Saunders explores the dialectic of desire, re-evaluating both Donne's poetry and the complex responses it has inspired. This study takes into account recent developments in the fields of historicism, feminism, queer theory, and postmodern psychoanalysis, while offering dazzling close readings of many of Donne's most famous poems.

Provides a new appreciation of John Donne through the lens of Walter Benjamin's critical theory of baroque allegory.

The courtly love tradition had a great influence on the themes of religious poetry—just as an absent beloved could be longed for passionately, so too could a distant God be the subject of desire. But when authors began to perceive God as immanently available, did the nature and interpretation of devotional verse change? Ryan Netzley argues that early modern religious lyrics presented both desire and reading as free, loving activities, rather than as endless struggles or dramatic quests. Reading, Desire, and the Eucharist analyzes the work of prominent early modern writers—including John Milton, Richard Crashaw, John Donne, and George Herbert—whose religious poetry presented parallels between sacramental desire and the act of understanding written texts. Netzley finds that by directing devotees to crave spiritual rather than worldly goods, these poets questioned ideas not only of what people should desire, but also how they should engage in the act of yearning. Challenging fundamental assumptions of literary criticism, Reading, Desire, and the Eucharist shows how poetry can encourage love for its own sake, rather than in the hopes of salvation.

Regarded by many as the greatest of the Metaphysical poets, John Donne (1572-1631) was also among the most intriguing figures of the Elizabethan age. A sensualist who composed erotic and playful love poetry in his youth, he was raised a Catholic but later became one of the most admired Protestant preachers of his time. The Collected Poetry reflects this wide diversity, and includes his youthful songs and sonnets, epigrams, elegies, letters, satires, and the profoundly moving Divine Poems composed towards the end of his life. From joyful poems such as 'The Flea', which transforms the image of a louse into something marvellous, to the intimate and intense Holy Sonnets, Donne breathed new vigour into poetry by drawing lucid and often startling metaphors from the world in which he lived. His poems remain among the most passionate, profound and spiritual in the English language.

Grace Jantzen was an internationally-renowned feminist philosopher of religion whose work has transformed the way we think about the interactions between religion, culture and gender in Western culture. Jantzen's aim was to 'redeem the present' via a critique and reconstruction of staple concepts of the Western imaginary. This unique book brings together many of Grace Jantzen's colleagues and former students in a wide-ranging exploration of her enduring influence, ranging across philosophy of religion, to literature, psychoanalysis, theology, ethics and politics. Part I assesses the ramifications of Jantzen's affirmation that Western culture must 'choose life' in preference to a prevailing symbolic of violence and death. Part II explores some of the key voices which contributed to Jantzen's understanding of a culture of flourishing and natality: Quaker thought and practice, medieval mysticism and feminist spirituality. Further essays apply elements of Jantzen's work to the politics of disability, development and environmentalism, extending her range of influence into new and innovative areas.

Introduction -- Authorship -- Friendship -- Love -- Marriage -- Coda

These two volumes comprise a biography of John Donne, Dean of St. Paul’s and metaphysical poet. These volumes cover his tumultuous career in parliament, his writings and patronages, his marriage and his career with the Church of England.