Designed Landscapes is a case-by-case study of 37 significant, existing works of landscape design worldwide, largely constructed since the Renaissance. Being an informative and easy-to-read reference volume for practitioners and students alike, it presents key precedents in landscape architecture using site plans and recent photographs to showcase each project. Organised and presented in 12 sections based on project type, each project is examined based on date, previous site condition, designer(s), design intentions, current composition, unique features, ownership and management, and comparable projects. Each chapter offers an insightful critique of the featured projects. Written by the authors of Great City Parks, the book posits that these carefully selected key projects have maintained their status throughout the ages because they express values and design intentions that continue to inform the practice of the landscape architecture in the present day. The book concludes with a ten-point summary of lessons for professional practice gleaned from the studies. Including a wide range of case studies from countries including many in western Europe, the United States, Canada, India, Japan and China, and lavishly illustrated with over 200 full-colour images, the book is a must-have volume for anyone interested in the history and current practice of landscape architecture.

Publisher Description

An account of eminent women landscape architects who flourished in the golden age of country estates. This beautiful book covers in depth the work of six designers Beatrix Farrand, Martha Hutcheson, Marian Coffin, Ellen Shipman, Ruth Dean, and Annette Hoyt Flanders and looks at a dozen other less-well-known women. It focuses on the Long Island projects that constituted a large part of their work and brings these pioneering women to life as people and as professionals.

Garden design evolved hugely during the Georgian period – as symbols of wealth and stature, the landed aristocracy had been using gardens for decades. Yet during the eighteenth century, society began to homogenise, and the urban elite also started demanding landscapes that would reflect their positions. The gardens of the aristocracy and the gentry were different in appearance, use and meaning, despite broad similarities in form. Underlying this was the importance of place, of the landscape itself and its raw material. Contemporaries often referred to the need to consult the ‘genius of the place’ when creating a new designed landscape, as the place where the garden was located was critical in determining its appearance. Genius loci - soil type, topography, water supply - all influenced landscape design in this period. The approach taken in this book blends landscape and garden history to make new insights into landscape and design in the eighteenth century. Spooner’s own research presents little-known sites alongside those which are more well known, and explores the complexity of the story of landscape design in the Georgian period which is usually oversimplified and reduced to the story of a few ‘great men’.

"The idea for Plants in Design emerged from Brad E. Davis' and David Nichols' love for plants and well-designed landscapes, and a frustration with the lack of concise information organized for those creating plant compositions. Most landscape and garden design texts focus either on design principles or on plant materials. The unique design of this book provides a palette of options organized by mature size and scale, covering many genres of plants from grasses to herbaceous perennials, woody shrubs and trees, and even annuals and interior plants. All of these genres are necessary for consideration when composing a well-designed landscape. Plants in Design combines two fundamental components of landscape and garden design: (1) principles and uses of plant material (color, line, texture, etc.) in design, and (2) resource information for analyzing and selecting a broad range of plant materials, from annuals and ground covers to shrubs and trees, for Southern landscapes (USDA hardiness zones 6 to 9). Introductory chapters will discuss plants and their uses in creating outdoor landscapes in settings ranging from small-scale applications (courtyards, walkways, etc.) to medium- and large-scale projects (streetscapes, parks etc.). The book includes many native species that should be used more in designs to benefit native wildlife and also points out the dangers of many non-native plants widely used in the past and now threatening natural ecosystems. A large audience of designers and homeowners will be interested in a well-organized book on designing with plants, without the confusing obscurities found in so many horticultural books that list cultivars and varieties impossible to locate in the nursery industry. The text features 500 Southern landscape plants organized into 13 categories, ranging from large trees to ferns and flowering annuals. Plant accounts include such things as scientific and common names, hardiness zones, flowers and fruit, growing conditions, and pests and diseases. Color photographs (approximately 1,750) will depict plant shape, form, characteristics, and landscape use, both for identification and to envisions how individual plants might appears in a composition. The book includes more than black-and-white drawings, a hardiness zone map, glossary, bibliography, index and design use table for quick reference"--

Winner of the Society for Architectural Historians Antoinette Forrester Downing AwardWinner of the Merit Award for Communications from the American Society of Landscape ArchitectsWinner of the Allen Noble Award from the Pioneer America Society Historic preservation efforts began with an emphasis on buildings, especially those associated with significant individuals, places, or events. Subsequent efforts were expanded to include vernacular architecture, but only in recent decades have preservationists begun shifting focus to the land itself. Cultural landscapes—such as farms, gardens, and urban parks—are now seen as projects worthy of the preservationist's attention. To date, however, no book has addressed the critical issues involved in cultural landscape preservation. In Preserving Cultural Landscapes in America, Arnold R. Alanen and Robert Z. Melnick bring together a distinguished group of contributors to address the complex academic and practical questions that arise when people set out to designate and preserve a cultural landscape. Beginning with a discussion of why cultural landscape preservation is important, the authors explore such topics as the role of nature and culture, the selling of heritage landscapes, urban parks and cemeteries, Puerto Rican neighborhoods in New York City, vernacular landscapes in small towns and rural areas, ethnographic landscapes, Asian American imprints on the western landscape, and integrity as a value in cultural landscape preservation. Contributors: Arnold R. Alanen, University of Wisconsin-Madison • Luis Aponte-Perés, University of Massachusetts-Boston • Gail Lee Dubrow, University of Washington, Seattle • Richard Francaviglia, University of Texas, Arlington • Donald L. Hardesty, University of Nevada, Reno • Catherine Howett, University of Georgia, Athens • Robert Z. Melnick, University of Oregon • Patricia M. O'Donnell, Historic Preservation Consultant, Charlotte, Vermont • David Schuyler, Franklin & Marshall College

In a time of climate change and mass extinction, how we garden matters more than ever: “An outstanding and deeply passionate book.” —Marc Bekoff, author of The Emotional Lives of Animals Plenty of books tell home gardeners and professional landscape designers how to garden sustainably, what plants to use, and what resources to explore. Yet few examine why our urban wildlife gardens matter so much—not just for ourselves, but for the larger human and animal communities. Our landscapes push aside wildlife and in turn diminish our genetically programmed love for wildness. How can we get ourselves back into balance through gardens, to speak life's language and learn from other species? Benjamin Vogt addresses why we need a new garden ethic, and why we urgently need wildness in our daily lives—lives sequestered in buildings surrounded by monocultures of lawn and concrete that significantly harm our physical and mental health. He examines the psychological issues around climate change and mass extinction as a way to understand how we are short-circuiting our response to global crises, especially by not growing native plants in our gardens. Simply put, environmentalism is not political; it's social justice for all species marginalized today and for those facing extinction tomorrow. By thinking deeply and honestly about our built landscapes, we can create a compassionate activism that connects us more profoundly to nature and to one another.

This groundbreaking work explains key ecological concepts and their application to the design and management of sustainable landscapes. It covers topics from biogeography and plant selection to global change. Beck draws on real world cases where professionals have put ecological principles to use in the built landscape.

"A look at how to bring the beauty and character of a natural environmental approach into more structured urban landscape designs, using five fundamental principles that can be applied and combined to create sustainable and emotionally powerful landscapes for public use."--Publisher.