Reprint of the original, first published in 1843.

Reprint of the original, first published in 1843.

A celebrated Hindu pilgrimage site, Hardwar lies on the river Ganges at the edge of the Himalayas. Its identity as a holy place is inextricably tied to the mythology and reality of the Ganges, and traditional sources overwhelmingly stress this connection. Virtually nothing has been written about Hardwar's history and development, although the historical record reveals striking changes of the past few centuries. These changes have usually reflected worldly forces such as shifting trade routes, improved transportation, or political instability. Yet such mundane influences have been ignored in the city's sacred narrative, which presents a fixed, unchanging identity. The city's complex identity, says Lochtefeld, lies in the tension between these differing narratives. In this fieldwork-based study, Lochtefeld analyzes modern Hardwar as a Hindu pilgrimage center. He looks first at various groups of local residents -- businessmen, hereditary priests, and ascetics -- and assesses their differing roles in managing Hardwar as a holy place. He then examines the pilgrims and the factors that bring them to Hardwar. None of these groups is as pious as popularly depicted, but their interactions in upholding their own interest create and maintain Hardwar's religious environment. In conclusion, he addresses the wider context of Indian pilgrimage and the forces shaping it in the present day. He finds that many modern Hindus, like many modern Christians, feel some dissonance between traditional religious symbols and their 21st-century world, and that they are reinterpreting their traditional symbols to make them meaningful for their time.

This book explores the formations and configurations of British colonial discourse on India through a reading of prose narratives of the 1600-1920 period. Arguing that colonial discourse often relied on aesthetic devices in order to describe and assert a degree of narrative control over Indian landscape, Pramod Nayar demonstrates how aesthetics furnished a vocabulary and representational modes for the British to construct particular images of India. Looking specifically at the aesthetic modes of the marvellous, the monstrous, the sublime, the picturesque and the luxuriant, Nayar marks the shift in the rhetoric – from the exploration narratives from the age of mercantile exploration to that of the ‘shikar’ memoirs of the late nineteenth and early twentieth century’s extreme exotic. English Writing and India provides an important new study of colonial aesthetics, even as it extends current scholarship on the modes of early British representations of new lands and cultures.

This volume of the Gazetteer of India was first published in 1965 and the public response has been very encouraging. Since then, major changes in the political map of India have taken place. The idea is to provide to the general public, especially the university students, low priced publications containing valuable, authentic and objective information on these subjects ( Physiography, People and Languages) by well-known experts in their respective fields.