By his second wife, Elizabeth Allen, whom he married in 1767, Dr. Burney had two children--a son, Richard Thomas, and a daughter, Sarah Harriet. The latter followed the career of her famous half-sister, and acquired some distinction as a novelist. Cousins Richard and Edward were younger sons of Uncle Richard Burney, of Worcester. Edward was successful as an artist, especially as a book- illustrator. He painted the portrait of Fanny Burney, a reproduction of which forms the frontispiece to the present volume. Some of his work may be seen in the South Kensington Museum. Chesington, where we shall presently find Fanny on a visit to Mr. Crisp, was an old roomy mansion, standing in the midst of a lonely common in Surrey, between Kingston and Epsom. It had belonged to Mr. Crisp's friend, Christopher Hamilton, and on his death became the property of his unmarried sister, Mrs. Sarah Hamilton, who, being in poor circumstances, let part of the house to a farmer, and took boarders. Of the latter, Mr. Crisp was the most constant, boarding at Chesington for nearly twenty years, and dying there in 1783. Kitty Cooke, whose name occurs in the “Diary,” was the niece of Mrs. Hamilton, and resided with her at Chesington. Mrs. Sophia Gast, whom we find a frequent visitor there, was the sister of Mr. Crisp, and resided at Burford, in Oxfordshire.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Reproduction of the original: The Diary and Letters of Madame D'Arblay by Frances Burney

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a reproduction of the original artefact. Generally these books are created from careful scans of the original. This allows us to preserve the book accurately and present it in the way the author intended. Since the original versions are generally quite old, there may occasionally be certain imperfections within these reproductions. We're happy to make these classics available again for future generations to enjoy!