Desire In The Desert by Mary Lyons released on Apr 24, 1984 is available now for purchase.

Dashing Druce Pevel, the Marquis of Peverell, Lord of all he surveys, with women falling at his feet… A pair of money-grabbing, murderous cousins bent on bleeding him dry – or even dead… Shamara, an innocent, yet strangely exotic, Missionary’s daughter, plucked from an orphanage to become the Marquis’s ward… A bewildered Shamara finds herself voyaging aboard his yacht to Senegal – where it’s the Marquis’s turn to be bewildered when they’re kidnapped by a tribal chieftain and held for ransom in his kasbah… At first he is mystified… How is it that this innocent abroad knows the ways of the Africans – even speaks their language. How has she such wisdom beyond her tender years? Then, as he watches over her sleeping in their kasbah prison, Druce is suddenly smitten – and taken aback by the fierceness and passion with which he swears, “I will kill anyone who hurts her!”

“A landmark work of lesbian fiction” and the basis for the acclaimed film Desert Hearts (The New York Times). Against the backdrop of Reno, Nevada, in the late 1950s, award-winning author Jane Rule chronicles a love affair between two women. When Desert of the Heart opens, Evelyn Hall is on a plane that will take her from her old life in Oakland, California, to Reno, where she plans to divorce her husband of sixteen years. A voluntary exile in a brave new world, she meets a woman who will change her life. Fifteen years younger, Ann Childs works as a change apron in a casino. Evelyn is instantly drawn to the fiercely independent Ann, and their friendship soon evolves into a romantic relationship. An English professor who had always led a conventional life, Evelyn suddenly finds all her beliefs about love, morality, and identity called into question. Peopled by a cast of unforgettable characters, this is a novel that dares to ask whether love between two women can last.

From award-winning author Mark Oshiro comes a powerful coming-of-age fantasy novel about finding home and falling in love amidst the dangers of a desert where stories come to life Xochitl is destined to wander the desert alone, speaking her troubled village's stories into its arid winds. Her only companions are the blessed stars above and enigmatic lines of poetry magically strewn across dusty dunes. Her one desire: to share her heart with a kindred spirit. One night, Xo's wish is granted—in the form of Emilia, the cold and beautiful daughter of the town's murderous conqueror. But when the two set out on a magical journey across the desert, they find their hearts could be a match... if only they can survive the nightmare-like terrors that arise when the sun goes down. Fresh off of Anger Is a Gift's smashing success, Oshiro branches out into a fantastical direction with their new YA novel, Each of Us a Desert. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Las Vegas, says William Fox, is a pay-as-you-play paradise that succeeds in satisfying our fantasies of wealth and the excesses of pleasure and consumption that go with it. In this context, Fox examines how Las Vegas’s culture of spectacle has obscured the boundaries between high art and entertainment extravaganza, nature and fantasy, for-profit and nonprofit enterprises. His purview ranges from casino art galleries—including Steve Wynn’s private collection and a branch of the famed Guggenheim Museum—to the underfunded Las Vegas Art Museum; from spectacular casino animal collections like those of magicians Siegfried and Roy and Mandalay Bay’s Shark Reef exhibit to the city’s lack of support for a viable public zoo; from the environmental and psychological impact of lavish water displays in the arid desert to the artistic ambiguities intrinsic to Las Vegas’s floating world of showgirls, lapdancers, and ballet divas. That Las Vegas represents one of the world’s most opulent displays of private material wealth in all its forms, while providing miserly funding for local public amenities like museums and zoos, is no accident, Fox maintains. Nor is it unintentional that the city’s most important collections of art and exotic fauna are presented in the context of casino entertainment, part of the feast of sensation and excitement that seduces millions of visitors each year. Instead, this phenomenon shows how our insatiable modern appetite for extravagance and spectacle has diminished the power of unembellished nature and the arts to teach and inspire us, and demonstrates the way our society privileges private benefit over public good. Given that Las Vegas has been a harbinger of national cultural trends, Fox’s commentary offers prescient insight into the increasing commercialization of nature and culture across America.

Desire in L.A. confronts limitless longing in a city that is itself without limits. In these poems, the object of desire is decidedly missing, whether that object be love or beauty or the past. Shifting even within a single poem, and certainly from section to section, the objects of desire in Martha Ronk's poetry become as elusive as the unnamed Marilyn Monroe--"that image of another's skirts"--of the title poem, or the moment captured in "A photograph as good as a picture": "He leans forward with such / fervor, yet isn't young and something / decidedly is happening, even / to the beefy fellow in his white / short-sleeved shirt. A photograph-- / oh, perhaps not the same as a / Manet, but it is Auden, and / for whatever reason he stares at / the square flesh neckline / of her dress. He is forward / in his chair, rumpled about / the collar and everyone is wearing / black and white. It is the formal / occasion of how much he cares / to be there, Venice, 1951 / and how much I care to see him / no matter what for, longing / like that." Moving from thwarted examples of family and place to language and its corruptions, from classical Japanese love poems to failed love in the southwestern desert, from emotionality to artifice, the book ends with a series focused on the slipperiness of all categories.

NATIONAL BESTSELLER • From the bestselling author of How the Irish Saved Civilization comes a compelling historical narrative about Jesus—an obscure rabbi from a backwater of the Roman Empire who became the central figure in Western Civilization. "Divertingly instructive...gratifying...[Cahill] makes Jesus a still-living literary presence." —The New York Times In his subtle and engaging investigation into the life and times of Jesus, Thomas Cahill shows us Jesus from his birth to his execution through the eyes of those who knew him and in the context of his time—a time when the Jews were struggling to maintain their beliefs under overlords who imposed their worldview on their subjects. Here is Jesus the loving friend, itinerate preacher, and quiet revolutionary, whose words and actions inspired his followers to journey throughout the Roman world and speak the truth he instilled—in the face of the greatest defeat: Jesus' crucifixion as a common criminal. Daring, provocative, and stunningly original, Cahill's interpretation will both delight and surprise.

While the Western world adheres to a beauty ideal that says women can never be too thin, the semi-nomadic Moors of the Sahara desert have for centuries cherished a feminine ideal of extreme fatness. Voluptuous immobility is thought to beautify girls' bodies, hasten the onset of puberty, heighten their sexuality and ripen them for marriage. From the time of the loss of their first milk teeth, girls are directed to eat huge bowls of milk and porridge in one of the world's few examples of active female fattening. Based on fieldwork in an Arab village in Niger, Feeding Desire analyses the meanings of women's fatness as constituted by desire, kinship, concepts of health, Islam, and the crucial social need to manage sexuality. By demonstrating how a particular beauty ideal can only be understood within wider social structures and cultural logics, the book also implicitly provides a new way of thinking about the ideal of slimness in late Western capitalism. Offering a reminder that an estimated eighty per cent of the world's societies prefer plump women, this gracefully written book is both a fascinating exploration of the nature of bodily ideals and a highly readable ethnography of a Saharan people.

Michael Scott Moore, a journalist and the author of Sweetness and Blood, incorporates personal narrative and rigorous investigative journalism in this profound and revelatory memoir of his three-year captivity by Somali pirates—a riveting,thoughtful, and emotionally resonant exploration of foreign policy, religious extremism, and the costs of survival. In January 2012, having covered a Somali pirate trial in Hamburg for Spiegel Online International—and funded by a grant from the Pulitzer Center on Crisis Reporting—Michael Scott Moore traveled to the Horn of Africa to write about piracy and ways to end it. In a terrible twist of fate, Moore himself was kidnapped and subsequently held captive by Somali pirates. Subjected to conditions that break even the strongest spirits—physical injury, starvation, isolation, terror—Moore’s survival is a testament to his indomitable strength of mind. In September 2014, after 977 days, he walked free when his ransom was put together by the help of several US and German institutions, friends, colleagues, and his strong-willed mother. Yet Moore’s own struggle is only part of the story: The Desert and the Sea falls at the intersection of reportage, memoir, and history. Caught between Muslim pirates, the looming threat of Al-Shabaab, and the rise of ISIS, Moore observes the worlds that surrounded him—the economics and history of piracy; the effects of post-colonialism; the politics of hostage negotiation and ransom; while also conjuring the various faces of Islam—and places his ordeal in the context of the larger political and historical issues. A sort of Catch-22 meets Black Hawk Down, The Desert and the Sea is written with dark humor, candor, and a journalist’s clinical distance and eye for detail. Moore offers an intimate and otherwise inaccessible view of life as we cannot fathom it, brilliantly weaving his own experience as a hostage with the social, economic, religious, and political factors creating it. The Desert and the Sea is wildly compelling and a book that will take its place next to titles like Den of Lions and Even Silence Has an End.