length skirt, Dior gave women back their long-lost sense of freedom, femininity, and joie de vivre. Diorʼs collection with its pinched waste and generous folds of fabric was dubbed the ʻNew Lookʼ by the press, and he was crowned ʻThe King of Fashionʼ. He immediately re-established Paris as the centre of the fashion world and for the next thirty years the House of Dior played host to aristocracy, stars of stage and film, and glitterati from around the world. The Duchess of Windsor, Olivia de Havilland, Greta Garbo, Marlene Dietrich and Ingrid Bergman were just a few of the famous names that graced its corridors. Diorʼs daily inspiration emanated from the world of the intellectual and artistic elite, in which he moved with such people as Erik Satie, Francis Poulenc, Henry Suguet, Jean Cocteau and Raoul Dufy. With elegance, precision, and impeccable research, Marie-France Pochna recreates this one-of-a-kind world of glamour and situates Diorʼs fairy-tale career in the rich tapestry of Paris cultural life."--Pubisher description.

The first monograph of highly sought-after interior designer Shawn Henderson, who is renowned for his serene and sophisticated interiors. Collecting fourteen stunning projects by acclaimed interior designer Shawn Henderson, this monograph illustrates how the designer crafts spaces that reflect the lifestyles of his clients, while embodying the serenity and sophistication that have become Henderson's signature. Presenting his designs for city townhouses and lofts, historic farmhouses and country estates, and modern mountain and beach retreats—including his own West Village apartment and upstate New York country home—Henderson shares the warm, intimate, and harmonious interiors he creates through layered compositions of sculptural lighting and furniture--both custom and vintage--elegant finishes and textures, and exceptional art, all against a refined palette of clean neutrals and moody grays, with clever pops of color.

The Château de Versailles—the indisputable birthplace of fashion—continues to inspire glamour and style today. The royal residence of Versailles—this unparalleled seat of power and seduction—is an important influence on contemporary fashion, inspiring passions and vocations. Since the establishment of the world’s first dress codes under the rule of Louis XIV to incite the whims of the queens and royal mistresses, fashion at Versailles has been a constant and inexhaustible source of inspiration for designers, photographers, decorators, and directors and has launched countless fashion revolutions. Courtesan Madame de Montespan launched the “innocente” robe to camouflage pregnancy, Sofia Coppola memorialized Marie-Antoinette in extravagant wigs and pastel hues, and Annie Leibovitz captured Kirsten Dunst in a delicate taffeta-and-chiffon Alexander McQueen gown against the dramatic backdrop of a peristyle at Versailles. Haute couture in the 1950s launched the cinched-waist “neo-trianon” trend. Karl Lagerfeld used the château’s gardens as the runway for his 2013 cruise collection featuring Versailles-influenced crinoline dresses and brocade jackets. This stunning volume showcases the best of fashion inspired by Versailles, set against the exquisite background of the most spectacular palace in the world.

Tino applies his unfaltering and flawless design to projects as diverse and all-encompassing as a Parisian château, a Swiss chalet, a zen refuge in Tokyo, a Mediterranean villa, and even a 45-metre-long yacht, with a result that is never short of breath-taking.

Arguably the most famous fashion designer of the 20th century, Christian Dior's feminine fashions were desired, worn, and emulated by women around the world. This new publication by ROM Press explores in detail what it was about Dior's dramatic creations-the cuts, textiles and embroideries-that stimulated the entire Paris haute couture industry after the devastation of the Second World War. The book features the Royal Ontario Museum's collection of Christian Dior couture (1947-1957), and is accompanied by sketches and documentary material from Christian Dior Héritage, along with archival images and striking photographs of the museum garments taken by world-renowned Dior photographer Laziz Hamani. The collection features beautiful designs from daytime to evening wear. The publication breaks new ground as it explains key Dior design signatures, based on the use of innovative and historical dressmaking techniques to explain what made the New Look so successful and why his designs were worn and emulated by woman around the world in the 1950s. Christian Dior presents new information drawn from extensive research wedded with close examination of the designs within this catalogue, making it an essential read for those interested in fashion, art, culture, and history.

Top interior designer Steven Gambrel's luxe aspirational cloth-bound tome showcases his latest home interiors. Using a classical approach injected with contemporary touches and vibrant color, he creates spaces for today rooted in the past. A connoisseur of historical styles, Gambrel's designs feature compelling reinterpretations of the past coupled with a sense of place. Rooms range in style from elegant country to high-gloss urban. A confident colorist, his daring palette includes bright pinks, emerald-greens, deep grays, and cerulean blues. His tactile surfaces--from shiny lacquer to rugged matte--provide an exciting textural contrast to the elegant antiques and vintage furnishings mixed seamlessly with his upholstered creations. For his second book, the designer gives insight into his unique sensibility with recent projects including his nineteenth-century townhouse in New York City's West Village; a lime-washed brick Bridgehampton beach house; a rustic, refined Zurich estate; the luxurious Astor Suite in Manhattan's Plaza Hotel; and a charming sea captain's house in Sag Harbor. These residences will inspire design aficionados.