Diary of a Crazy Erotic Black Woman is a hot, intense, sexual short novel. Its a pure page-turning nail-biter! This is the first action-packed, erotic book in history! Destiny is a gangster sex storyteller, explaining in graphic details all her sex partners. Some of them she kills, and the others want to kill her! The way Destiny tells her life story in her diary will make you love her, hate her, and feel her! She doesnt care if you are a cop, a lawyer, a killer, or a drug dealer. Destiny will get you! The rest you have to read for yourself!

Electa Rome Parks paints a powerful portrait of a crazed fan who can't seem to close the book on the affair after a one-night-stand with a famous author—and who will stop at nothing to make him hers. Even if that means killing him. . . Bestselling author Xavier Preston is used to women throwing themselves at him. On top of being a successful writer, he's also tall, dark and sexy as sin. He's always relished the attention, in fact, and is ever-willing to entertain the erotic urges of women wanting to get between more than the covers of his novels. Except once he meets Kendall, he decides it's time to put his womanizing ways behind him and devote himself to her entirely. Well, almost. . . Gorgeous Pilar is the last decadent treat Xavier decides he'll help himself to—thinking they are both on the same "no strings" page. Except behind Pilar's fine façade beats the heart of a raving maniac—a fatally attracted fan addicted to the kind of hot loving only Xavier can give her. And she's not about to let him get away from her so easily. So what starts out as a discreet dalliance soon spirals into a deadly game of obsession and pain—which can only have one winner. . .

The gorgeous nineteen-year-old Jenny B. has only one dream: she wants to become a world-famous It Girl. To get closer to this goal, she is not afraid of either fashion or erotic experiments. In her diary, she provides a fascinating insight into her life, both in the present and in the past, right up to her puberty. Jenny plans her steps to success meticulously, but she also has to deal with setbacks and disappointments. Her sometimes bumpy accounts, coupled with the taboo-free reporting of her sexual experiences, make her diary an extremely interesting psychological profile of a young woman who is driven by fashion and fun. Finest-erotica.com

WINNER OF THE W.E.B. DUBOIS DISTINGUISHED BOOK AWARD, GIVEN BY THE NATIONAL CONFERENCE OF BLACK POLITICAL SCIENTISTS A wide-ranging Black feminist interrogation, reaching from the #MeToo movement to the legacy of gender-based violence against Black women From Michelle Obama to Condoleezza Rice, Black women are uniquely scrutinized in the public eye. In Re-Imagining Black Women, Nikol G. Alexander-Floyd explores how Black women—and Blackness more broadly—are understood in our political imagination and often become the subjects of public controversy. Drawing on politics, popular culture, psychoanalysis, and more, Alexander-Floyd examines our conflicting ideas, opinions, and narratives about Black women, showing how they are equally revered and reviled as an embodiment of good and evil, cast either as victims or villains, citizens or outsiders. Ultimately, Alexander-Floyd showcases the complex experiences of Black women as political subjects. At a time of extreme racial tension, Re-Imagining Black Women provides insight into the parts that Black women play, and are expected to play, in politics and popular culture.

When Carolyn Walton, journalist and mother of four, pitched her first travel story to the Ottawa Citizen in 1984, recounting her adventures in Rio de Janeiro, little did she realize that she was about to embark on a remarkable career that would span the globe--taking her from the jungles of the Amazon to palaces in St. Petersburg, on a pilgrimage in France to ports on the Caribbean, Baltic, Mediterranean, Ionian and Tyrrhenian seas, the Adriatic, North and South Pacific oceans. Prepare to be enlightened and entertained as you tread the path less taken to swim with deadly stingrays in Tahiti, kayak among bulbous- headed belugas in Hudson Bay or deep-sea dive through schools of phosphorescent groupers off Andros Island in the Bahamas. Lapland finds her a guest of the colourful Sami people, dining high above the Arctic Circle on smoked reindeer meat or drinking boiled billy tea by the billabong in Australia’s Outback and truffle hunting in Italy or learning to cook per gli stuzzicini from a famed Italian chef in la cucina of a 1000-year-old castello in Tuscany. The old adage: “Half the fun is getting there” just doesn’t compute when Carolyn’s much anticipated flight to Paris is politically- interrupted or a transfer to the wrong boat in the South Pacific leaves her abandoned on a Fijian island! This collection of tales and misadventures takes the travel lover on an engaging and often humorous journey to the heart of some sixty bucket list destinations around the globe.

Grace Barry leads a double life. By day, she's a smart, savvy financial consultant. By night...a sultry, seductive, paid escort providing fantasy sex to New York City's wealthiest financiers. Grace, a.k.a., Ginger, arrives at her clients' hotel rooms in her office clothes, looking like one of their own, but tucked away in her handbag are her sheepskin lined handcuffs and little whips. One evening's sojourn to wealthy stockbroker Mark Chase's hotel room changes Grace's life forever. She slips her card key into the door...and discovers Mark's dead body sprawled on the floor. Fear makes her run, straight into the arms of FBI agent Alex Winter—a man with a deadly secret...a man whose heart is as cold as ice. Now, Ginger must raise money for her defence. In a bold move, she offers her private diary for sale to any news channel willing to pay. Alex Winters' frozen heart matches his ice-blue eyes...and his name. His fellow agents call him 'Iceman' and he has no patience for beautiful, scheming murderers like Ginger Berry. She's the #1 suspect in the death of wealthy financier Mark Chase, but Alex's fascination and attraction to the scheming call girl gets in the way of his investigation. As Alex unlocks the secrets surrounding Mark Chase's death, he unwittingly places Ginger in danger. When her life is threatened, it will be up to Alex to protect her, and keep her from publishing her diary of a mad escort.

Self-sacrificing mothers and forgiving wives, caretaking lesbians, and vigilant maternal surrogates—these "good women" are all familiar figures in the visual and print culture relating to AIDS. In a probing critique of that culture, Katie Hogan demonstrates ways in which literary and popular works use the classic image of the nurturing female to render "queer" AIDS more acceptable, while consigning women to conventional roles and reinforcing the idea that everyone with this disease is somehow suspect.In times of crisis, the figure of the idealized woman who is modest and selfless has repeatedly surfaced in Western culture as a balm and a source of comfort—and as a means of mediating controversial issues. Drawing on examples from journalism, medical discourse, fiction, drama, film, television, and documentaries, Hogan describes how texts on AIDS reproduce this historically entrenched paradigm of sacrifice and care, a paradigm that reinforces biases about race and sexuality. Hogan believes that the growing nostalgia for women's traditional roles has deflected attention away from women's own health needs. Throughout her book, she depicts caretaking as a fundamental human obligation, but one that currently falls primarily to those members of society with the least power. Only by rejecting the stereotype of the "good woman," she says, can Americans begin to view caretaking as the responsibility of the entire society.

Contemporary Black American Cinema offers a fresh collection of essays on African American film, media, and visual culture in the era of global multiculturalism. Integrating theory, history, and criticism, the contributing authors deftly connect interdisciplinary perspectives from American studies, cinema studies, cultural studies, political science, media studies, and Queer theory. This multidisciplinary methodology expands the discursive and interpretive registers of film analysis. From Paul Robeson's and Sidney Poitier's star vehicles to Lee Daniels's directorial forays, these essays address the career legacies of film stars, examine various iterations of Blaxploitation and animation, question the comedic politics of "fat suit" films, and celebrate the innovation of avant-garde and experimental cinema.

With this remarkable study, historian Keira V. Williams shows how fictional matriarchies—produced for specific audiences in successive eras and across multiple media—constitute prescriptive, solution-oriented thought experiments directed at contemporary social issues. In the process, Amazons in America uncovers a rich tradition of matriarchal popular culture in the United States. Beginning with late-nineteenth-century anthropological studies, which theorized a universal prehistoric matriarchy, Williams explores how representations of women-centered societies reveal changing ideas of gender and power over the course of the twentieth century and into the present day. She examines a deep archive of cultural artifacts, both familiar and obscure, including L. Frank Baum’s The Wizard of Oz series, Progressive-era fiction like Charlotte Perkins Gilman’s utopian novel Herland, the original 1940s Wonder Woman comics, midcentury films featuring nuclear families, and feminist science fiction novels from the 1970s that invented prehistoric and futuristic matriarchal societies. While such texts have, at times, served as sites of feminist theory, Williams unpacks their cyclical nature and, in doing so, pinpoints some of the premises that have historically hindered gender equality in the United States. Williams also delves into popular works from the twenty-first century, such as Tyler Perry’s Madea franchise and DC Comics/Warner Bros.’ globally successful film Wonder Woman, which attest to the ongoing presence of matriarchal ideas and their capacity for combating patriarchy and white nationalism with visions of rebellion and liberation. Amazons in America provides an indispensable critique of how anxieties and fantasies about women in power are culturally expressed, ultimately informing a broader discussion about how to nurture a stable, equitable society.