In this sports-themed novel, we are introduced to Dick Merriwell, a young boy who is part of his school's baseball team. The story begins at the beginning of the sixth inning when Sam Kates went into the box against the Tufts freshmen. The score then stood seven to one, in favor of Yale Umpty-ten. Tufts had shown no ability to connect with Dick Merriwell's shoots and benders. This was the opportunity to give Sam a good try-out, and so, at Dick's suggestion, he changed places with Kates, who had been playing first.

In Lester Chadwick's book 'Baseball Joe Saving the League; or, Breaking Up a Great Conspiracy', readers are transported into the world of early 20th-century baseball, where the protagonist, Baseball Joe, uncovers a sinister plot to sabotage the league. The book is written in a straightforward and engaging style, making it accessible to readers of all ages. Chadwick's detailed descriptions of baseball games and the inner workings of the league provide a vivid backdrop for the thrilling adventure at the heart of the story. The book is a prime example of early sports fiction and showcases the growing popularity of baseball in American culture at the time. Chadwick's attention to detail and deep knowledge of the sport make 'Baseball Joe Saving the League' a standout in the genre. Fans of baseball history and sports fiction will find this book both entertaining and informative, shedding light on the early days of America's favorite pastime.

DigiCat Publishing presents to you this special edition of "Owen Clancy's Run of Luck; or, The Motor Wizard in the Garage" by Burt L. Standish. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

The third volume in the author's monumental biography of Lyndon Johnson, following The Path to Power and Means of Ascent, describes the future president's career in the U.S. Senate, from breaking the southern control of Capitol Hill to passing the first civil rights legislation since Reconstruction. 200,000 first printing. First serial, The New Yorker.

vols. for 1945- include: Shows of tomorrow annual ed.

If the Renaissance was the Golden Age of English comedy, the Restoration was the Silver. These comedies are full of tricksters attempting to gain estates, the emblem and the reality of power in late feudal England. The tricksters appear in a number of guises, such as heroines landing their men, younger brothers seeking estates, or Cavaliers threatened with dispossession. The hybrid nature of these plays has long posed problems for critics, and few studies have attempted to deal with their diversity in a comprehensive way. Now one of the leading scholars of Restoration drama offers a cultural history of the period's comedy that puts the plays in perspective and reveals the ideological function they performed in England during the latter half of the seventeenth century. To explain this function, J. Douglas Canfield groups the plays into three categories: social comedy, which underwrites Stuart ideology; subversive comedy, which undercuts it; and comical satire, which challenges it as fundamentally immoral or amoral. Through play-by-play analysis, he demonstrates how most of the comedies support the ideology of the Stuart monarchs and the aristocracy, upholding what they regarded as their natural right to rule because of an innate superiority over all other classes. A significant minority of comedies, however, reveal cracks in class solidarity, portray witty heroines who inhabit the margins of society, or give voice to folk tricksters who embody a democratic force nearly capable of overwhelming class hierarchy. A smaller yet but still significant minority end in no resolution, no restoration, but, at their most radical, playfully portray Stuart ideology as empty rhetoric. Tricksters and Estates is a truly comprehensive work, offering serious critical readings of many plays that have never before received close attention and fresh insights into more familiar works. By juxtaposing the comedies of such lesser-known playwrights as Orrery, Lacy, and Rawlins with those of more familiar figures like Behn, Wycherley, and Dryden, the author invites a greater appreciation than has previously been possible of the meaning and function of Restoration comedy. This intelligent and wide-ranging study promises is a standard work in its field.

This book presents three decades of writings by one of America's most distinguished historians. John Higham, renowned for his influential works on immigration, ethnicity, political symbolism, and the writing of history, here traces the changing contours of American culture since its beginnings, focusing on the ways that an extraordinarily mobile society has allowed divergent ethnic, class, and ideological groups to "hang together" as Americans. The book includes classic essays by Higham and more recent writings, some of which have been substantially revised for this publication. Topics range widely from the evolution of American national symbols and the fate of our national character to new perspectives on the New Deal, on other major turning points, and on changes in race relations after major American wars. Yet they are unified by an underlying theme: that a heterogeneous society and an inclusive national culture need each other.

With Amusement for All contextualizes what Americans have done for fun since 1830, showing the reciprocal nature of the relationships among social, political, economic, and cultural forces and the ways in which the entertainment world has reflected, changed, or reinforced the values of American society.