Oscar klop aan die deur en Reeva kom maak vir hom oop. Die man wat oor die drumpel trap, wat vir die laaste keer by hierdie huis instap, is Oscar Pistorius, skatryk, alomgeliefde wêreldberoemde Olimpiese held. Die man wat oor minder as 24 uur by dieselfde deur sal uit steier, sal 'n ánder Oscar wees. Berug, bebloed, bedroef, 'n flentersgebreekte spieël van homself."Dis die verhoor van die jaar, die storie van die dekade. Dis 'n liefdesverhaal wat 'n hofdrama geword het, 'n sprokie wat in bloed geëindig het.Die Oscar Pistorius-saak is al van hoek tot kant bestudeer en ontleed, in berigte en debatte bespreek. Maar nog nooit is dit van die begin tot die end as 'n spanningsverhaal vertel nie. En dít is wat Marida Fitzpatrick in Die Staat vs. Oscar doen. Sy weef die skrikwekkende gebeure van daardie nag en die mees dramatiese dele van die verhoor op só 'n manier ineen dat die boek soos 'n misdaadriller lees. Tussendeur dié boeiende vertelling is uittreksels uit roerende onderhoude met van die betrokkenes se naastes. Die boek bevat ook 'n interessante ontrafeling van die tegniese aspekte van die verhoor: Wat het die ballistiek, die getuienis oor die gille en Oscar se twee verwere uiteindelik vir hom beteken? Dit word alles geïllustreer met foto's wat op die toneel geneem is en grafiese voorstellings. Die Staat vs. Oscar is 'n fassinerende storie wat nie net al die legkaartstukke van die Oscar-raaisel in plek laat val nie, maar deurentyd aangryp en meesleur.

The man standing next to me was a tall, good-looking man of Indian heritage in his early 30s. Shrien Dewani seemed calm and composed. The only outward signs of trauma I could notice were the two large, dark purple bags under each of his eyes. I offered him a seat. He accepted and we started to talk. Over the following 45 minutes, the British businessman told me about the murder of his wife, Anni, 40 hours earlier.' So begins Bitter Dawn, Dan Newling's journalistic investigation into a crime that ignited firestorms of outrage across the world. At first the story seems simple enough: Shrien Dewani, a young British businessman on honeymoon in Cape Town, arranges the murder of his newlywed bride in a clumsy hijacking. But a closer examination of the crime reveals some uncomfortable truths. Over four years - from the moment he interviewed Shrien Dewani just two days after Anni's death, to the eve of the Briton's 2014 murder trial - Newling has painstakingly pieced together the many pieces of this puzzle. Containing facts hitherto unpublished, interviews with witnesses until now unheard from, and the fruits of deep journalistic research into the South Africa's criminal justice system, Bitter Dawn lifts the lid on a crime far more complex than the media has so far assumed. While it may be difficult to find anyone who believes Shrien Dewani to be innocent, the facts Newling has uncovered provide compelling reasons to question the establishment story. Bitter Dawn is a gripping work of investigative journalism which reveals some worrying truths, not only about a bloody murder, but about its investigation, South African politics, global media ethics and how we all, as news-consumers, respond to stories when boundaries between right and wrong, between innocent and guilty, and between truth and lies, become blurred.

In 2012 Angy Peter was bringing up her young children with her husband in Bardale, Mfuleni on the Cape Flats. Angy was an activist, and spent her days collecting evidence for a commission of inquiry into policing that had the chance to change law enforcement across the country's troubled townships. She was vocally against vigilante violence and a go-to person when demanding better services from the police. But when the commission started its hearings, Angy found herself on trial for murdering – necklacing – a young neighbourhood troublemaker, Rowan du Preez. The state's case centred on the accusation Rowan had allegedly made with his dying breath – that Angy had set alight the tyre around his neck. Simone Haysom takes us into the heart of a mystery: was Angy Peter framed by the police for a murder she didn't commit? Or was she a wolf in sheep's clothing who won a young man's trust and then turned on him in the most brutal way? Simone Haysom spent four years meticulously researching this case and the result is a court-room drama interwoven with expert opinion and research into crime and the state of policing in the townships of South Africa.

Murder has always fascinated us, and when women are the masterminds, the intrigue grows exponentially. Not only are female murderers much rarer than male killers, but their crimes usually also involve a more sophisticated type of plotting. In Blood on her hands, award-winning journalist Tanya Farber investigates the lives, minds and motivations of some of South Africa's most notorious female murderers, from the poisonous nurse Daisy de Melker, to the privileged but deeply disturbed Najwa Petersen, to the mysterious Joey Harhoff who died before revealing where the bodies of her victims (including her own niece) were. Farber sets each case against the backdrop of the different eras and regions of 20th and early 21st century South Africa the women operated in. Her writing style is lighter than the subject matter might suggest and Blood on Her Hands will keep you reading until late at night – probably with your light on. The women featured also include: Dina Rodrigues, Phoenix Racing Cloud Theron, Marlene Lehnberg, Chane van Heerden and Celiwe Mbokazi.

This book investigates what happens to criminal evidence after the conclusion of legal proceedings. During the criminal trial, evidentiary material is tightly regulated; it is formally regarded as part of the court record, and subject to the rules of evidence and criminal procedure. However, these rules and procedures cannot govern or control this material after proceedings have ended. In its ‘afterlife’, criminal evidence continues to proliferate in cultural contexts. It might be photographic or video evidence, private diaries and correspondence, weapons, physical objects or forensic data, and it arouses the interest of journalists, scholars, curators, writers or artists. Building on a growing cultural interest in criminal archival materials, this book shows how in its afterlife, criminal evidence gives rise to new uses and interpretations, new concepts and questions, many of which are creative and transformative of crime and evidence, and some of which are transgressive, dangerous or insensitive. It takes the judicial principle of open justice – the assumption that justice must be seen to be done – and investigates instances in which we might see too much, too little or from a distorted angle. It centres upon a series of case studies, including those of Lindy Chamberlain and, more recently, Oscar Pistorius, in which criminal evidence has re-appeared outside of the criminal process. Traversing museums, libraries, galleries and other repositories, and drawing on extensive interviews with cultural practitioners and legal professionals, this book probes the legal, ethical, affective and aesthetic implications of the cultural afterlife of evidence.

This handbook explores the political economy and governance of the Americas, placing particular emphasis on collective and intertwined experiences. Forty-six chapters cover a range of Inter-American key concepts and dynamics. The flow of peoples, goods, resources, knowledge and finances have on the one hand promoted interdependence and integration that cut across borders and link the countries of North and South America (including the Caribbean) together. On the other hand, they have contributed to profound asymmetries between different places. The nature of this transversally related and multiply interconnected hemispheric region can only be captured through a transnational, multidisciplinary and comprehensive approach. This handbook examines the direct and indirect political interventions, geopolitical imaginaries, inequalities, interlinked economic developments and the forms of appropriation of the vast natural resources in the Americas. Expert contributors give a comprehensive overview of the theories, practices and geographies that have shaped the economic dynamics of the region and their impact on both the political and natural landscape. This multidisciplinary approach will be of interest to a broad array of academic scholars and students in history, sociology, geography, economics and political science, as well as cultural, postcolonial, environmental and globalization studies.

Establishing the context within which organizers who staged spectacular popular science exhibitions for urban middle-class audiences and the physicians as well as activists who provided commentaries functioned; this dissertation is a study in social history that seeks to determine how presentations of what it meant to be German evolved from the 1870s to the eve of the Great War in 1914. Research topics include: * Hagenbeck's Ethnographic People Shows * The Berlin Hygiene Exhibition of 1883 * The Berlin Trade & Colonial Fair of 1896 * Karl August Lingner, mouthwash magnate, philanthropist and innovator of the textbook-style exhibit * Taking the first major international health exhibition from idea to reality * The International Hygiene Exhibition in Dresden in 1911 *** [Reprint of Dissertation with Minor Corrections and New Pagination]

This unique, comprehensive work tackles questions posed by the polemics of the Church Fathers against the Roman theater and explores the subsequent developments of Western liturgical drama as a continuation of the Roman theater up to the time of Amalarius of Metz in the ninth century.

Hitler and His Generals was first published in 1974. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. The author, who told the story of second of four conspiratorial rounds in his earlier book The Conspiracy against Hitler in the Twilight War,describes here the situations and events leading up to the first round of conspiracy. The present volume deals with the virtual coup d'etat by which Hitler sought to establish ascendancy over the Wehrmacht early in 1938. The account focuses on sensational events centering about Hitler's successful efforts to oust Field Marshal Werner von Blomberg, the War Minister, and Colonel General Baron von Fritsch, the Army commander in chief, in order to consolidate control of the military in his own hands. Using as an excuse Blomberg's marriage to a woman with a discreditable past, he forced Blomberg's resignation. He accomplished Fritsch's resignation through charges of homosexuality which were trumped up by Himmler, Heydrich, and Goering. He then appointed Colonel General Walther von Brauchitsch, who was under personal obligation to him, as commander in chief. Through these moves, as Dr. Deutsch shows, Hitler closed the door to all means other than conspiracy for the active Opposition movement to express itself against his aggressive policies. The story of the first round of conspiracy will be the subject of another book by Professor Deutsch, to be published later.