Tabitha Knight lives a very peculiar life. A child of foster care who has grown into an attractive and ambitious adult, she now finds solace, excitement, and security in the company of rich and famous men whom she dates as a discreet and charming groupie. Everyone wants to be loved. Tabitha understands that. She shares her gifts with those who seek and, perhaps, need love the most male celebrities. She remains anonymous by changing her name, age, and address as often as she changes the men she dates. Only a few things remain constant in her life: the continued love and support of her foster sisters in Seattle and the record she keeps of her life in her secret diary. When a wealthy banker offers Tabitha a huge paycheck to help bring to justice a high-profile celebrity who is known to have sex with underage women, Tabitha finds herself on the wrong side of desperate men, some of whom have more to lose than just their privacy. Those who want the information in her diary to stay secret threaten Tabitha, her sisters, and anyone who comes to know its contents. Omar Tyree, the New York Times bestselling author, is back with a suspenseful thriller of what happens when a young woman threatens the famous and powerful.

The New York Times and Essence bestselling author of Leslie and For the Love of Money is in top storytelling form in a lively and absorbing tale of a woman whose private life with some high-flying, A-list men becomes potential front-page fodder. Tabitha Night, the engaging and wonderfully self-possessed heroine of Omar Tyree's new novel, has never gotten around to settling down. And that's just the way her myriad boyfriends, all men of considerable celebrity and star wattage, like it. No strings, no mess, no hurt. But what these men don't know may prove to hurt them in the end; Tabitha has been keeping close track of each and every one of them in her personal diary. When a powerful banker offers to pay her to reveal the secrets in her diary, Tabitha finds herself in a troubling moral bind. The banker is after a child molester who violated his daughter but managed to elude conviction. Is the information about the crime concealed in the groupie's diary? What is the price of justice? Once word gets out that Tabitha may be fixing to spill the juicy secrets and behind-closed-doors business of the rich and famous, it's time for drastic measures. The boyfriends, it seems, will go to any length to keep her silent. Taking readers deep inside the illustrious world of today's elite urban glitterati as he skillfully ratchets up the emotions and suspense to a fever pitch, Omar Tyree comes through with his most exciting and atmospheric novel to date.

Hollywood Diaries, is the true, intimate, and sometimes disturbing diaries of Morgana Welch. The diaries begin in 1971 and mark the beginning of a young girl's search for reality and sense of self in a section of society that was anything but normal, Hollywood and Beverly Hills. The diaries reflect a way of life that would afford Morgana the pleasure and pain of living in the world of rock and roll. Hollywood Diaries takes you inside the world of a 1970s groupie. In the days before cell phones, you-tube, and myspace when you had to be face to face (fantastically lusciously face to face...) with the center of the rock-and-roll vortex. Hollywood Diaries will take you on a vicarious journey paying homage to the world of rock and roll, for better and worse. Her recollections are not steeped in rose colored hues that are tempting when addressing the escapades of youth. While great care has been taken to assure that some of the players are not marred by their past behavior, the events and life portrayed is as it happened, without judgment, and without regret. "You kept a very good diary. Everything in it is one hundred percent TRUE!!" - Chuck Ruff, Edgar Winter band. "The stories you told in your book brought back fond memories for me of the crazy fun times we had". Bill Lordan Sly and the Family Stone, Robin Trower "I saw that ́infamous groupie ́ photo in Stephen Davis ́s Hammer of the Gods and always wondered who the girls were. You are a fine writer and I enjoy your voice a lot. I love hearing about the groupie heyday and I really admire how you manage to come across in your writings, insightful and warm. Others have glossed over the seedier sides that must surely have been there. You handle them with a terrific approach, without overdoing it for shock value. Thanks for sharing your stories; it ́s great to finally know who the pretty blonde girl in the middle is!" - Kerstin "Exemplary reflective storytelling, the hooks revolving around musicians we all know, the central inspiration in the end though is one of the human spirit, survival and honesty. The flow of consciousness with its celebrity thread is arabesque, organic and finessed." Shorty "I thought it was excellent. An honest snapshot of amazing times that will probably never happen again. Have also just read Laurel Canyon, which features some of Morgana ́s story as well. I agree with some other posts on this site...Morgana should write a detailed account of her life. Wild and magical...and surviving was nothing short of a miracle!" - Tony McGraw

First published in 1987, New York Times bestseller, I’m With The Band has been reprinted throughout the years, all over the world. This is the stylish, exuberant and sweetly innocent tale of one of the most famous groupies of the 1960s and 70s. Beginning with Pamela Des Barres’ early obsession with Elvis, her own Beatlemania madness, and her fierce determination to meet the musicians who rocked her world, I’m With The Band illuminates the glory days of scintillating encounters with musical gods including Jim Morrison, Jimi Hendrix, Mick Jagger and Keith Moon. A girl just wanting to have fun, Des Barres immersed herself in the drugs, danger and ecstasy of the freewheeling 1960s. As a member of The GTOs (Girls Together Outrageously), an all-female group masterminded by Frank Zappa, Des Barres was in the thick of the most revolutionary renaissance in the history of modern popular music. She travelled with Led Zeppelin; lived in sin with Don Johnson; turned down a date with Elvis Presley; and was close friends with Robert Plant, Gram Parsons and Ray Davies. She had affairs with Mick Jagger, Jimmy Page, Keith Moon, Waylon Jennings, Chris Hillman, Noel Redding, and Jim Morrison, among others. A woman in possession of her own destiny, Des Barres blazed a trail for women’s life-writing, standing up for female voices and experience everywhere. From original diaries, told with great warmth, chutzpah and joie de vivre, this is a frank memoir that wears its heart on its sleeve, and recalls one of rock ’n’ roll’s most thrilling eras. This edition contains new material from the author, including her response to the vitriolic shaming of groupies, and a foreword by Roisin O’Connor, rock journalist and music correspondent for the Independent.

At 16, Poppy Bishop was a teenage runaway. At 18, she was in bed with the lead guitarist of one the biggest bands in rock history. She went on to become Poppy Bleu, a "famous" groupie who bedded rock stars, their wives (and girlfriends) and became a junkie by the time she was 21. However, she never forgot her first rock star...and he never forgot her. For over 20 years, Poppy Bleu was known in the rock and roll world as the best backstage lay and liked, loved and hated by some of the world's biggest rock stars. Her story is one of sex, drugs, and rock and roll and how she went from groupie to junkie to author and became the love of a lead guitarist's life who saved her from a life of ruin. LICK AND A PROMISE is Book One in the Rock Star Series

The Crisis, founded by W.E.B. Du Bois as the official publication of the NAACP, is a journal of civil rights, history, politics, and culture and seeks to educate and challenge its readers about issues that continue to plague African Americans and other communities of color. For nearly 100 years, The Crisis has been the magazine of opinion and thought leaders, decision makers, peacemakers and justice seekers. It has chronicled, informed, educated, entertained and, in many instances, set the economic, political and social agenda for our nation and its multi-ethnic citizens.

After years of successfully raising two sons on her own, Denise finds herself involved with both of their fathers, as well as in a relationship with a new man. Jimmie, after learning that his son is a top basketball prospect, suddenly wants a major role in the teenager's life. Walter is trying to gain custody of his twelve-year-old. And there's Brock, who is falling in love with Denise but is uncertain whether he wants a ready-made family. Denise is left with plenty of tough decisions to make, but thankfully she has the character and independence to make it work.

Six talented but dangerously toxic personalities in the entertainment hotbed of Atlanta push their psychologist to her own vulnerable limits – and maybe beyond – in this enthralling, knife-edged thriller from NAACP Image Award-winning author Omar Tyree. Dr. Victoria Benning knows it’s unethical to discuss the therapy sessions of her clients, but the drama of their unpredictable lives tests her professional role like never before. First, she counsels Mrs. Melody, a brutally honest, gorgeous rap artist who relies on sexual leverage with men to elevate her music career. Then there’s Charles Clay, a hot young film director and master manipulator with a fetish for opportunistic women. Tyrell Hodge is a frustrated screenwriter, part-time driver, and full-time complainer who desperately needs a break. Dark & Moody is a music producer who prays for a blood sacrifice in order to succeed. Joseph Drake, a venture capitalist from a powerful, slave-ownership family, now suffers from a spell of White guilt. And Destiny Flowers is a hopeless dreamer who struggles to keep her mouth and mind at peace—while harassing the tolerant doctor she hopes will ultimately help her. Working around the clock, Dr. Benning observes a troubling, treacherous common denominator that plagues all six clients: a desperate impulse to grasp control of everything and everyone in their lives—no matter the cost. It’s a struggle with which she’s all too familiar. Determined to head-off tragedy, she comes up with a brilliant game plan to make their collective talents work in everyone’s favor. . . But just as she moves into action, inexplicable events quickly turn fatal, as the doctor finds her plan, her career, and her personal life all spiraling into madness—and hopelessly out of control.

Mattie Beancourt, a 61- year-old woman, reads the autobiography of Mark Gorman, a famous painter. Having grown up in the same East End streets she writes to him. A correspondence develops.She visits him unannounced, and discovers he lives in near poverty and neglect. Her personality is sunny, his is curmudgeonly. Their impact upon each other is startling.... I was an appendage for him. Something stuck on, but not special. He didn’t need me. There was never any real passion there. To live a whole life knowing you were not special for anyone...craving it... to be loved and special. Just once in my life, before I die...

Comprehensive and comparative, this volume investigates African American street novelists since the Chicago Black Renaissance and the semiotic strategies they employ in publication, consumption, and depiction of street life. Divided into three chapters, this text analyzes the content, style, and ethics of “street” narrative through a discursive/rhetorical lens, exploring the development of street literature’s formal and contextual concerns to resolve the sociocultural and political questions surrounding cultural work. The book also gives emphasis to “text” or (post)structural literary analysis by answering questions about the genre’s aesthetic and linguistic techniques that respond to the injustices of urban planning. The last chapter, “Representation,” investigates the phenomenological hermeneutics of more recent street literature and its satire, highlighting the political stakes for authorship, credibility, and subjectivity. Through historical and contemporary studies of urban space, Blackness, and adaptations of street literature, this work attempts to network activists, artists, and scholars with the greater reading public by providing a functional ontology of reading the inner city.