Winner of the 2019 H.R.F. Keating Award for the best biographical or critical book related to crime fiction Originally published by Gryphon Books in 1993, Difficult Lives was one of the earliest attempts to track the legacy of original paperback writers such as Jim Thompson, David Goodis and Chester Himes. The individual essays on these three first appeared in literary magazines. Difficult Lives visits a rare moment when daylight was showing around the seams of American society and visions quite in contrast to the sanctioned version drifted to the surface in books one bought off racks in drugstores and bus stations -- stark, bonelike, disturbing books. We're pleased to make Difficult Lives available again, doubling your pleasure by pairing it with Hitching Rides, an equal volume of new essays on other crime writers including Derek Raymond, Jean-Patrick Manchette, Patricia Highsmith and Shirley Jackson.

Once described as "the best crime writer you've never heard of," James Sallis is a largely underexplored figure in contemporary American literature. Best known for his thriller novel Drive--later adapted into the acclaimed 2011 movie of the same name starring Ryan Gosling and Carey Mulligan--Sallis has written across a range of genres and forms, including short fiction, poetry, musicology, science fiction, biography, nonfiction essays, literary reviews, and criticism. This companion, the first comprehensive examination of Sallis' writings, locates him as a vital voice within mystery fiction. In addition to an alphabetized analysis of his works, it includes a biography, career chronology, and an interview with the author. Readers will gain a deeper understanding of Sallis' extraordinary life and career, as well as insight into the recurrent themes and motifs of his rich and varied writings. This book is both an introduction to Sallis' work for new readers and a thorough reference guide for established fans and scholars.

As much a classic detective story as it is a literary masterpiece, The Long-Legged Fly introduces us to Lew Griffin: tough, smart, and living in a corner of society where life is fought for as much as it is lived. In steamy New Orleans, black private detective Lew Griffin has taken on a seemingly hopeless missing-person case. The trail takes him through the underbelly of the French Quarter with its bar girls, pimps, and tourist attractions. As his search leads to one violent dead end and then another, Griffin is confronted by the realization that his own life has come to resemble those of the people he is attempting to find.

A spare, sparkling tour de force about one woman's journey to becoming a cop, by master of noir James Sallis, author of Drive. A spare, sparkling tour de force about one woman's journey to becoming a cop. Sarah Jane Pullman is a good cop with a complicated past. From her small-town chicken-farming roots through her runaway adolescence, court-ordered Army stint, ill-advised marriage and years slinging scrambled eggs over greasy spoon griddles, Sarah Jane unfolds her life story, a parable about memory, atonement, and finding shape in chaos. Her life takes an unexpected turn when she finds herself named the de facto sheriff of a rural town, investigating the mysterious disappearance of her predecessor - and the even more mysterious realities of the life he was hiding from his own colleagues and closest friends. In the tradition of James Crumley's The Last Good Kiss and Ivy Pochoda's Wonder Valley, this kaleidoscopic character study sparkles in every dark and bright detail - a virtuoso work by a master of both the noir and the tender aspects of human nature.

Weaving Griffin's search for identity-one of the recurring themes in this magnificent series of novels-with a sensuous portrait of the people and places the define New Orleans, James Sallis continues not only to unravel Griffin's past but to map his future . . . and our own. As Lew Griffin leaves a New Orleans music club with an older white woman he has just met, someone fires a shot and Lew goes down. When he comes to, he discovers that most of a year has gone by since that night. Who was the woman? Which of them was the target? Who was the shooter? Somewhere in the Crescent City—and in the white supremacist movement crawling through it—there's an answer. But to get to it, he is going to have to work with the only people offering help, people he knows he should avoid.

With this flashback novel to Lew Griffin’s past, James Sallis takes readers to 1960s New Orleans, a sun-baked city of Black Panthers and other separatists. A sniper has fatally shot five people. When the sixth victim is killed, Lew Griffin is standing beside her. Though they are virtual strangers, it is left to Griffin to avenge her death, or at least to try and make some sense of it. His unlikely allies include a crusading journalist, a longtime supplier of mercenary arms and troops, and a bail bondsman.

WHAT YOU WERE FIGHTING FOR is a wonderful collection of short stories that provokes the mind with its weird and intriguing tales. We catch glimpses of worlds that are similar to our own, but always different enough to make you wonder and sit at the edge of your seat. Reading this collection you often have to work out what is truly happening as Sallis weaves his imaginative portrayals of idiosyncratic characters with all the subtlety of the mind that spawned the Lew Griffin novels, Willnot, Sarah Jane, and Drive.

The mystery of private investigator Lew Griffin is revealed in the conclusion of this critically acclaimed, groundbreaking series. In his old house in uptown New Orleans, Lew Griffin stands alone in a dark room, looking out. Behind him on the bed is a body. Instead of speaking, he reflects on his life—his failing relationship, his missing son, the fact that he hasn’t written in years—and how the two of them ended up there. In a novel as much about identity as about crime, the answers to Lew’s personal mysteries begin to become clear in the series’ brilliantly constructed climax.

Finding people is what former private investigator Lew Griffin excels at. The terrible irony is that the exception is his own missing son. Dreams, memories, and reality run together to form his own darkest night. Lew Griffin is a survivor, a black man in New Orleans—a teacher, a writer, and an ex-detective. Having spent years finding others, he has lost his son—and himself in the process. Now a derelict has appeared in a New Orleans hospital claiming to be Lewis Griffin and toting a copy of one of Lew’s novels. Learning the truth is a quest that will take Griffin into his own past as he tries to deal with the present: a search for three missing young men.