Sequel to the bestselling horror novel Devil’s Nightmare, Robert Pruneda brings readers another horrific thriller full of twists, chills, and a shocking conclusion. Two years have passed since Aaron Sanders retired from the Austin Police Department after what the media has labeled The Saint Hedwig Massacre. He moves his family out of the capital city to start a new life as a small town cop in Lost Maples, Texas, where he is once again caught in the middle of a mysterious investigation that has an eerie familiarity. This time, however, something even more sinister is responsible for the violent deaths. Evil knows no boundaries, and it is up to Aaron to figure out how to protect the residents of his community, and his family, from becoming its next victims.

From the creator of the critically acclaimed, award-winning Cork O'Connor mystery series comes a haunting, atmospheric, conspiracy thriller. When President Clay Dixon's father-in-law—a former vice president—is injured in a farming accident, First Lady Kate Dixon returns to Minnesota to be at his side. Assigned to protect her, Secret Service agent Bo Thorsen soon falls under Kate's spell. He also suspects the accident is part of a trap set for Kate by David Moses, an escaped mental patient who once loved her. What Bo and Moses don't realize is that they're caught in a web of deadly intrigue spun by a seemingly insignificant bureaucratic department within the federal government. Racing to find answers before an assassin's bullet can kill Kate, Bo soon learns that when you lie down with the devil, there's hell to pay.

A chilling novel of psychological suspense from critically acclaimed and internationally bestselling Swedish author, Marie Hermanson. When Daniel arrives in Himmelstal -- a private Swiss psychiatric facility -- to visit his twin brother Max, he has no idea what's in store for him. He finds himself unquestioningly accepting Max's plea for help and the brothers swap places in order for Max to take care of some business. All he claims to need is a couple of days in the outside world to settle his debt. But soon Daniel realizes Max isn't coming back, and that the clinic is far from a place of recovery. Struggling to get anyone to believe who he really is, Daniel finds himself trapped in a cruel and highly secretive prison: this is no sanctuary, it's a living nightmare . . .

It was just a bit of fun, a local legend. The Devil's Footsteps: thirteen stepping stones, and whichever one you stopped on in the rhyme could predict how you would die. A harmless game for kids - and nobody ever died from a game. But it's not a game to Bryan. He's seen the Dark Man, because the Dark Man took his brother five years ago. He's tried to tell himself that it was his imagination, that the Devil's Footsteps are just stones and the Dark Man didn't take Adam. But Adam's still gone. And then Bryan meets two other boys who have their own unsolved mysteries. Someone or something is after the children in the town. And it all comes back to the rhyme that every local child knows by heart: Thirteen steps to the Dark Man's door, Won't be turning back no more . . .

An analysis of the novels of Maturin, Gogol, Dostoevsky, Mann, Lovecraft and Pelevin through the prism of their interest in investigating the nature of the nightmare reveals the unstudied features of the nightmare as a mental state and traces the mosaic of coincidences leading from literary experiments to today’s culture of nightmare consumption.

There is no cinema with such effect as that of the hallucinatory Italian horror film. From Riccardo Freda's I Vampiri in 1956 to Il Cartaio in 2004, this work recounts the origins of the genre, celebrates at length ten of its auteurs, and discusses the noteworthy films of many others associated with the genre. The directors discussed in detail are Dario Argento, Lamberto Bava, Mario Bava, Ruggero Deodato, Lucio Fulci, Umberto Lenzi, Antonio Margheriti, Aristide Massaccesi, Bruno Mattei, and Michele Soavi. Each chapter includes a biography, a detailed career account, discussion of influences both literary and cinematic, commentary on the films, with plots and production details, and an exhaustive filmography. A second section contains short discussions and selected filmographies of other important horror directors. The work concludes with a chapter on the future of Italian horror and an appendix of important horror films by directors other than the 50 profiled. Stills, posters, and behind-the-scenes shots illustrate the book.

Italian filmmakers have created some of the most magical and moving, violent and controversial films in world cinema. During its twentieth-century heyday, Italy's film industry was second only to Hollywood as a popular film factory, exporting cinematic dreams with multinational casts to the world, ranging across multiple genres. 'Cinema Italiano' is the first book to discuss comprehensively and in depth this Italian cinema, both popular and arthouse. It is illustrated throughout with rare stills and international posters from this revered era in European cinema and reviews over 350 movies. Howard Hughes uncovers this treasure trove of Italian films, from Lucino Visconti's epic 'The Leopard' to the cult superhero movie 'Puma Man'. Dario Argento's bloody 'gialli' thrillers and Sergio Leone's spaghetti westerns are explored alongside films of Federico Fellini, Pier Paolo Pasolini and Michelangelo Antonioni. Chapters discuss the rise and fall of genres such as mythological epics, gothic horrors, science fiction, spy films, war movies, costume adventures, zombie films, swashbucklers, political cinema and 'poliziotteschi' crime films. They also trace the directorial careers of Mario Bava, Sergio Corbucci, Francesco Rosi, Lucio Fulci, Duccio Tessari, Enzo G. Castellari, Bernardo Bertolucci and Gillo Pontecorvo.

Now over twenty years old, the original edition ofNightmare Movies has retained its place as a true classic of cult filmcriticism. In this new edition, Kim Newman brings his seminal work completelyup to date, both reassessing his earlier evaluations and adding a second partthat analyses the last two decades of horror films with all the wit,intelligence and insight for which he is known. Since the publication of thefirst edition, horror has been on a gradual upswing and has gained a new andstronger hold over the film industry. Newman negotiates his way through a vastback catalogue of horror and charts the on-screen progress of our collectivefears and bogeymen, from the low-budget slasher movies of the 1960s, through tothe slick releases of the 2000s. Nightmare Movies is an invaluable companion that not onlyprovides a newly updated history of the darker side of film but also acts as atruly entertaining guide with which to explore the less well-trodden paths ofhorror and rediscover the classics with a newly instructed eye.

In the 1980s, the United States was in the throes of terror, rumors abounded about Satanists running amok across the country. No matter where a person turned, there was someone talking about Satanists kidnapping people for sacrifices and other evil accounts. While the United States government sought to downplay the rumors, little did the public really know of a secret war being waged around them. John McKenzie and Stuart James, two former U.S. Army Rangers had found themselves drawn into a conflict that many could not comprehend. A Satanic cult called “The Process” had kidnapped a family member of John McKenzie, forcing him and his friend Stuart to pursue the kidnappers, starting a war that would soon encompass the country.This is their story, as "The Process" attempts their best efforts to kill the two friends before they can destroy the infernal organization.