In Devastation and Laughter, Annie G?rin explores the use of satire in the visual arts, the circus, theatre, and cinema under Lenin and Stalin. G?rin traces the rise and decline of the genre and argues that the use of satire in official Soviet art and propaganda was neither marginal nor un-theorized. The author sheds light on the theoretical texts written in the 1920s and 1930s by Anatoly Lunacharsky, the Soviet Commissar of Enlightenment, and the impact his writings had on satirists. While the Avant-Garde and Socialist Realism were necessarily forward-looking and utopian, satire afforded artists the means to examine critically past and present subjects, themes, and practice. Devastation and Laughter is the first work to bring Soviet theoretical writings on the use of satire to the attention of scholars outside of Russia. By introducing important bodies of work that have largely been overlooked in the fields of art history, film and theatre history, Annie G?rin provides a nuanced and alternative reading of early Soviet art.

In Devastation and Laughter, Annie Gérin explores the use of satire in the visual arts, theatre, cinema, and the circus under Lenin and Stalin. Gérin traces the rise and decline of the genre and argues that the use of satire in official Soviet art and propaganda was neither marginal nor untheorized. The author sheds light on the texts written in the 1920s and 1930s by Anatoly Lunacharsky, the Soviet Commissar of Enlightenment, and the impact his writings had on satirists. While the Avant-Garde and Socialist Realism were necessarily forward-looking and utopian, satire afforded artists the means to examine critically past and present subjects, themes, and practice. Devastation and Laughter is the first work to bring Soviet theoretical writings on the use of satire to the attention of scholars outside of Russia. By introducing important bodies of work that have largely been overlooked in the fields of art history and film and theatre history, Annie Gérin provides a nuanced and alternative reading of early Soviet art.

In Devastation and Laughter, Annie Gérin explores the use of satire in the visual arts, the circus, theatre, and cinema under Lenin and Stalin. Gérin traces the rise and decline of the genre and argues that the use of satire in official Soviet art and propaganda was neither marginal nor un-theorized. The author sheds light on the theoretical texts written in the 1920s and 1930s by Anatoly Lunacharsky, the Soviet Commissar of Enlightenment, and the impact his writings had on satirists. While the Avant-Garde and Socialist Realism were necessarily forward-looking and utopian, satire afforded artists the means to examine critically past and present subjects, themes, and practice. Devastation and Laughter is the first work to bring Soviet theoretical writings on the use of satire to the attention of scholars outside of Russia. By introducing important bodies of work that have largely been overlooked in the fields of art history, film and theatre history, Annie Gérin provides a nuanced and alternative reading of early Soviet art.

The author of the acclaimed novel Scarborough weaves an unforgettable and timely dystopian tale about a near-future, where a queer Black performer and his allies join forces to rise up when an oppressive regime gathers those deemed “Other” into concentration camps. Set in a terrifyingly familiar near-future, with massive floods leading to rampant homelessness and devastation, a government-sanctioned regime called The Boots seizes on the opportunity to round up communities of color, the disabled, and the LGBTQ+ into labor camps. In the shadows, a new hero emerges. After he loses his livelihood as a drag queen and the love of his life, Kay joins the resistance alongside Bahadur, a transmasculine refugee, and Firuzeh, a headstrong social worker. Guiding them in the use of weapons and close-quarters combat is Beck, a rogue army officer, who helps them plan an uprising at a major televised international event. With her signature “raw yet beautiful, disturbing yet hopeful” (Booklist) prose, Catherine Hernandez creates a vision of the future that is all the more frightening because it is very possible. A cautionary tale filled with fierce and vibrant characters, Crosshairs explores the universal desire to thrive, love, and be loved for being your true self.

“Inspiring, tragic, and at times heart-rendingly funny.” —People Unsentimental, unexpectedly funny, and incredibly honest, Tragedy Plus Time is a love letter to every family that has ever felt messy, complicated, or (even momentarily) magnificent. Meet the Magnificent Cayton-Hollands, a trio of brilliant, acerbic teenagers from Denver, Colorado, who were going to change the world. Anna, Adam, and Lydia were taught by their father, a civil rights lawyer, and mother, an investigative journalist, to recognize injustice and have their hearts open to the universe—the good, the bad, the heartbreaking (and, inadvertently, the anxiety-inducing and the obsessive-compulsive disorder-fueling). Adam chose to meet life’s tough breaks and cruel realities with stand-up comedy; his older sister, Anna, chose law; while their youngest sister, Lydia, struggled to find her place in the world. Beautiful and whip-smart, Lydia was witty, extremely sensitive, fiercely stubborn, and always somewhat haunted. She and Adam bonded over comedy from a young age, running skits in their basement and obsessing over episodes of The Simpsons. When Adam sunk into a deep depression in college, it was Lydia who was able to reach him and pull him out. But years later as Adam’s career takes off, Lydia’s own depression overtakes her, and, though he tries, Adam can’t return the favor. When she takes her own life, the family is devastated, and Adam throws himself into his stand-up, drinking, and rage. He struggles with disturbing memories of Lydia’s death and turns to EMDR therapy to treat his post-traumatic stress disorder when he realizes there’s a difference between losing and losing it. Adam Cayton-Holland is a tremendously talented writer and comedian, uniquely poised to take readers to the edges of comedy and tragedy, brilliance and madness. Tragedy Plus Time is a revelatory, darkly funny, and poignant tribute to a lost sibling that will have you reaching for the phone to call your brother or sister by the last page.

A sequence of poems exploring the relationship between two men.

The Second World War might have officially ended in May 1945, but in reality it rumbled on for another ten years... The end of the Second World War in Europe is one of the twentieth century's most iconic moments. It is fondly remembered as a time when cheering crowds filled the streets, danced, drank and made love until the small hours. These images of victory and celebration are so strong in our minds that the period of anarchy and civil war that followed has been forgotten. Across Europe, landscapes had been ravaged, entire cities razed and more than thirty million people had been killed in the war. The institutions that we now take for granted - such as the police, the media, transport, local and national government - were either entirely absent or hopelessly compromised. Crime rates were soaring, economies collapsing, and the European population was hovering on the brink of starvation. In Savage Continent, Keith Lowe describes a continent still racked by violence, where large sections of the population had yet to accept that the war was over. Individuals, communities and sometimes whole nations sought vengeance for the wrongs that had been done to them during the war. Germans and collaborators everywhere were rounded up, tormented and summarily executed. Concentration camps were reopened and filled with new victims who were tortured and starved. Violent anti-Semitism was reborn, sparking murders and new pogroms across Europe. Massacres were an integral part of the chaos and in some places – particularly Greece, Yugoslavia and Poland, as well as parts of Italy and France – they led to brutal civil wars. In some of the greatest acts of ethnic cleansing the world has ever seen, tens of millions were expelled from their ancestral homelands, often with the implicit blessing of the Allied authorities. Savage Continent is the story of post WWII Europe, in all its ugly detail, from the end of the war right up until the establishment of an uneasy stability across Europe towards the end of the 1940s. Based principally on primary sources from a dozen countries, Savage Continent is a frightening and thrilling chronicle of a world gone mad, the standard history of post WWII Europe for years to come.

An exhilarating dark comedy about two brothers confronting their father's fate in contemporary Ireland, from a critically acclaimed Irish author 'Propulsive, raucous, funny and deeply moving... I loved it.' David Nicholls, author of One Day 'Brilliant. A hilarious, poetical black comedy... Do read it.' Mark Haddon, author of The Curious Incident of the Dog in the Night-time 'A book of wicked intelligence and tender heart.' Max Porter, author of Shy It's 2008, and the Celtic Tiger has left devastation in its wake. Brothers Hart and Cormac Black are waking up to a very different Ireland – one that widens the chasm between them and brings their beloved father to his knees. Facing a devastating choice that will put their livelihood, even their lives, on the line, the brothers soon learn that their biggest danger comes when there is nothing to lose. A sharp snapshot of a family and a nation suddenly unmoored, this epic-in-miniature explores cowardice and sacrifice, faith rewarded and abandoned, the stories we tell ourselves and the ones we resist. Hilarious, poignant and utterly fresh, The Wild Laughter cements Caoilinn Hughes' position as one of Ireland's most audacious, nuanced and insightful young writers. FINALIST FOR THE AN POST IRISH NOVEL OF THE YEAR 2020, THE RTÉ RADIO 1 LISTENERS' CHOICE AWARD 2020 & THE DALKEY EMERGING WRITER AWARD 2021 LONGLISTED FOR THE DYLAN THOMAS PRIZE & THE i COMEDY WOMEN IN PRINT PRIZE, 2021 AN IRISH TIMES, IRISH SUNDAY TIMES, IRISH INDEPENDENT & SUNDAY INDEPENDENT BOOK OF THE YEAR, 2020

"An army may march on its stomach but it leans on its funny bone." So says Brigadier Charles Ritchie, and he should know. Postings to the Yemen, Northern Ireland, Bosnia, and other far-away trouble spots gave him many opportunities to demonstrate that the ability to laugh - and make others laugh - is an invaluable skill in an officer's kitbag.In Laughter is the Best Weapon - the Remarkable Adventures of an Unconventional Soldier, Charles abandons the popular trend for military heroism and angst-ridden confessions. Instead he leads the reader on a forthright yet light-hearted and self-deprecating journey through his 38 years' service as a Royal Scot. In the process we witness his sometimes significant, but often comedic, participation in a wide range of recent British military operations.If you prefer your military history more entertainingly honest than earnestly intellectual and your soldiers hilariously slapstick rather than heroically stoic, then this is the book for you. Liberally sprinkled with career-limiting cock-ups, bizarre near-death experiences, and the clatter not of gunfire but shameless name-dropping, these delightfully varied anecdotes deliver a hugely entertaining glimpse into the extraordinary life of one of the British Army's most spirited and loveable characters.

Where Youth and Laughter Go completes LtCol Seth Folsom’s recounting of his personal experiences in command over a decade of war. It is the culminating chapter of a trilogy that began with The Highway War: A Marine Company Commander in Iraq in 2006 and continued with In the Gray Area: A Marine Advisor Team at War in 2010. The chronicle of Folsom’s command of 3rd Battalion, 7th Marine Regiment, “The Cutting Edge,” and his harrowing deployment to Afghanistan’s volatile Sangin District presents a deeper look into the complexities and perils of modern counterinsurgency operations in America’s longest war. Charged with the daunting task of pacifying a region with a long history of violence and instability, Folsom and his Marines struggled daily to wage a dynamic campaign against the shadowy enemy force that held Sangin’s population firmly in its grip. With peace and stability always teetering on the brink of collapse, the Marines of “The Cutting Edge” confronted their own mortality as they conducted endless patrols through Sangin’s minefields while fighting to win the hearts and minds of the Afghan villagers. No other books have been published from the perspective of a Marine infantry battalion commander in Afghanistan. It was Folsom’s job, as the unit commander, to lead his Marines under impossible circumstances. LtCol Folsom made the unusual decision to patrol with his rifle squads every day through Sangin, where his Marines dodged improvised explosive devices and sniper fire from an invisible enemy. As his tour progressed and casualties mounted, he found his objectivity evaporating and the love for his men growing. Where Youth and Laughter Go is more than a blood-and-guts war story, it is a jarring, “boots on the ground”–level examination of the myriad challenges and personal dilemmas that today’s young service members face as the United States approaches its final endgame in Afghanistan.