The Liber Manualis is a distinctive guidebook to conduct and survival in tumultuous times written by a Carolingian mother for her adolescent son. This edition provides a complete translation in English, accompanied by the Latin original. Advancing views of Dhuoda's individuality and mindset, her possible models and intended readership, the introduction places her handbook within the context of French and Germanic literary traditions. Explanatory references illuminate the life and work of this remarkable and well-educated ninth-century woman. Often called the first Western treatise of childhood education, the Liber Manualis forefronts the name and voice of a courageous mother, whose moral position remains unique in a patriarchal society.

A sport and a military exercise, hunting involved aggressive action with weapons and dogs, and pursuit to the point of combat and killing, for the sake of recreation, food or conquest. The Stag of Love explores the body of erotic metaphor that developed from the hunt together with Ovid's flourishing legacies. While representing a range of human experience, the metaphor finds its dominant expression in the literature of love. As Marcelle Thiébaux demonstrates, the hunt's disciplined violence represented sexual desire, along with strategies and arts for getting love, the joys of love, and love's elevating mystique. The genre gave rise to a lavish imagery of footprints and tracking, arrows, nets, dogs and leashes, wounds, dismemberment and blood, that persisted to Shakespeare's day.Thiébaux opens with an account of a medieval chase and its ceremonies. She introduces hunt manuals that defined and gentrified the sport, in stages from the party's departure to the ferocity of the struggle to the animal's death. These stages adapted readily to narrative structures in the love chase, showing pursuit, confrontation with the beloved, and consummation. In English literature Thiébaux considers Beowulf, Aefric's Life of St. Eustace, Sir Gawain and the Green Knight, and Chaucer. She discusses Aucassin and Nicolete, Chrétien de Troyes' Erec, Gottfried von Strassburg's Tristan, the Nibelungenlied, and Wolfram von Eschenbach's works. The study ends with a scrutiny of newly recovered or little-known narratives of the thirteenth, fourteenth and fifteenth centuries. Originally published in 1974 and now issued in paperback for the first time, The Stag of Love brings to life a theme of perennial interest to medievalists, and to all readers intrigued by the imaginative treatment of love in the Western world.

This is the first comprehensive study of the role of women in the Polish Piast dynasty from 965 until c.1144, comparing them with female members of other contemporary medieval dynasties.

The Oxford Handbook of Medieval Christianity takes as its subject the beliefs, practices, and institutions of the Christian Church between 400 and 1500AD. It addresses topics ranging from early medieval monasticism to late medieval mysticism, from the material wealth of the Church to the spiritual exercises through which certain believers might attempt to improve their souls. Each chapter tells a story, but seeks also to ask how and why 'Christianity' took particular forms at particular moments in history, paying attention to both the spiritual and otherwordly aspects of religion, and the material and political contexts in which they were often embedded. This Handbook is a landmark academic collection that presents cutting-edge interpretive perspectives on medieval religion for a wide academic audience, drawing together thirty key scholars in the field from the United States, the UK, and Europe. Notably, the Handbook is arranged thematically, and focusses on an analytical, rather than narrative, approach, seeking to demonstrate the variety, change, and complexity of religion throughout this long period, and the numerous different ways in which modern scholarship can approach it. While providing a very wide-ranging view of the subject, it also offers an important agenda for further study in the field.

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"Royal and saintly women are well-represented here, with the welcome addition of women from the Mediterranean arc...Garland has done a solid job of presenting this book." -- Arthuriana "The Anthology gives a fine sense of the great range of women's writing in the Middle Ages." -- Medium Aevum

In a vaulted chamber on the Danube, a radiant medieval princess bargains with God. How can she defy the conqueror Ottakar of Bohemia? He loves her. He's entranced by her heroic sanctity and he wants this glorious, headstrong girl for his queen. Willful Margit refuses him and scorns her regal duties. She wears her sumptuous gowns to rags, vowing to live as a penitent and the Hungarian kingdom's spiritual defender. Meanwhile the beguiling Princess Cunegonda, a widow of fifteen, covets the handsome warrior prince and makes a fervent bid for him. The two impetuous royal girls and the ambitious crusader hero are caught up in an unexpected triangle. One princess is consumed by divine ardor, the other is inflamed by songs of the silken dalliances of courtly love. The valiant Bohemian loves both enchanting girls in turn, and confronts his destiny. A riveting historical romance springing from fact and legend, Unruly Princess weaves a tale of passion and politics, spiked by warfare, wooing and wedding.

Eleanor's patrilineal descent, from a lineage already prestigious enough to have produced an empress in the eleventh century, gave her the lordship of Aquitaine. But marriage re-emphasized her sex which, in the medieval scheme of gender-power relations relegated her to the position of Lady in relation to her Lordly husbands. In this collection, essays provide a context for Eleanor's life and further an evolving understanding of Eleanor's multifaceted career. A valuable collection on the greatest heiress of the medieval period.