This book refers to the artistic deviation from dominant goals in a social system or from means considered legitimate in that system. This book explores a "New Humanism" in the performing arts, unique in the sense of human's ability to co-create and communicate beyond spatial and temporal boundaries, wars, and pandemics, through artistic deviations carried out by machines and through the Extended Reality. Through the lens of anthropology and aesthetics, this study selects useful case studies to demonstrate this phenomenon of performative symphonises, in which the experimentation of AI-driven creativity and the new human-robot interaction (HRI) lead to philosophical inquiries about the nature of creativity, intelligence, and the definition of art itself. These shifts in paradigms invite us to reconsider established concepts and explore new perspectives on the relationship between technology, art, and the human experience. This book will be of great interest to students and scholars in theatre and performance studies, anthropology, and digital humanities.

The Routledge Dictionary of Contemporary Theatre and Performance provides the first authoritative alphabetical guide to the theatre and performance of the last 30 years. Conceived and written by one of the foremost scholars and critics of theatre in the world, it literally takes us from Activism to Zapping, analysing everything along the way from Body Art and the Flashmob to Multimedia and the Postdramatic. What we think of as 'performance' and 'drama' has undergone a transformation in recent decades. Similarly how these terms are defined, used and critiqued has also changed, thanks to interventions from a panoply of theorists from Derrida to Ranciere. Patrice Pavis's Dictionary provides an indispensible roadmap for this complex and fascinating terrain; a volume no theatre bookshelf can afford to be without.

Modern plays are strikingly diverse and, as a result, any attempt to locate an underlying unity between them encounters difficulties: to focus on what they have in common is often to overlook what is of primary importance in particular plays; to focus on their differences is to note the novelty of the plays without increasing their accessibility. In this study, first published in 1985, Austin E. Quigley takes as his paradigm case the relationship between the world of the stage and the world of the audience, and explores various modes of communication between domains. He asks how changes in the structure of the drama relate to changes in the structure of the theatre, and changes in the role of the audience. Detailed interpretations of plays by Pinero, Ibsen, Strindberg, Brecht, Ionesco, Beckett and Pinter question principles about the modern theatre and establish links between drama structure and theatre structure, theme, and performance space.

This book puts forward the concept of “subjective anthropology” and outlines a theoretical system that will allow subjective anthropology to qualify as a new academic discipline in its own right. In an effort to respond to the field’s proper role as the science of humanity, subjective analysis has been introduced into the study of anthropology. The book fills two distinct gaps in our knowledge and understanding of modern man, offering detailed descriptions of personality and of groups, while also advancing the theory of “structure and choice.” The book formulates seven basic principles of subjective anthropology and divides anthropology into three major branches: subjective anthropology, cultural anthropology, and biological (or physical) anthropology, which can be further divided into sub-branches. The book pursues three key goals: advancing and developing the theoretical system of subjective anthropology, reconstructing the discipline of anthropology, and establishing a Chinese anthropology with Chinese characteristics, Chinese visions, and Chinese styles.

Collection of writings by Gayle S. Rubin, an American theorist and activist in feminist, lesbian and gay, queer, and sexuality studies since the 1970s.

Refuting the notion that the West is everywhere, Rustom Bharucha draws on the emergent cultures of secular struggle in contemporary India to engage with the volatile global issues of intellectual property rights, cultural tourism, and the marking of minorities on the basis of religion, caste, language, gender, and sexuality.

World Theatre: The Basics presents a well-rounded introduction to non-Western theatre, exploring the history and current practice of theatrical traditions in Asia, Africa, the Middle East, Oceania, the Caribbean, and the non-English-speaking cultures of the Americas. Featuring a selection of case studies and examples from each region, it helps the reader to understand the key issues surrounding world theatre scholarship and global, postcolonial, and transnational performance practices. An essential read for anyone seeking to learn more about world theatre, World Theatre: The Basics provides a clear, accessible roadmap for approaching non-Western theatre.

"This book refers to the artistic deviation from dominant goals in a social system or from means considered legitimate in that system. This book explores a "New Humanism" in the performing arts, unique in the sense of human's ability to co-create and communicate beyond spatial and temporal boundaries, wars, and pandemics, through artistic deviations carried out by machines and through the Extended Reality. Through the lens of anthropology and aesthetics, this study selects useful case studies to demonstrate this phenomenon of performative symphonises. In which the experimentation of AI-driven creativity and the new interaction HRI leads to philosophical inquiries about the nature of creativity, intelligence, and the definition of art itself. These shifts in paradigms invite us to reconsider established concepts and explore new perspectives on the relationship between technology, art, and the human experience. This book will be of great interest to students and scholars in theatre and performance studies, anthropology, and digital humanities"--

Words and Deeds is a collection of articles on rituals in South Asia with a special focus on their texts and context. The volume presupposes that a comprehensive definition of "ritual" does not exist. Instead, the papers in it avoid essentialist definitions, allowing for a possible polythetic definition of the concept to emerge. Papers in this volume include those on Initiation, Pre-Natal Rites, Religious Processions, Royal Consecration, Rituals which mark the commencement of ritual, Rituals of devotion and Vedic sacrifice as well as contributions which address the broader theoretical issues of engaging in the study of ritual texts and ritual practice, both from the etic and the emic perspective. These studies show that any study of the relationship between the text and the context of rituals must also allow for the possibility that different categories of performers can and do subjectively constitute the relationship between their ritual knowledge and ritual practice, between text and context in differing and nuanced ways.

The sensory revolution in the social sciences is transforming the ways in which the senses and the sensorium are studied and understood in relation to bodies in action. This is the first book to investigate the impact, and challenges, of this revolution for those interested in physical culture. Providing vivid examples of sensory scholarship in action from sport, physical activity, leisure and recreation, this book brings together leading figures to discuss how we go about seeking the senses, how we engage in somatic work, and how we create meanings and come to understand ourselves and others as embodied beings in a variety of social settings over time. Featuring original reflections on athletics, running, cycling, sailing, kayaking, windsurfing, glow sports, jiu jitsu, mixed martial arts and yoga, this ground breaking collection showcases the latest sensory research in physical culture as well as paving the way both conceptually and methodologically for future work in this area. Seeking the Senses in Physical Culture: Sensuous scholarship in action is fascinating reading for all those interested in physical cultural and body studies; the sociology, psychology and philosophy of sport; leisure and recreation studies; and physical education.