Digging into Literature reveals the critical strategies that any college student can use for reading, analyzing, and writing about literary texts. The authors’ unique approach is based on groundbreaking studies of the successful interpretive and rhetorical moves of hundreds of professional and student essays. Full of practical charts and summaries-- with plenty of exercises and activities for trying out the strategies-- the book convincingly reveals that while great literature is complex, writing effective essays about it doesn’t have to be.

Digging the Vein's unnamed narrator has a problem: He has a burgeoning drug habit and a wife he's only known for two days, but no job, no money, and no way out. As the narrator's life crumbles, the pills, booze, and problems multiply until he hits on a brilliant solution: heroin. Soon the narrator is associating with a cabal of street freaks. Just as the comedy is piling up, things go sour, making Digging the Vein a brutal look at a self-destructed, marginal life.

Winner of the Michael L. Printz Medal ★“King’s narrative concerns are racism, patriarchy, colonialism, white privilege, and the ingrained systems that perpetuate them. . . . [Dig] will speak profoundly to a generation of young people who are waking up to the societal sins of the past and working toward a more equitable future.”—Horn Book, starred review “I’ve never understood white people who can’t admit they’re white. I mean, white isn’t just a color. And maybe that’s the problem for them. White is a passport. It’s a ticket.” Five estranged cousins are lost in a maze of their family’s tangled secrets. Their grandparents, former potato farmers Gottfried and Marla Hemmings, managed to trade digging spuds for developing subdivisions and now they sit atop a million-dollar bank account—wealth they’ve refused to pass on to their adult children or their five teenage grandchildren. “Because we want them to thrive,” Marla always says. But for the Hemmings cousins, “thriving” feels a lot like slowly dying of a poison they started taking the moment they were born. As the rot beneath the surface of the Hemmings’ white suburban respectability destroys the family from within, the cousins find their ways back to one another, just in time to uncover the terrible cost of maintaining the family name. With her inimitable surrealism, award winner A.S. King exposes how a toxic culture of polite white supremacy tears a family apart and how one determined generation can dig its way out.

Sneak in some fun along with library research skills as students learn the Dewey Decimal System! Digging Into Dewey takes a fresh look at teaching the time-honored system to students in grades 2-6. In this book, you'll find the ins and outs of Dewey's amazing system of classifying human knowledge, arranged in chapters to correspond with the ten major Dewey categories. Each chapter offers an introduction to its hundred range, what it includes and why, the tens subcategories, interesting print and nonprint resources that relate and a sampling of games and activities to familiarize students with the related subject matter and how to access it. Within each chapter, you'll be able to craft stand-alone library lessons appropriate to your particular situation and students. Grades 2-6.

Laura Wilder fills a gap in the scholarship on writing in the disciplines and writing across the curriculum with this thorough study of the intersections between scholarly literary criticism and undergraduate writing in introductory literature courses. Rhetorical Strategies and Genre Conventions in Literary Studies is the first examination of rhetorical practice in the research and teaching of literary study and a detailed assessment of the ethics and efficacy of explicit instruction in the rhetorical strategies and genre conventions of the discipline. Using rhetorical analysis, ethnographic observation, and individual interviews, Wilder demonstrates how rhetorical conventions play a central, although largely tacit, role in the teaching of literature and the evaluation of student writing. Wilder follows a group of literature majors and details their experiences. Some students received experimental, explicit instruction in the special topoi, while others received more traditional, implicit instruction. Arguing explicit instruction in disciplinary conventions has the potential to help underprepared students, Wilder explores how this kind of instruction may be incorporated into literature courses without being overly reductive. Taking into consideration student perspectives, Wilder makes a bold case for expanding the focus of research in writing in the disciplines and writing across the curriculum in order to grasp the full complexity of disciplinary discourse.

Junk has become ubiquitous in America today. Who doesn't have a basement, attic, closet, or storage unit filled with stuff too good to throw away? Or, more accurately, stuff you think is too good to throw away. When journalist and author Alison Stewart was confronted with emptying her late parents' overloaded basement, a job that dragged on for months, it got her thinking: How did it come to this? Why do smart, successful people hold on to old Christmas bows, chipped knick-knacks, VHS tapes, and books they would likely never reread? She discovered she was not alone. Junk details Stewart's three-year investigation into America's stuff, lots and lots and lots of stuff. Stewart rides along with junk removal teams from around the country such as Trash Daddy, Annie Haul, and Junk Vets. She goes backstage to a taping of Antiques Roadshow, and learns what makes for compelling junk-based television with the executive producer of Pawn Stars. And she even investigates the growing problem of space junk—23,000 pieces of manmade debris orbiting the planet at 17,500 mph, threatening both satellites and human space exploration. But it's not all dire. There are creative solutions to America's overburdened consumer culture. Stewart visits with Deron Beal, founder of FreeCycle, an online community of people who would rather give away than throw away their no-longer-needed possessions. She spends a day at a Repair CafÉ, where volunteer tinkerers bring new life to broken appliances, toys, and just about anything. Stewart also explores communities of "tiny houses" without attics and basements in which to stash the owners' trash. Junk is a delightful journey through 250-mile-long yard sales, and packrat dens, both human and rodent, that for most readers will look surprisingly familiar.

Despite being the founding scripture of a prominent religion, the Book of Mormon has escaped the attention of world scholars. Why is this? Thomas asks. To date, most research, conducted almost exclusively by Latter-day Saints, has been aimed at reconstructing the book's historical origins rather than at interpreting its message. In a sense, this begs readers to take the book seriously.Thomas wants to see prejudice, on the one hand, and over-reverence, on the other, set aside, to see people approach the Book of Mormon on its own terms. He follows the current direction in biblical studies. In determining the intent of a passage, he considers narrative patterns and literary forms. He does so both sensitively and honestly. He says he writes for the non-believer as well as for believers -- for seekers of a lost world and for those who seek a new one -- those who may have misplaced their world somewhere along the way.