Called variously the ’Byzantine epic’, the ’epic of Modern Greece’, an ’epic-romance’ and ’romance’, the poem of Digenes Akrites has, since its rediscovery towards the end of the nineteenth century, exerted a tenacious hold on the imagination of scholars from a wide range of disciplines and from many countries of the world, as well as of writers and public figures in Greece. There are many reasons for this, not least among them the prestige accorded to ’national epics’ in the nineteenth century and for some time afterwards. Another reason must surely be the work’s uniqueness: there is nothing quite like Digenes Akrites in either Byzantine or Modern Greek literature. However, this uniqueness is not confined to its problematic place in the literary ’canon’ and literary history. As historical testimony, and in its complex relationship to later oral song and to older myth and story-telling, Digenes Akrites again has no close parallels of comparable length in Byzantine or Modern Greek culture. Whether as a literary text, a historical source, or a manifestation of an oral popular culture, Digenes Akrites remains, more than a century after its rediscovery, persistently enigmatic. This Byzantine ’epic’ or ’romance’ has now become the focus of new research across a range of disciplines since the publication in 1985 of a radically revised edition based on the Escorial text of the poem, by Stylianos Alexiou. The papers in this volume, derived from a conference held in May 1992 at King’s College London, seeks to present and discuss the results of this new research. Digenes Akrites: New Approaches to Byzantine Heroic Poetry is the second in the series published by Variorum for the Centre for Hellenic Studies, King’s College London.

Digenis Akritis is Byzantium's only epic poem, telling of the exploits of a heroic warrior of 'double descent' on the frontiers between Byzantine and Arab territory in Asia Minor in the ninth and tenth centuries. It survives in six versions, of which the two oldest, dating from the thirteenth and fifteenth centuries, are presented here in an edited version. The manuscripts are preserved in the Grottaferrata monastery near Rome and the Escorial Library in Spain. Behind these two versions lies a twelfth-century poem that can now be glimpsed at but not reconstructed. This edition and translation aims at highlighting the nature of the lost poem, and at providing a guide through the maze of recent discussions about the epic and its background.

Among the epic romances of post-Barbarian Europe, such as Roland and El Cid, Digenis Akritas has been the least known in the West. It is the story of a half-breed prince who guarded the Roman Empire of Byzantium on the Euphrates in the tenth century. This new translation recaptures an urbane vanished civilization.

Warriors, Martyrs, and Dervishes: Moving Frontiers, Shifting Identities in the Land of Rome (13th-15th Centuries) focuses on the perceptions of geopolitical and cultural change, which was triggered by the arrival of Turkish Muslim groups into the territories of the Byzantine Empire at the end of the eleventh century, through intersecting stories transmitted in Turkish Muslim warrior epics and dervish vitas, and late Byzantine martyria. It examines the Byzantines’ encounters with the newcomers in a shared story-world, here called “land of Rome,” as well as its perception, changing geopolitical and cultural frontiers, and in relation to these changes, the shifts in identity of the people inhabiting this space. The study highlights the complex relationship between the character of specific places and the cultural identities of the people who inhabited them. See inside the book

This collection of essays addresses a number of questions regarding the role of consent in marriage and in sexual relations outside of marriage in ancient and medieval societies. Ranging from ancient Greece and Rome to the Byzantine Empire and Western Medieval Europe, the contributors examine rape, seduction, and the role of consent in establishing the punishment of one or both parties; the issue of marital debt and spousal rape; and the central question of what is perceived as coercion and what may be the validity or value of coerced consent. Other concepts, such as honor and shame, are also investigated. Because of the wide range--in time and place--of societies studied, the reader is able to see many different approaches to the question of consent and coercion as well as a certain evolution, in which Christianity plays an important role.

Offering a comprehensive introduction to the history of books, readers and reading in the Byzantine Empire and its sphere of influence, this volume addresses a paradox. Advanced literacy was rare among imperial citizens, being restricted by gender and class. Yet the state's economic, religious and political institutions insisted on the fundamental importance of the written record. Starting from the materiality of codices, documents and inscriptions, the volume's contributors draw attention to the evidence for a range of interactions with texts. They examine the role of authors, compilers and scribes. They look at practices such as the close perusal of texts in order to produce excerpts, notes, commentaries and editions. But they also analyse the social implications of the constant intersection of writing with both image and speech. Showcasing current methodological approaches, this collection of essays aims to place a discussion of Byzantium within the mainstream of medieval textual studies.