Follows Lucifer Morningstar, the former Lord of Hell, as he faces challenges from forces in both heaven and hell.

Clive Cussler's astounding Devil's Gate sees the return of Kurt Austin and the NUMA team. Deep beneath the Eastern Atlantic Ocean lies an extraordinary underwater burial ground of ships and planes . . . Nearby, a Japanese cargo ship blows up without warning. Racing to help, Kurt Austin and the NUMA team are beaten to the scene by heavily armed pirates. But when the ruthless gang's own boat explodes as they're making their escape, the men from NUMA are suddenly plunged from a disaster into a mystery. Soon they uncover a scheme involving the deadly ambitions of an African dictator, the creation of a weapon of terrible power, a kidnapped CERN scientist and a deep-water graveyard holding a lost aircraft and its precious cargo. As a terrifying and audacious plan to bring the world's major nations to their knees is set in motion, only Kurt Austin - the right man, in the right place, at the right time - can stop it . . . With Devil's Gate, UK number one bestseller Clive Cussler shows us once more why he is the grand master of adventure fiction. The ninth book in Clive Cussler's bestselling NUMA Files series, Devils's Gate is a novel that will have readers gripped right to the last page. Kurt Austin, hero of previous titles Medusa and The Navigator, must avert a disaster of global proportions. Praise for Clive Cussler: 'The guy I read' Tom Clancy 'The Adventure King' Sunday Express 'Nobody does it better . . . nobody!' Stephen Coonts

Cast out of Heaven, thrown down to rule in Hell, Lucifer Morningstar has resigned his post and abandoned his kingdom for the mortal city of Los Angles. Emerging from the pages of writer Neil Gaiman's award-winning series The Sandman, the former Lord of Hell is now enjoying a quiet retirement as the propretor of Lux, L.A.'s most elite piano bar. But now an assignment from the Creator Himself is going to change all that. If Lucifer agrees to do Heaven's dirty work, he can name his own price--but both the task and reward are more than they seem. Thrown into a position of great threat and ultimate opportunity, Lucifer knows that threading a path through this maze will require the harshest of sacrifices.

Cast out of Heaven, thrown down to rule in Hell, Lucifer Morningstar has resigned his post and abandoned his kingdom for the mortal city of Los Angeles. In this final LUCIFER volume, the war in Heaven reaches its universe-shaking conclusion, as the forces of Heaven, Hell, and everyone in between wage a final battle to determine the fate of both Yahweh and Lucifer's Creations - a fate no one, not even the Lightbringer, could foresee. And in the aftermath of the battle, how will Lucifer and his cohorts pick up their lives and tie up loose ends? Collects LUCIFER #62-75.

The door was not locked, and opened easily. He switched on the light, and Richard followed him into the room. Nella lay on the bed. She had on the nightdress she had been lent, but the bedclothes had been pulled halfway down. Her head was twisted back grotesquely. Her mouth gaped open and her tongue had been cut out. It had been carefully placed in the valley between her naked breasts. The Duke de Richleau and his friends had faced many dangers in Russia, Spain and Nazi Germany. Now, a new and unexpected menace confronts them: the fourth member of their group, Rex van Ryn, is missing – and he has made off with more than a million dollars from the Buenos Aires branch of his family bank. Behind the conventional courtesy of Argentinian society lies a conspiracy of terror and silence – and a trail that leads straight to the Devil himself . . .

Communism must kill what it cannot control. So for a century, it has killed artists, writers, musicians, and even dancers. It kills them secretly, using bioweapons and poison to escape accountability. Among its victims was Anna Pavlova, history’s greatest dancer, who was said to have God-given wings and feet that never touched the ground. But she defied Stalin, and for that she had to die. Her sudden death in Paris in 1931 was a mystery until now. The Dancer and the Devil traces Marxism’s century-long fascination with bioweapons, from the Soviets’ leak of pneumonic plague in 1939 that nearly killed Stalin to leaks of anthrax at Kiev in 1972 and Yekaterinburg in 1979; from the leak of a flu in northeast China in 1977 that killed millions to the catastrophic COVID-19 leak from biolabs in Wuhan, China. Marxism’s dark past must not be a parent to the world’s dark future. COMMUNIST CHINA PLAYED WITH FIRE AND THE WORLD IS BURNING Nearly ten million people have died so far from the mysterious Covid-19 virus. These dead follow a long line of thousands of other brave souls stretching back nearly a century who also suffered mysterious “natural” deaths, including dancers, writers, saints and heroes. These honored dead should not be forgotten by amnesiac government trying to avoid inconvenient truth. The dead and those who remember and loved them deserve answers to two great questions. How? Why? The Dancer and the Devil answers these questions. It tracks a century of Soviet and then Chinese Communist poisons and bioweapons through their development and intentional use on talented artists and heroes like Anna Pavlova, Maxim Gorky, Raoul Wallenberg and Alexis Navalny. It then tracks leaks of bioweapons beginning in Saratov, Russia in 1939 and Soviet Yekaterinburg in 1979 through Chinese leaks concluding in the recent concealed leak of the manufactured bioweapon Covid-19 from the military lab in Wuhan, China. Stalin, Putin, and Xi, perpetrators of these vast crimes against humanity itself, should not be allowed to escape responsibility. This book assembles the facts on these cowardly murderers, calling them to account for their heartless crimes against man concluding in Covid-19.

How to understand a media environment in crisis, and how to make things better by approaching information ecologically. Our media environment is in crisis. Polarization is rampant. Polluted information floods social media. Even our best efforts to help clean up can backfire, sending toxins roaring across the landscape. In You Are Here, Whitney Phillips and Ryan Milner offer strategies for navigating increasingly treacherous information flows. Using ecological metaphors, they emphasize how our individual me is entwined within a much larger we, and how everyone fits within an ever-shifting network map.

The devil rides out, original copyright date: 1934; To the devil a daughter, original copyright date: 1953; Gateway to hell, original copyright date: 1970.

A provocative view of economic growth in the Third World argues that the countries that have achieved steady economic growth—including future economic superpowers India and China—have done so because they have resisted the American ideology of free markets. The American government has been both miracle worker and villain in the developing world. From the end of World War II until the 1980s poor countries, including many in Africa and the Middle East, enjoyed a modicum of economic growth. New industries mushroomed and skilled jobs multiplied, thanks in part to flexible American policies that showed an awareness of the diversity of Third World countries and an appreciation for their long-standing knowledge about how their own economies worked. Then during the Reagan era, American policy changed. The definition of laissez-faire shifted from "Do it your way," to an imperial "Do it our way." Growth in the developing world slowed, income inequalities skyrocketed, and financial crises raged. Only East Asian economies resisted the strict prescriptions of Washington and continued to boom. Why? In Escape from Empire, Alice Amsden argues provocatively that the more freedom a developing country has to determine its own policies, the faster its economy will grow. America's recent inflexibility—as it has single-mindedly imposed the same rules, laws, and institutions on all developing economies under its influence—has been the backdrop to the rise of two new giants, China and India, who have built economic power in their own way. Amsden describes the two eras in America's relationship with the developing world as "Heaven" and "Hell"—a beneficent and politically savvy empire followed by a dictatorial, ideology-driven one. What will the next American empire learn from the failure of the last? Amsden argues convincingly that the world—and the United States—will be infinitely better off if new centers of power are met with sensible policies rather than hard-knuckled ideologies. But, she asks, can it be done?

Stepping out of the pages of Neil Gaiman's The Sandman, the Fallen One begins his own epic journey in this first of two oversize omnibus collections featuring Mike Carey's acclaimed, Eisner Award-nominated series "His omniscience only works because there are no alternatives. But I have conceived of a revolution that may surprise even Him." Stepping out of the pages of Neil Gaiman's The Sandman, the Fallen One begins his own epic journey in this first of two oversize omnibus collections featuring Mike Carey's acclaimed, Eisner Award-nominated series. Since resigning his throne and abandoning his kingdom, Lucifer Morningstar has filled his days supervising a considerably reduced staff at Lux, Los Angeles' most elite piano bar. The arrival of a once-in-an-eternity job offer, however, is about to put an end to his quiet retirement. The contract comes straight from the Creator Himself, and if Lucifer successfully completes his task, the former lord of Hell can name his own price. But negotiating this particular razor's edge between opportunity and catastrophe will require all of his legendary subtlety and will--and no small amount of sacrifice. For his part, the Lightbringer is prepared to risk everything to win the power of Heaven's reward. The Devil's hands have been idle long enough. Lucifer Omnibus Vol. 1 collects The Sandman Presents: Lucifer #1-3, Lucifer #1-35, and Lucifer: Nirvana #1 with a foreword by Neil Gaiman and an introduction by Mike Carey, along with an extensive gallery of never-before-seen art from the making of the series.