As the dark of night looms and the bright full moon rises, a faint howl is heard in the distance. Wolves are rare in the little rural town. Yet newlywed couple, Lacey and Mark, are about to embark on a steamy paranormal adventure. Lacey has been keeping a dangerous secret from her husband and denying her own deepest feelings. She just can't bring herself to tell him that he's turning into a werewolf, especially when this bold new side of him sparks her most forbidden desires. But will her anxieties tear their marriage apart? Mark is a hard working, down-to-earth man with simple needs. He just wants to please his wife and have a safe home out in the mountains. However, he knows something strange is going on--even if it doesn't make sense to his rational mind. But as the truth is unveiled, and sizzling fantasies come to life, he'll have to take control or risk losing the one person he loves most. Sexy, fun, and full of both action and passion, Desires of the Wolfman is the newly revised novel edition of the Wolfman series of short stories: Married to the Wolfman, Threesome with the Wolfman, Swinging with the Wolfman, and Unleashing the Wolfman. Also includes bonus short, Suburban Wolfman.

When a disturbed young Russian man came to Freud for treatment, the analysis of his childhood neuroses—most notably a dream about wolves outside his bedroom window—eventually revealed a deep-seated trauma. It took more than four years to treat him, and "The Wolfman" became one of Freud's most famous cases. This volume also contains the case histories of a boy's fear of horses and the Ratman's violent fear of rats, as well as the essay "Some Character Types," in which Freud draws on the work of Shakespeare, Ibsen, and Nietzsche to demonstrate different kinds of resistance to therapy. Above all, the case histories show us Freud at work, in his own words.

This book seeks to understand the coexistence of bodily regimes and the politics that emerge from the clash between them: Presents a novel conceptual model for understanding the relationship between bodies and affects Reworks Rancière's notions of the distribution of the sensible and the aesthetic unconscious Establishes a dynamic and multiple understanding of the repressive, distributive and communicative unconscious by rethinking Freudian psychoanalysis Utilizes a variety of empirical materials, from Hollywood movies to Freud's case studies Sets its argument about politics within the context of significant social events to ensure its conceptual and empirical material is relevant to the contemporary political moment

Endore's classic werewolf novel - now back in paperback for the first time in over forty years - helped define a genre and set a new standard in horror fiction The werewolf is one of the great iconic figures of horror in folklore, legend, film, and literature. And connoisseurs of horror fiction know that The Werewolf of Paris is a cornerstone work, a masterpiece of the genre that deservedly ranks with Mary Shelley's Frankenstein, Bram Stoker's Dracula, and Robert Louis Stevenson's The Strange Case of Dr. Jekyll and Mr. Hyde. Endore's classic novel has not only withstood the test of time since it was first published in 1933, but it boldly used and portrayed elements of sexual compulsion in ways that had never been seen before, at least not in horror literature. In this gripping work of historical fiction, Endore's werewolf, an outcast named Bertrand Caillet, travels across pre-Revolutionary France seeking to calm the beast within. Stunning in its sexual frankness and eerie, fog-enshrouded visions, this novel was decidedly influential for the generations of horror and science fiction authors who came afterward.

How did psychoanalysis come to define itself as being different from psychotherapy? How have racism, homophobia, misogyny and anti-Semitism converged in the creation of psychotherapy and psychoanalysis? Is psychoanalysis psychotherapy? Is psychoanalysis a "Jewish science"? Inspired by the progressive and humanistic origins of psychoanalysis, Lewis Aron and Karen Starr pursue Freud's call for psychoanalysis to be a "psychotherapy for the people." They present a cultural history focusing on how psychoanalysis has always defined itself in relation to an "other." At first, that other was hypnosis and suggestion; later it was psychotherapy. The authors trace a series of binary oppositions, each defined hierarchically, which have plagued the history of psychoanalysis. Tracing reverberations of racism, anti-Semitism, misogyny, and homophobia, they show that psychoanalysis, associated with phallic masculinity, penetration, heterosexuality, autonomy, and culture, was defined in opposition to suggestion and psychotherapy, which were seen as promoting dependence, feminine passivity, and relationality. Aron and Starr deconstruct these dichotomies, leading the way for a return to Freud's progressive vision, in which psychoanalysis, defined broadly and flexibly, is revitalized for a new era. A Psychotherapy for the People will be of interest to psychotherapists, psychoanalysts, clinical psychologists, psychiatrists--and their patients--and to those studying feminism, cultural studies and Judaism.

She’s the one girl this player can’t have. A human. I’m dying to claim the redhead who lights up the club every Saturday night. I want to pull her into the storeroom and make her scream, but it wouldn’t be right. She’s too pure. Too fresh. Too passionate. Too human. When she learns my secret, my alpha orders me to wipe her memories. But I won’t do it. Still, I’m not mate material—I can’t mark her and bring her into the pack. What in the hell am I going to do with her?

Drifting from town to town after a dishonorable discharge, Marlowe Higgins struggles with a werewolf nature that forces him to kill bad guys during every full moon, leading to a deadly confrontation with a serial killer in small-town Tennessee.

One night. One brutal attack. One fate irrevocably changed. A year ago, I was an ordinary person. Then one night changed everything. I survived a brutal attack that turned me into a werewolf. Just like that, I went from sipping lattes to sprouting fur and fangs. Unable to cope, I ran away. Now, after a year of soul-searching, I’m back in the Big Easy. It’s time to rebuild the life I left behind and mend my broken bond with Sam, the mate I rejected. Leaving him was the stupidest thing I’ve ever done. I just didn’t realize it until it was too late. Unfortunately, my homecoming isn’t all smooth sailing and joyful reunions. There’s someone out there turning innocent people into werewolves—a scenario that’s a little too familiar for my liking. I refuse to stand by and let it happen, but to stop the attacks, I need my mate’s help. While on the hunt, I’m determined to show Sam that my running days are over. This is my chance to fight for our city and win back the heart of the man who’s my destiny. I’m in it for the long howl—I just need to survive long enough to prove that to him.

The Insectile and the Deconstruction of the Non/Human defines, conceptualizes, and evaluates the insectile—pertaining to an entomological fascination—in relation to subject formation. The book is driven by a central dynamic between form and formlessness, further staging an investigation of the phenomenon of fascination using Lacanian psychoanalysis, suggesting that the psychodrama of subject formation plays itself out entomologically. The book’s engagement with the insectile—its enactments, cultural dreamwork, fantasy transformations—‘in-forming’ the so-called human subject undertakes a broader deconstruction of said subject and demonstrates the foundational but occluded role of the insectile in subject formation. It tracks the insectile across the archives of psychoanalysis, seventeenth century still life painting, novels from the nineteenth century to the present day, and post-1970s film. The Insectile and the Deconstruction of the Non/Human will be of interest for scholars, graduate students, and upper-level undergraduates in film studies, visual culture, popular culture, cultural and literary studies, comparative literature, and critical theory, offering the insectile as new category for theoretical thought.

In The Myth of Desire: Sexuality, Love, and the Self, Carlos Domínguez-Morano draws on psychoanalysis to explore the broad and complex reality of the affective-sexual realm encompassed by the term desire, a concept that propels individual aspirations, pursuits, and life endeavors. Domínguez-Morano takes a global perspective in order to introduce a methodology, examine the present sociocultural determinations affecting desire, review the main stages in the evolution of desire, and reflect on affective maturity. Domínguez-Morano further explores the five basic expressions of desire: falling in love and being a couple, homosexuality, narcissism and self-esteem, friendship, and the derivative of desire by way of sublimation. Scholars of psychology, philosophy, and sociology will find this book particularly useful.