The British author shares the “strange . . . inner layers of his playful, guilty imagination” in this glimpse into a brilliant novelist’s subconscious (The New York Times). Culled from nearly eight hundred pages of the author’s “dream diaries” kept between 1965 and 1989, this singular journal reveals “the feverish inner life of an intensely private man, providing an uncanny mirror-image of [his] novelistic obsessions, insecurities, and moral preoccupations” (Publishers Weekly). In what Greene calls My Own World—as opposed to the Common World of shared reality—he accompanies Henry James on a disagreeable riverboat trip to Bogota, is caught in a guerilla crossfire with Evelyn Waugh and W. H. Auden, strolls in the Vatican garden with Pope John Paul II who’s doling out Perugina chocolates like hosts, offers refuge to a suicidal Charlie Chaplin, and stages a disastrous play in blank verse for Elizabeth Taylor and Richard Burton. He also shares his headspace with Goebbels, Castro, Cocteau, Queen Elizabeth, D. H. Lawrence, and talking kittens. And the landscape is just as wide: from Nazi Germany to Haiti to West Africa to Bethlehem 1 AD and to Sweden where he seeks treatment for leprosy. Greene is a criminal, spy, lover, assassin, witness, and writer. Encompassing life, death, war, feuds, and career, and alternately absurdist, frightening, funny, and revealing, these fertile imaginings—many of which found their way into Greene’s fiction—comprise nothing less than “an alternate autobiography . . . a uniquely candid self-portrait” of one of the giants of English literature (Kirkus Reviews).

In 1980, Syrian filmmaker Mohammad Malas traveled to Lebanon to film a documentary of interviews with Palestinians of the refugee camps around Beirut about their dreams. The Dream: A Diary of the Film is Malas's haunting chronicle of his immersion in the life of the camps, including Shatila, Burj al-Barajneh, Nahr al-Bared, and Ein al-Helweh. It also describes the filmmaking process, from the research stage to the film's unofficial release, in Shatila Camp, before it reached a global audience. In vivid and poetic detail, Malas provides a snapshot of Palestinian refugees at a critical juncture of Lebanon's bloody civil war, and at the height of the PLO's power in Lebanon before the 1982 Israeli invasion and the PLO's subsequent expulsion. Malas probes his subjects' dreams and existential fears with an artist's acute sensitivity, revealing the extent to which the wounds and contingencies of Palestinian statelessness are woven into the tapestry of a fragmented Arab nationalism. Although he halted his work on the film in 1982, following the massacres of Sabra and Shatila, he completed it in 1987, turning 400 interviews into 23 dreams and 45 minutes of screen time. Both diary and film present these people somewhere between present and past tense, but they are preserved forever in the word, magnetic tape, and now in digital code. The Dream is essential reading for anyone interested in the history of the Palestinians in the modern Middle East, and for students and scholars of Arab filmmaking, politics, and literature.

Federico Fellini is one of the most beloved and revered filmmakers of the twentieth century, having entertained audiences worldwide with his ability to breathe life into imagery normally confined to human memory and emotion. His insights into the world of dreams have contributed to his many famous cinematic creations, including La Dolce Vita, 8 1/2, and La Strada. A unique combination of memory, fantasy, and desire, this illustrated volume is a personal diary of Fellini's private visions and nighttime fantasies. Fellini, winner of four Oscars for Best Foreign Language Film, kept notebooks filled with unique sketches and notes from his dreams from the 1960s onward. This collection delves into his cinematic genius as it is captured in widely detailed caricatures and personal writings. This dream diary exhibits Fellini's deeply personal taste for the bizarre and the irrational. His sketches focus on the profound struggle of the soul and are tinged with humor, empathy, and insight. Fellini's Book of Dreams is an intriguing source of never-before-published writings and drawings, which reveal the master filmmaker's personal vision and his infinite imagination.

For more than 40 years, legendary American artist Robert Crumb has documented his nightly dreams in a meticulously kept private journal. This material has stood as a guarded secret in a career defined by an impish compulsion to publically self-disclose. All of the artist's well-documented preoccupations are present and accounted for--rampant egomania, insatiable lust, profound self-disgust, the sad beauty of old America, the moral bankruptcy of new America and the fool's errand quest for spiritual enlightenment--but here they are entirely untamed, springing forth from forces beyond even his control. Published for the first time, the complete Dream Diaries offer readers a deep, dark look under the hood of one of America's most aggressively dynamic comedic voices.

First publication of an index-card diary in which Nabokov recorded sixty-four dreams and subsequent daytime episodes, allowing the reader a glimpse of his innermost life.

A mysterious Emperor observes that while dreaming and living curve toward each other, dreams tend to curve away from one another. Dream Diary is a poetic exploration of this claim. There is a dog called Euclid in the non-Euclidean world of the book. There is a young woman, Zena, with Blake’s “fearful symmetry” tattooed on one arm and a six-legged octopus on the other. There is a flight over Patagonia, to the end of the world, on swan’s wings. Wild strawberries play the role of the Tree of Knowledge. Pairs of semi-opposites starting with the letter “B” appear like coded messages throughout the book but may mean just Bed & Breakfast or Brain & Belly or Blink & Blank. “The eyelids of darkness quiver with colors, foresee a thousand and one paths. All can be taken tonight…” reads the last poem in this collection. Following the thousand paths of Dream Diary is a feast for the imagination.

Dreams are very important in our lives, they allow us to get inside our interior, often show hidden needs, fantasies or medicines.the greatest art is to interpret them and read them correctly. However, we often forget what we dreamed about ...And here we come out to help you - our book of dreams allows you to save important information about your dream right after waking up, i.e. when we still remember well the images that appeared in our REM phase.In addition, there is a place for the date which allows cataloging your notes, time and hours of sleep which will allow you to know yourself and find the hours in which we have the clearest message during sleep, and a place to enter the moon phase which has a huge impact on our dreams ...Get to know yourself, discover hidden messages contained in your dreams ...

My Dreams Journal is the perfect diary to write you dreams. The size is 6" x 9" and is wonderful to keep next to your bed for quick writing. With 100 blank lined pages (50 sheets) you will have plenty of room to record your dreams for analysis and comparison. Our dreams can teach us a lot about ourselves and our deepest desires and fears. Start your dream journaling today! Makes a great gift for anyone wanting a dream keeper.

Emanuel Swedenborg meticulously recorded his dreams and visions from 1743 to 1744, adding interpretations that foreshadowed modern dream analysis. This edition of Swedenborg's dream diary includes commentary by Lars Bergquist.

Examines the determination and drive throughout her life which led Strug to secure the gold medal for the U.S. women's gymnastics team at the 1996 Olympics in Atlanta despite performing her final vault with a badly injured ankle.