A collection of essays dealing with such topics as nature, New York City, beauty, poetry, the Nuremberg trials, freedom, and the death penalty

One winter's morning, illustrator Barroux was walking down a street in Paris when he made an incredible discovery: the diary of a soldier from the First World War. Barroux rescued the diary from the rubbish and subsequently illustrated the soldier's words. We have no idea who our soldier is or what became of him. We just have his own words about the first two months of the war, and Barroux's accompanying images.

Hurt people hurt people. Say there was a novel in which Holden Caulfield was an alcoholic and Lolita was a photographer’s assistant and, somehow, they met in Bright Lights, Big City. He’s blinded by love. She by ambition. Diary of an Oxygen Thief is an honest, hilarious, and heartrending novel, but above all, a very realistic account of what we do to each other and what we allow to have done to us.

Dagbogsnotater af en ukendt amerikansk pilot, der deltog i 1. verdenskrig beskriver her pilotens oplevelser og den tids luftoperationer. Redigeret som flyvelitteratur snarere end et historisk værk.

A personal account of WWI from the diaries of a Gisborne farm boy, shaped into a gripping narrative by the diarist’s grandson 100 years later. Follow Alick as he moves from his last night on the farm in early 1916, through enshipment and training, then off to the battle fields of France and Belgium, occupied Germany and back home. His treasured diaries covered the tedium, the mud, the fear and sorrow, the discomfort, the periods of leave and the letters from those back home. See the war unfold through Alick’s eyes and learn about his and his companions' attitudes to the army, to female company, to the enemy soldiers, to the hospitality provided by people under pressure, to the war itself. And after the drama and tragedy of war, comes the return home and the efforts required to make a living while remaining steadfastly silent about the traumas of those terrible years - an unseen fight that continued and affected generations to come.

A BuzzFeed "Best Book of June 2021" From sixteen-year-old Dara McAnulty, a globally renowned figure in the youth climate activist movement, comes a memoir about loving the natural world and fighting to save it. Diary of a Young Naturalist chronicles the turning of a year in Dara’s Northern Ireland home patch. Beginning in spring?when “the sparrows dig the moss from the guttering and the air is as puffed out as the robin’s chest?these diary entries about his connection to wildlife and the way he sees the world are vivid, evocative, and moving. As well as Dara’s intense connection to the natural world, Diary of a Young Naturalist captures his perspective as a teenager juggling exams, friendships, and a life of campaigning. We see his close-knit family, the disruptions of moving and changing schools, and the complexities of living with autism. “In writing this book,” writes Dara, “I have experienced challenges but also felt incredible joy, wonder, curiosity and excitement. In sharing this journey my hope is that people of all generations will not only understand autism a little more but also appreciate a child’s eye view on our delicate and changing biosphere.” Winner of the Wainwright Prize for UK nature writing and already sold into more than a dozen territories, Diary of a Young Naturalist is a triumphant debut from an important new voice.

In July 1917, a young man in the 12th East Surrey Regiment kept a journal of his experiences at the front. This poignant and moving account, which has never before been published, is narrated with a keen sense of observation, bringing to life the sights, sounds, smells, and horrors of war.The anonymous author candidly describes his daily life: dodging shells to fetch meals from the rations cart; his regiment lost on a march, straying perilously near enemy lines; the selfishness of his commanding officer; the daily distribution of rum; the soar of shells ('whiz bangs') above his head, communicating by sign with a captured German soldier living in his trench; catching sleep in snatches 10 or fifteen minutes; and always, the endless mud.He begins understatedly: 'The first night passed uneventfully, except that we were shelled,' describing his journey to the front: 'It was nothing unusual to come across a dead horse sometimes two with great holes in their sides caused by shells, and now and then a dead comrade would be lying waiting for burial.'Amid the horrors of war, there is humour, for example, in his pithy description of breakfast: 'Bread and jam and mud but no drink,' or in the account of the menacing shapes which advance slowly one foggy evening over a period of several hours. 'In the morning we discovered that a good many of these Germans were nothing more than a few short willow shrubs waving about in the breeze. We had a good laugh.'Gradually, he describes how one by one, his fellow soldiers in his beloved 12th East Surreys fall until he is left with just three of his mates. Trapped in a hole in the ground, he sees an enemy soldier lob a grenade at him and turns face down in the mud to receive the blow: 'This I thought is the end, so far as I am concerned.' Landing on his back, the grenade failed to explode. The narrative ends abruptly, as he is taken prisoner by the Enemy.This brief, highly personal and compelling account of one soldier's experience, with a short introduction, will appeal to anyone with an interest in the human condition.

This important new translation brings the diary of Jean Cocteau to America for the first time. Diary of an Unknown was started in 1951, at about the time Cocteau begin his famous journals. This more personal document is at once intensely intimate and deeply philosophical. In these essays - which often recall the essays of Montaigne with their strictness of form, theme, and syntax - Cocteau reveals himself as never before. Like the Surrealists, Cocteau thrived upon, and solicited, public attention. But behind the flamboyance and the mystique, behind the public persona, there was the private self. Here we glimpse the private Jean Cocteau, playing with ideas and musing on all manner of subjects: nature ("I am more fascinated by the underside than by the topside"); New York ("a city that abides neither contempt nor pity"); poetry ("a religion without hope"); and beauty ("The beautiful is always the result of an accident"). Cocteau ruminates on psychoanalysis, the Nuremberg trials, the Trinity, freedom and the death penalty. He also returns to familiar Coctelian themes - angels, invisibility, friendship, memory, and the birth of ideas. He writes of Proust, Picasso, Stravinsky and Sartre, remembering conversations or recording his own observations on their work with extraordinary freshness of insight. In its breadth, its beauty, and its intimacy, DIary of an Unknown deepens our understanding of one of the most original artists of the century. -- from dust jacket.

On Diary is the second collection in English of the groundbreaking and profoundly influential work of one of the best-known and provocative theorists of autobiography and diary. Ranging from the diary’s historical origins to its pervasive presence on the Internet, from the spiritual journey of the sixteenth century to the diary of Anne Frank, and from the materials and methods of diary writing to the question of how diaries end, these essays display Philippe Lejeune’s expertise, eloquence, passion, and humor as a commentator on the functions, practices, and significance of keeping or reading a diary. Lejeune is a leading European critic and theorist of diary and autobiography. His landmark essay, "The Autobiographical Pact," has shaped life writing studies for more than thirty years, and his many books and essays have repeatedly opened up new vistas for scholarship. As Michael Riffaterre notes, "Lejeune’s work on autobiography is the most original, powerful, effective approach to a difficult subject. . . . His style is very personal, lively. It grabs the reader as scholarship rarely does. Lejeune’s erudition and methodology are impeccable." Two substantial introductory essays by Jeremy Popkin and Julie Rak place Lejeune’s work within its critical and theoretical traditions and comment on his central importance within the fields of life writing, literary genetic studies, and cultural studies.