If you have ever felt the urge to paint the perfect zombie, or been morbidly compelled to capture the malignancy of a monstrous attack, then this is the book for you. Here, using the latest digital painting and modeling applications, expert horror artists show you exactly how they realized their nightmare visions. Each stage in the process is unveiled, from initial sketches through to fully rendered horror scenes that are more realistic and terrifying than ever before. The book spotlights Adobe Photoshop, Poser, Bryce 3D, Autodesk 3ds max, and Corel Painter, among other software products.

Fantasy painting has a long tradition.It went through a stylistic revolution in the 1980s with the widespread adoption of airbrush as a medium of choice. Now, with the emergence of various computer modeling and rendering applications, fantasy painting is going through another revolution. Digital tools and techniques have made it easier for artists to realize their visions and the images they now create are more vivid, more realistic, and more compelling. A must-have book for anyone working in the area of fantasy art and for anyone who admires the work of fantasy illustrators. "Digital Fantasy Painting Workshop" tackles the genre's three main categories-fantasy; science-fiction; and horror-and employs detailed step-by-step walkthroughs to show exactly how the images are produced. Featuring work from some of the world's leading fantasy artists, the book also explores the "tradigital" movement of mixing traditional and digital skills.

Enjoy some “good, slimy fun” with this horror anthology that pays tribute to H.P. Lovecraft’s eeriest creation—featuring 16 “genuinely frightening” stories from Neil Gaiman, Ramsey Campbell, and more (San Francisco Chronicle). Inspired by H. P. Lovecraft’s classic, today’s masters of horror take up their pens and turn once more to that decayed, forsaken New England fishing village with its sparkling treasure, loathsome denizens, and unspeakable evil . . . In addition to the Lovecraft’s original novella, The Shadow Over Innsmouth, this anthology features 16 chilling stories by authors such as Neil Gaiman, Ramsey Campbell and Kim Newman—all exploring and deepening the Cthulhu Mythos. "Introduction: Spawn of the Deep Ones" by Stephen Jones "The Shadow Over Innsmouth" by H. P. Lovecraft "Beyond the Reef" by Basil Copper "The Big Fish" by Jack Yeovil "Return to Innsmouth" by Guy N. Smith "The Crossing" by Adrian Cole "Down to the Boots" by D. F. Lewis "The Church in High Street" by Ramsey Campbell "Innsmouth Gold" by David Sutton "Daoine Domhain" by Peter Tremayne "A Quarter to Three" by Kim Newman "The Tomb of Priscus" by Brian Mooney "The Innsmouth Heritage" by Brian Stableford "The Homecoming" by Nicholas Royle "Deepnet" by David Langford "To See the Sea" by Michael Marshall Smith "Dagon's Bell" by Brian Lumley "Only the End of the World Again" by Neil Gaiman

In-depth, step-by-step workthroughs of over 20 digital horror paintings. Expert advice on combining traditional illustration skills with 2D and 3D computer software.

'I always keep a copy of Art & Fear on my bookshelf' JAMES CLEAR, author of the #1 best-seller Atomic Habits 'A book for anyone and everyone who wants to face their fears and get to work' DEBBIE MILLMAN, author and host of the podcast Design Matters 'A timeless cult classic ... I've stolen tons of inspiration from this book over the years and so will you' AUSTIN KLEON, NYTimes bestselling author of Steal Like an Artist 'The ultimate pep talk for artists. ... An invaluable guide for living a creative, collaborative life.' WENDY MACNAUGHTON, illustrator Art & Fear is about the way art gets made, the reasons it often doesn't get made, and the nature of the difficulties that cause so many artists to give up along the way. Drawing on the authors' own experiences as two working artists, the book delves into the internal and external challenges to making art in the real world, and shows how they can be overcome every day. First published in 1994, Art & Fear quickly became an underground classic, and word-of-mouth has placed it among the best-selling books on artmaking and creativity. Written by artists for artists, it offers generous and wise insight into what it feels like to sit down at your easel or keyboard, in your studio or performance space, trying to do the work you need to do. Every artist, whether a beginner or a prizewinner, a student or a teacher, faces the same fears - and this book illuminates the way through them.

Everything you need to know to create Sci-fi art With reference to creative painting programmes including Photoshop, the book explains, with the help of step-by-step instructions and screen grabs, how to progress from basic 'pencil' roughs to the finished colour art.

A fresh look at the influential pedagogy and practice pioneered by the Bauhaus Founded by architect Walter Gropius (1883-1969) in 1919, the Bauhaus was the 20th century's most influential school of art, architecture, and design. After the school was shuttered under pressure from the Nazis in 1933, many Bauhaus artists brought their innovative practices and teaching methods to the United States. Gropius himself accepted a position at Harvard, where he would help establish a collection of Bauhaus material that has since grown to more than 30,000 objects--the largest such collection outside Germany. Harvard in turn became an unofficial center for the Bauhaus in America. Written by established and emerging voices in the field, the scholarship presented here expands on the special link between the two institutions, while highlighting understudied aspects of the Bauhaus, such as weaving, photography, and art made by women. Accompanied by beautiful illustrations--some of never-before-published objects--this book yields fascinating insights for Bauhaus devotees and design aficionados. Distributed for the Harvard Art Museums

"With its gentle affirmations, inspirational quotes, fill-in-the-blank lists and tasks — write yourself a thank-you letter, describe yourself at 80, for example — The Artist’s Way proposes an egalitarian view of creativity: Everyone’s got it."—The New York Times "Morning Pages have become a household name, a shorthand for unlocking your creative potential"—Vogue Over four million copies sold! Since its first publication, The Artist's Way phenomena has inspired the genius of Elizabeth Gilbert and millions of readers to embark on a creative journey and find a deeper connection to process and purpose. Julia Cameron's novel approach guides readers in uncovering problems areas and pressure points that may be restricting their creative flow and offers techniques to free up any areas where they might be stuck, opening up opportunities for self-growth and self-discovery. The program begins with Cameron’s most vital tools for creative recovery – The Morning Pages, a daily writing ritual of three pages of stream-of-conscious, and The Artist Date, a dedicated block of time to nurture your inner artist. From there, she shares hundreds of exercises, activities, and prompts to help readers thoroughly explore each chapter. She also offers guidance on starting a “Creative Cluster” of fellow artists who will support you in your creative endeavors. A revolutionary program for personal renewal, The Artist's Way will help get you back on track, rediscover your passions, and take the steps you need to change your life.

This book reveals a thread of unsettling takes on the British landscape stretching from paintings, prints and photographs made by Paul Nash in the aftermath of the First World War to contemporary artists exploring themes of memory, belonging, hauntology, dislocation and human impact on nature. In his introductory essay Robert Macfarlane explains that the eerie, involves that form of fear which is felt first as unease then as dread, and it tends to be incited by glimpses and tremors rather than outright attack. Horror specialises in confrontation and aggression; the eerie in intimation and intimidation.? Macfarlane suggests that eerie art has often flourished at times of crisis, as seen in the work of Neo-Romantic artists around the time of the Second World War. The works featured in the exhibition are grouped around four overlapping themes: Ancient Landscapes? features that are inexplicable and mysterious, connecting us to the unknown distant past; Unquiet Nature ? landscapes and natural forms used to unsettling effect, such as trees, lonely expanses of heath and the borderlands where different worlds meet; Absence/Presence, how the inclusion (and absence) of figures and objects can generate feelings of the eerie through mystery, suggestion and isolation; Atmospheric Effect ? the influence of weather, season, light and the time of day on responses to landscape. Exhibition: St Barbe Museum and Art Gallery, New St, Lymington, UK (11.09.2021-08.01.2022).