This work explores Dickens’s perception of Italy as it appears in the travel book Pictures from Italy. Corpus methodologies, alongside the notion of intersectionality, display the writer’s multi-faceted interpretation of the Italians and his efforts to highlight their multidimensionality and heterogeneity. The book debates that Pictures from Italy departs from conventions – it investigates the function of travel in the construction of Italian identity and discusses Dickens’s relationship with Italy. Corpus linguistics methodologies analyse the language of the book and shed newlight on the relationship between body language and culture.

The Routledge Companion to Literature and Class offers a comprehensive and fresh assessment of the cultural impact of class in literature, analyzing various innovative, interdisciplinary approaches of textual analysis and intersections of literature, including class subjectivities, mental health, gender and queer studies, critical race theory, quantitative and scientific methods, and transnational perspectives in literary analysis. Utilizing these new methods and interdisciplinary maps from field-defining essayists, students will become aware of ways to bring these elusive texts into their own writing as one of the parallel perspectives through which to view literature. This volume will provide students with an insight into the history of the intersections of class, theory of class and invisibility in literature, and new trends in exploring class in literature. These multidimensional approaches to literature will be a crucial resource for undergraduate and graduate students becoming familiar with class analysis, and will offer seasoned scholars the most significant critical approaches in class studies.

Using the alphabet as guide, this lyrical photo book journeys into times and places marked by dream, history and anticipation.

"A darkly satiric account of childhood in times of war, violence and refugee camps. Set in Sri Lanka, the scenes that unfolds in this powerful vignette of children caught in the crossfire of civil war could equally happen elsewhere-- in all places where human deaths are reduced to numbers and guns do not differentiate between adults and children"--Page 4 of cover.

Following the phenomenal popularity of Sketches by Boz and The Pickwick Papers, Dickens produced two short volumes of Sketches of Young Gentlemen and Young Couples, in response to the appearance of Sketches of Young Ladies by 'Quiz'. Each volume purports to dissect the characteristics of familiar types such as 'The Bashful Young Gentleman', 'The Literary Young Lady', and 'The Couple who Coddle themselves'. Whimsical, satirical, witty and exuberant, the sketches ridicule the behaviour of their subjects with perfect comic effect, rendering Mr Whiffler, Mrs Chopper and their companions instantly recognizable. They offer intriguing glimpses of courtship rituals and relations between the sexes at the outset of the Victorian era, and fascinating evidence of a writer learning his craft and refining his style. This edition includes the original illustrations by Phiz, and an introduction that examines the appeal of the sketch, a literary genre in which Dickens excelled throughout his career.

2021 National Jewish Book Award Winner - Children's Picture Book 2022 Sydney Taylor Book Award Honor for Picture Books Chicago Public Library Best Informational Books for Younger Readers 2021 The Best Jewish Children's Books of 2021, Tablet Magazine A Junior Library Guild Selection March 2022 The Best Children's Books of the Year 2022, Bank Street College 2022 First Place—Children's Book Nonfiction, Press Women of Texas 2022 First Place—Children's Book Nonfiction, National Federation of Press Women Eliza Davis believed in speaking up for what was right. Even if it meant telling Charles Dickens he was wrong. In Eliza Davis's day, Charles Dickens was the most celebrated living writer in England. But some of his books reflected a prejudice that was all too common at the time: prejudice against Jewish people. Eliza was Jewish, and her heart hurt to see a Jewish character in Oliver Twist portrayed as ugly and selfish. She wanted to speak out about how unfair that was, even if it meant speaking out against the great man himself. So she wrote a letter to Charles Dickens. What happened next is history.

As the daughter of the most famous writer of the time, Katey Dickens enjoyed a high profile in Victorian society. She pursued her love of painting, acted in her father’s plays, socialized with the Thackerays, and modeled for painter John Everett Millais. This riveting biography finally sheds light on her extraordinary life both as a Dickens and an artist. The turbulent family life in the Dickens household drove Katey to marry young. Her first husband was the chronically ailing Charlie Collins, brother of the famous author Wilkie Collins. After Charlie’s untimely demise, the widowed Katey fell in love and married the handsome Italian artist Carlo Perugini. Charles Dickens lovingly nicknamed Katey “Lucifer Box” because of her fiery temper. In many ways, Katey was ahead of her time; she refused to be eclipsed by her father and fought to establish herself as an artist. She became renowned as a portrait painter and exhibited regularly at the Royal Academy. Katey lived to be almost ninety and her artistic prestige, which flourished during her lifetime, still persists to this day.

A collection of the three best Charles Dickens novels: A Christmas Carol, A Tale of Two Cities, and Oliver Twist. Charles Dickens was an English writer and social critic. He created some of the world's best-known fictional characters and is regarded by many as the greatest novelist of the Victorian era. His works enjoyed unprecedented popularity during his lifetime, and by the 20th century critics and scholars had recognised him as a literary genius. His novels and short stories enjoy lasting popularity. Born in Portsmouth, Dickens left school to work in a factory when his father was incarcerated in a debtors' prison. Despite his lack of formal education, he edited a weekly journal for 20 years, wrote 15 novels, five novellas, hundreds of short stories and non-fiction articles, lectured and performed readings extensively, was an indefatigable letter writer, and campaigned vigorously for children's rights, education, and other social reforms.

â ~Dickens and Americaâ (TM) has been amply studied, his no less important relationship to Italy much less so, despite his friend Forster's assertion that his long stay in Genoa represented â ~the turning-point of his career.â (TM) This book, arising from a major conference held in Genoa in 2007, attempts to redress the balance, focusing primarily on Dickens's two major writings about Italyâ "the travel book Pictures from Italy of 1845, and Part Two of his great novel Little Dorrit of 1855â "7. It falls into six sections: the first concerns Dickens's enjoyment of leisure for the first time in his life in Italy; the second, his response to the visual attractions of Italy, both natural and artistic; the third, his political stance about Italy in the period of the Risorgimento; the fourth, his preoccupation with death and decay in what he saw and experienced in Italy; the fifth, his representation of â ~Italiannessâ (TM) in Little Dorrit and elsewhere; and the sixth, his relation to modern and contemporary writers about Italy. It thus aims to fill a vital gap in Dickens studies.