When their husbands stop paying attention to them, three best friends take matters into their own hands as they engage in anonymous sexual encounters and passionate one-night stands. Reprint.

A NEW YORK TIMES NOTABLE BOOK OF THE YEAR “[A] skillfully crafted gothic mystery . . . Johnson pulls off a great feat in this book.” —Financial Times “It reminded me, in its general refusal to play nice, of early Ian McEwan.” —The New York Times Book Review “Johnson crafts an aching thriller about the dangers of loving too intensely.” —Time From a Booker Prize finalist and international literary star: a blazing portrait of one darkly riveting sibling relationship, from the inside out. “One of her generation’s most intriguing authors” (Entertainment Weekly), Daisy Johnson is the youngest writer to have been shortlisted for the Man Booker Prize. Now she returns with Sisters, a haunting story about two sisters caught in a powerful emotional web and wrestling to understand where one ends and the other begins. Born just ten months apart, July and September are thick as thieves, never needing anyone but each other. Now, following a case of school bullying, the teens have moved away with their single mother to a long-abandoned family home near the shore. In their new, isolated life, July finds that the deep bond she has always shared with September is shifting in ways she cannot entirely understand. A creeping sense of dread and unease descends inside the house. Meanwhile, outside, the sisters push boundaries of behavior—until a series of shocking encounters tests the limits of their shared experience, and forces shocking revelations about the girls’ past and future. Written with radically inventive language and imagery by an author whose work has been described as “entrancing” (The New Yorker), “a force of nature” (The New York Times Book Review), and “weird and wild and wonderfully unsettling” (Celeste Ng), Sisters is a one-two punch of wild fury and heartache—a taut, powerful, and deeply moving account of sibling love and what happens when two sisters must face each other’s darkest impulses.

Desperate is for those who love their children to the depths of their souls but who have also curled up under their covers, fighting back tears, and begging God for help. It’s for those who have ever wondered what happened to all their ideals for what having children would be like. For those who have ever felt like all the “experts” have clearly never had a child like theirs. For those who have prayed for a mentor. For those who ever felt lost and alone in motherhood. In Desperate you will find the story of one young mother’s honest account of the desperate feelings experienced in motherhood and one experienced mentor’s realistic and gentle exhortations that were forged in the trenches of raising her own four children. Also in Desperate: QR codes and links at the end of each chapter that lead to videos with Sarah Mae and Sally talking about the chapter Practical steps to take during the desperate times Bible study and journal exercises in each chapter that will lead you to identify ways in which you can grow as a mom Mentoring advice for real-life situations Q & A section with Sally where she answers readers questions

Lady Phoebe Fairchild is well aware that the ton would be appalled to learn of a young lady of quality involved in a trade. Therefore, she resorts to selling her beautiful handmade gowns under a fictitious name: Madame Dupree. So when circumstances force her to visit the estate of William Darby, the Viscount of Summerfield, to design ball gowns for his sisters, she assumes Madame's identity. Phoebe's discomfort in her new position as hired help is nothing compared to her visceral attraction to the viscount himself. Heathenishly handsome and shamelessly seductive, Will invites her to be his mistress -- and Phoebe is shockingly tempted to accept. But as their desire for each other grows and the risk of exposure becomes even greater, Phoebe is in dire danger of losing her reputation, her livelihood -- and her chance of becoming the bride of the man whose passion has claimed her forever.

All three books from the The Shelley Sisters Series in one collection! A set of triplets is a rare thing in the Regency era, so the three Shelley sisters have always been an oddity. But now they are about to be thrown into a wild series of events, kicked off by one of them deciding to become a runaway bride. Will any of these three remarkable women find her perfect match? And will their bond of sisterhood survive betrayal, loss and danger? A Reluctant Bride When the Jasper Kincaid, the Earl of Harcourt, offered to marry one of the infamous Shelley triplets, he was doing it for the dowry to refill his depleted coffers, not for anything so silly as love. But when he realizes it is Thomasina Shelley masquerading as his fiancée at their final engagement ball, not his true intended, a desire for her that he has been ignoring sparks. And when it becomes clear her sister has run away with another, an opportunity arises for a marriage with a much deeper connection. A Reckless Runaway Anne Shelley has always been known as the “wild” one of the infamous Shelley triplets and never has that been truer than when she ran away from her engagement with a scandalous man. She expects to be taken to Gretna Green for a hasty marriage, but instead she is dumped off on a remote island in Scotland with his grouchy cousin, Rook Maitland. She isn’t supposed to like him, but as their time together stretches out she can’t help but develop more than a passing interest in her temporary guardian. A Counterfeit Courtesan The last of the Shelley triplets to remain unmarried, Juliana Shelley has never felt like she’s recognized as her own person. But now, scarred by a terrible attack, she’s never felt so alone. Or so tired of cleaning up every else’s mess. She longs for something just for herself. A taste of the desire that seems to make her sisters so very happy in their marriages. One desperate night, she goes to the wicked Donville Masquerade, looking for trouble and finds a handsome, masked stranger more than willing to provide it. Only by the light of day, she realizes he’s no stranger at all, but Ellis Maitland, the architect of her destruction.

Edmund Lee in the book "Some Noble Sisters" discusses the story of some women of virtue from whom every woman can learn. He tells the story of noble sisters which include Sidney's Sister, Wilhelmina, Margravine of Baireuth, Susanne Kossuth Meszlenyi, Caroline Lucretia Herschel, Dorothy Wordsworth, Mary Lamb, Elizabeth H. Whittier, and Eugénie de Guérin. A good book to promote good attitude and virtue in young girls of the rising generation.

When they were little girls, Kamilah and Denise were always at each other's throats. The fact that they were sisters didn't matter to either one of them. Years later, as they meet at Mama's funeral, they realize not much has changed. Denise is still living her life, hating the ghetto she came from while Kamilah refuses to leave it. The Goode Sisters explores what happens when two strong African-American women dig up dirt on each other, name call and fight in the name of jealousy and deceit. But a deep, dark family secret threatens to pull both sisters into a sleazy, sordid underworld that they may not be ready for. They hash out feelings on everything from the boardroom to the bedroom to how hard it is to still find a good Black man. This humorous novel explains why 'sistas' just can't seem to get along.

In the 1960s, a number of Catholic women religious in the United States abandoned traditional apostolic works to experiment with new and often unprecedented forms of service among non-Catholics. Amy Koehlinger explores the phenomenon of the "new nun" through close examination of one of its most visible forms--the experience of white sisters working in African-American communities. In a complex network of programs and activities Koehlinger describes as the "racial apostolate," sisters taught at African-American colleges in the South, held racial sensitivity sessions in integrating neighborhoods, and created programs for children of color in public housing projects. Engaging with issues of race and justice allowed the sisters to see themselves, their vocation, and the Church in dramatically different terms. In this book, Koehlinger captures the confusion and frustration, as well as the exuberance and delight, they experienced in their new Christian mission. Their increasing autonomy and frequent critiques of institutional misogyny shaped reforms within their institute and sharpened a post-Vatican II crisis of authority. From the Selma march to Chicago's Cabrini Green housing project, Amy Koehlinger illuminates the transformative nature of the nexus of race, religion, and gender in American society.

The Silent Sisters: by Diane Chamberlain | Conversation Starters A Brief Look Inside: EVERY GOOD BOOK CONTAINS A WORLD FAR DEEPER than the surface of its pages. The characters and their world come alive, and the characters and its world still live on. Conversation Starters is peppered with questions designed to bring us beneath the surface of the page and invite us into the world that lives on. These questions can be used to... Create Hours of Conversation: • Foster a deeper understanding of the book • Promote an atmosphere of discussion for groups • Assist in the study of the book, either individually or corporately • Explore unseen realms of the book as never seen before Disclaimer: This book you are about to enjoy is an independent resource to supplement the original book, enhancing your experience of The Silent Sisters. If you have not yet purchased a copy of the original book, please do before purchasing this unofficial Conversation Starters.

Based on the author's discovery of a new folktale type, the female trickster, Jurich's book identifies and celebrates those female protagonists in folktales who use trickery to save themselves and others, to find new directions for their lives, and to declare their individual autonomies, especially in societies that diminish and oppress women. Through creative strategies depending on verbal facility, psychological acuity, and diplomatic know-how, these women tricksters—better named trickstars—uncover the absurdity, hypocrisy, and corruption in the larger patriarchal society. Through the trickstar's efforts, the system is circumvented or foiled, often enlightened, and usually improved. This multicultural, comparative study reveals universal human traits as well as gender differences between female and male tricksters and realizes the values and attitudes which shape the trickstar's character and behavior. Trickstars also appear outside of the oral folktale tradition; the author discusses their roles in contemporary feminist revisionist tales, as well as in mythology, biblical narratives, Shakespearean comedy, novels, plays, and opera. How the female trickster differs from her male counterpart is, for the first time in folklore studies, illustrated through a comparison of their functions in the narrative scheme of the tale. These functions include the diverting or amusing role, the morally ambiguous or reprehensible role, the role of the manipulator or strategist, and the role of the transformer or culture bringer who reforms and improves the nature of her society. Jurich delineates the specific types of tricksters who perform these functions, suggests how trickstar tales variously affect listeners and readers, and shows how particular types of trickstar characters contribute to the intent of the tale. Feminist views of the protagonists are analyzed as well as contemporary revisionist tales which seek to reverse negative female images and to present independent women characters who can and do make positive contributions to society. For the first time in folklore studies, both female and male tricksters are defined and differentiated, their functions are illustrated through analyzing narrative schemes, and the term trickstar, invented by the author, is used to define and describe a female trickster.