The question of ‘postmodernity’ that has swept Western academic and intellectual circles raises critical comparative questions. Do societies that have not experienced the same historical development as the West pass inevitably through modernity into postmodernity, or can they skip such stages altogether? Japan, the only non-Western society to develop independently a fully-fledged capitalist-industrialist economy, poses such fundamental questions to social theory. Is Japan in fact ‘unique’ and as such is it a society which escapes the net of conventional sociological abstractions? The book questions how special Japanese society really is, the limitations of Western social theory in grasping the fullness of this dynamic and a complex Asian society, and inquires as to how Japan in turn may speak to social theory and deepen and broaden the principles on which social theory attempts to explore and categorize the social and cultural worlds.

First Published in 1995. The question of 'postmodernity' that has swept Western academic and intellectual circles raises critical comparative questions. Do societies that have not experienced the same historical development as the West pass inevitably through modernity into postmodernity, or can they skip such stages altogether? Japan, the only non-Western society to develop independently a fully-fledged capitalist-industrialist economy, poses such fundamental questions to social theory. Is Japan in fact 'unique' and as such is it a society which escapes the net of conventional sociological abstractions? The book questions how special Japanese society really is, the limitations of Western social theory in grasping the fullness of this dynamic and a complex Asian society, and inquires as to how Japan in turn may speak to social theory and deepen and broaden the principles on which social theory attempts to explore and categorize the social and cultural worlds.

Over the last 100 years, most European countries have experienced great, and in many cases similar changes. A general term for the phenomenon is 'modernisation', and in this anthology the authors present several different aspects of modernisation and the modernisation revolution. Among other issues, the articles are based on the importance of industrialisation, education and economic development for the success of modernisation. Spain, Sweden and Denmark have been used as starting points to illustrate differences in the modernisation process between northern and southern Europe.

This book, for the first time, examines in depth the link between modernism and postmodernism and demonstrates the extensive similarities, as well as the few crucial differences between the ideas and art of the Dadaists on the one hand, and those of contemporary postmodern thinkers and artists on the other.

Bringing together leading Jewish historians, anthropologists, sociologists, philosophers and liturgists, Between Jewish Tradition and Modernity offers a collective view of a historically and culturally significant issue that will be of interest to Jewish scholars of many disciplines.

In this major new work, which Zygmunt Bauman calls a '"tour de force" of breathtaking erudition and clarity', Jock Young charts the movement of the social fabric in the last third of the twenthieth century from an inclusive society of stability and homogeneity to an exclusive society of change and division. Jock Young, one of the foremost criminologists of our time, explores exclusion on three levels: economic exclusion from the labour market; social exclusion between people in civil society; and the ever-expanding exclusionary activities of the criminal justice system. Taking account of the massive dramatic structural and cultural changes that have beset our society and relating these to the quantum leap in crime and incivilities, Jock Young develops a major new theory based on a new citizenship and a reflexive modernity.

The concepts of modernity and modernism are amongst the most controversial and vigorously debated in contemporary philosophy and cultural theory. In this intervention, Fredric Jameson-perhaps the most influential and persuasive theorist of postmodernity-excavates and explores these notions in a fresh and illuminating manner.The extraordinary revival of discussions of modernity, as well as of new theories of artistic modernism, demands attention in its own right. It seems clear that the (provisional) disappearance of alternatives to capitalism plays its part in the universal attempt to revive 'modernity' as a social ideal. Yet the paradoxes of the concept illustrate its legitimate history and suggest some rules for avoiding its misuse as well. In this major interpretation of the problematic, Jameson concludes that both concepts are tainted, but nonetheless yield clues as to the nature of the phenomena they purported to theorize. His judicious and vigilant probing of both terms-which can probably not be banished at this late date-helps us clarify our present political and artistic situations.

First Published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.