The typical contemporary Labour MP is almost certain to be a university-educated Europhile who is more comfortable in the leafy enclaves of north London than the party’s historic heartlands. As a result, Labour has become radically out of step with the culture and values of working-class Britain. Drawing on his background as a firefighter and trade unionist from Dagenham, Paul Embery argues that this disconnect has been inevitable since the Left political establishment swallowed a poisonous brew of economic and social liberalism. They have come to despise traditional working-class values of patriotism, family and faith and instead embraced globalisation, rapid demographic change and a toxic, divisive brand of identity politics. Embery contends that the Left can only revive if it speaks once again to the priorities of working-class people by combining socialist economics with the cultural politics of belonging, place and community. No one who wants to really understand why our politics has become so dysfunctional and what the Left can do to fix it can afford to miss this authentic, insightful and passionate book.

This novel, written by Rose Allatini under the pseudonym A.T. Fitzroy, is a landmark in gay and lesbian literature, and in the literature of pacifism. It was unavailable to readers for more than half of the 20th century: the British government seized the unsold copies in 1918 and arrested and prosecuted author Allatini and publisher C.W. Daniel under the Defence of the Realm Act. This was a dangerous book on several counts. Although the author was prosecuted for the political content of the book as detrimental to war morale, the trial judge also took pains to denounce the book's advocacy of homosexual rights. Just two decades after the Oscar Wilde trial, gay men and lesbians were still not allowed to plead equality. In a Wellsian peroration near the end of the book, reminiscent of that author's "The Food of the Gods, " and certainly influenced too by Edward Carpenter's "Towards Democracy, " Allatini stakes a claim for a gay and lesbian consciousness as part of humankind's evolution, demanding not only tolerance, but acceptance. Allatini equates the gentleness and empathy of gay men and women with an inherent antipathy toward the destructive stupidity of war. The British penal system seems to have agreed with her in part, declaring pacifists and homosexual persons as criminal bodies, to be isolated and punished. It seems no coincidence that the sentences meted out to men who would not fight was the same as that accorded to convicted homosexuals: imprisonment, hard labor, and abuse by jailers. Every pacifist was an Oscar Wilde. Writing before women had the right to vote in Great Britain, Allatini offers a free-spirited lesbian heroine who suffers a painful self-acceptance. She depicts brave women who, because there are fewer other choices available to them, become helpers and companions to pacifists; on the other side, she skewers the conventional women who are complicit in the war fever that sent their sons to meaningless deaths in the trenches. Closer to Dickens than to Virginia Woolf in method, Allatini nonetheless has the ability to dissect the patriotism-crazed society around her. She works her plot to convey in strong terms that, for the middle-class English mother, the price of unthinking patriotism was the dreaded telegraph from the front, or the return of the amputated soldier. When Allatini enters the narration in the guise of Dennis Blackwood, she conveys his torment, and his much more tortured self-acceptance, in a convincing way. The all-too-British reticence, evasions, panic, and finally, self-awareness make us see that whoever "made her understand," was an extraordinary confidante. This book might have saved lives, had it been available in the pre-Stonewall decades. Despised and Rejected was reprinted in 1975 as part of the series Homosexuality: Lesbians and Gay Men in Society, History and Literature, under the editorship of Jonathan Ned Katz. After one more reprint in the 1980s, the book seems to have dropped from sight again.

Presents eight vivid portraits of the little-known men who are leaders of the fundamentalist Islamic political groups such as Hizbullah, Shi'ite, Hamas, Jewish Zionists, and Christian Zionists.

Inspired by true events, Despised Things is an account of Kev Ketch, a marked sex offender, who tells his interactions with Anna, Hank, Manny, and Cross that ultimately lead to his arrest, trial, and spiritual journey. Kev has always believed that God watches the hearts of men, that as long as Kev tries to do what is right, his reward will be in the afterlife. Although Kev gave his ¿friends¿ everything they could want, everything they asked for, they still turned on him. As Anna and Hank manipulate young homosexual Manny in his direction, they set up a sex scandal and an arrest. An investigation into Kev¿s arrest reveals that no fewer than fifteen felonies were committed against him; not just by Anna and Hank, but also by the county sheriff and the state¿s attorney. But Kev is the only one that goes to jail. How is that possible? With his life in ruins, his reputation in shreds, his heart broken, he cries out to God only to discover he is¿is what? That is what happened to Kev; but what happened to his ¿friends¿ who put him there¿nothing¿ ¿except this book.

Some animals and plants injure or kill millions of people annually, others cause trillions of dollars in property damage and loss. Such harmful species are understandably hated. However, the vast majority of the planet’s millions of species are disliked simply because of how they look and act. This bias is endangering numerous species that play important roles in maintaining both the natural ecosystems and the human economies of the world. In Defense of the World’s Most Despised Species examines the psychological motivations that lead people to make judgments about the attractiveness of species, noting the overwhelming importance of visual cues. It describes in considerable detail the physical and behavioral traits of species that lead us to love or hate them. Full color illustrations throughout present beautiful, charming animals and plants, species that seem loathsome, behavior of people in relation to such divergent species and their characteristics, and numerous explanatory diagrams of relevant biological and psychological phenomena. The aim of this book is to give readers insights into how we humans arrive at biased judgments and to promote the welfare of valuable, albeit sometimes unlovable animals and plants that consequently suffer from discrimination. Many of the ugliest, most disgusting, and feared species, such as vultures, toads, hyenas, sharks, spiders, and even the vast majority of cockroaches, in reality are some of our most valuable friends. Features Theme of the book – human preferences for and against species – is novel, scarcely examined to date. Multidisciplinary analysis, especially psychology, biological conservation science, and ecology, as well as philosophy, agriculture, urban planning, human health, and law. Text is accessible, user-friendly, concise, and well-organized, making numerous complex topics comprehensible, readable not only by specialists, but also by students and the educated layperson. Includes over 2,000 high-quality, entertaining, and informative color figures.

Jonathan Hill charts the fascinating history of the first 400 years after the death of Christ in the development of Christianity. He shows how and why certain ideas triumphed over others; introduces the key figures, both within the faith and among its opponents, and their intellectual struggles; covers the main battles, often bitterly fought, both of ideas and of weapons; describes the lives of ordinary Christians and their worship and how each influenced the other.

This work offers an original interpretation of the mothers of the protagonists in Dickens’s autobiographical novels. Taking Julia Kristeva’s psychoanalytic concept of abjection and Mary Douglas’s anthropological analysis of pollution as its conceptual framework, the book argues that Dickens’s primary emotional response towards the mother who abandoned him to work in a blacking warehouse was disgust, and suggests that we can trace similar signs of disgust in the narrators of his fictional autobiographies, David Copperfield, Bleak House, and Great Expectations. The author provides a close reading of Dickens’s autobiographical fragment and opens up the possibility that Dickens’s feelings towards his mother actually bore a significant influence on his fiction. The book closes with a provocative discussion of Dickens’s compulsive Sikes and Nancy public readings.