I’m the new kid. I am tuf. This morning I beat up a kid. It’s only the first day of school for Dexter, but he’s already mad at the principal, and the secretary, and the janitor, and the kids who laugh at him. When his teacher tells the class to write a story, Dexter writes about how tough he is—and how he’s already gotten into a fight. Is any of Dexter’s story true? Why was the other boy crying before Dexter hit him? And why would the other boy still want to be Dexter’s friend? Even Dexter doesn’t know the answers to some of those questions. But as he deals with family problems, a persistent teacher, and a boy who’s strangely interested in floor wax, he discovers many surprises hidden in his own tale.

Sukie is worried -- her parents are acting strange. When she runs in the house, her dad asks, "If all your friends jumped off a bridge, would you jump off a bridge too?" When she eats peas with her fingers, Mom yells, "You'll put an eye out with that thing!" What is going on? Have her parents been replaced by aliens? Are they robots with broken circuits? She and her older brothers decide to investigate. And what they discover leads to a kids-against-parents WAR! This very funny book casts a new light on family rules.

DEADWOOD, DAKOTA TERRITORIES, 1876: Legendary gunman Wild Bill Hickcock and his friend Charlie Utter have come to the Black Hills town of Deadwood fresh from Cheyenne, fleeing an ungrateful populace. Bill, aging and sick but still able to best any man in a fair gunfight, just wants to be left alone to drink and play cards. But in this town of played-out miners, bounty hunters, upstairs girls, Chinese immigrants, and various other entrepeneurs and miscreants, he finds himself pursued by a vicious sheriff, a perverse whore man bent on revenge, and a besotted Calamity Jane. Fueled by liquor, sex, and violence, this is the real wild west, unlike anything portrayed in the dime novels that first told its story.

A secret vigilante killer who works as a blood spatter analyst for the Miami Police Department, Dexter Morgan finds his efforts to seek domestic tranquility undermined by a psychopath terrorizing the city.

Ten-year-old girls don't wear wigs. So why is Anya wearing one? That's what Keely wants to know. But when Anya's wig falls off in front of the whole class, Keely realizes what she really wants is to help Anya, even though she's not sure how--and even though it means she'll have to do something she's afraid of: stand up to her friends. As for Anya, she just wants her hair to grow back, but no one can tell her whether it ever will. How can she learn to accept her disease when she can't even look in the mirror?

Lights. Camera. Murder. The Dexter series continues with a wild ride through Hollywood. • The Killer Character That Inspired the Hit Showtime Series Dexter Mega-star Robert Chase is famous for losing himself in his characters. When he and a group of actors descend on the Miami Police Department for "research," Chase becomes fixated on Dexter Morgan, the blood spatter analyst with a sweet tooth and seemingly average life. Chase shadows Dexter's every move, trying to learn what makes him tick. However, Dexter's favorite pastime of hunting down the worst killers who've escaped legal prosecution—and introducing them to his special brand of justice—presents, well, a bit of a problem. It's a secret best kept out of the spotlight if Dexter wants to stay out of the electric chair, but even Dexter isn't immune to the call of fame....

A serial killer who targets "deserving" people realizes that a new serial killer in Miami is imitating him as an invitation to play.

In the bestselling tradition of such family portraits as Brooke Hayward's Haywire and Christopher Dickey's Summer of Deliverance comes a disarmingly candid memoir from the youngest son of Martin Luther King, Jr. Dexter King was only seven when an assassin's bullet took his father's life, shattering the boy's childhood. And as he stumbled into adolescence, both the tragedy and the weight of living up to "the King legacy" would exact an additional toll. Challenged with undiagnosed A.D.D. and rocked once again by his grandmother's murder, King became emotionally isolated and, in his early 30s, sought answers from an inspiring source: the teachings of Martin Luther King, Jr. Now, in this intimate portrait, Dexter King reveals for the first time what it was like growing up in the shadow of greatness, and how his father's lessons continue to inspire and inform his own ideas on race in America today.

NOW A MAJOR MOTION PICTURE In this striking debut from the author of the National Book Award winner Paris Trout, Pete Dexter chronicles a murder and its consequences in the fictional blue-collar Philadelphia neighborhood of God’s Pocket. Leon Hubbard makes other men nervous, talking to himself or anyone who will listen about the things he’s cut with his straight razor. So when he crosses the wrong guy on a South Philly construction site and winds up with his head caved in, everyone is content to bury the bad news with the body. Everyone, that is, except Leon’s mother—and a local newspaper columnist hoping the story will resurrect his career. Only a mother could love a man like Leon. But only an outsider could expect to change anything in God’s Pocket. Praise for God’s Pocket “Riveting . . . a first-class first novel . . . highlighted by superior writing, dialogue that rings true, and a highly believable background.”—Associated Press “God’s Pocket sings, snarls, mugs, wisecracks, buys you a drink, steals your wallet, and takes you home to meet the folks.”—Richard Price “My own favorite among Mr. Dexter’s work remains God’s Pocket, which I continue to admire for its rich, well-nigh Dickensian mixture of verisimilitude, real-life absurdity, horror and romance.”—Robert Stone, The New York Times Book Review “Rollicking . . . a tough Philadelphia neighborhood comes to life in these pages.”—Playboy

The New York Times Book Review Editors' Choice • Now in a new edition with a foreword by Rumaan Alam, a modern classic from one of Australia’s greatest writers • "It’s high time American readers knew her generous, category-defying imagination."—New York Times "The Children’s Bach is [Garner’s] masterpiece."—Public Books Set in suburban Melbourne in the early 1980s, The Children’s Bach centers on Dexter and Athena Fox, their two sons, and the insulated world they’ve built together. Despite the routine challenges of domestic life, they are largely happy. But when a friend from Dexter’s past resurfaces and introduces the couple to the city’s bohemian underground—unbound by routine and driven by desire—Athena begins to wonder if life might hold more for her, and the tenuous bonds that tie the Foxes together start to fray. A literary institution in Australia, Helen Garner’s perfectly formed novels embody the tumultuous 1970s and 1980s. Drawn on a small canvas and with a subtle musical backdrop, The Children’s Bach is “a jewel” (Ben Lerner) within Garner’s revered catalogue, a beloved work that solidified her place among the masters of modern letters, a finely etched masterpiece that weighs the burdens of commitment against the costs of liberation.