A design monograph series on the most remarkable architects, designers, brands and design movements of the twentieth and twenty-first centuries, each book contains a historical-critical essay discussing the life and work of the subject, followed by an illustrated appreciation of groundbreaking work. French architect and designer Charlotte Perriand not only created buildings such as the League of Nations in Geneva and ski resorts but was responsible for iconic furniture pieces in tubular steel, such as the Nuage bookshelf, Grand Confort chair (while working for Le Corbusier), B301 recliner and the ponyskin Chaise Longue.

An affordable, concise survey on the influential modernist designer's interiors, buildings, furniture and more, from a sawtooth ski resort to sculptural chaises longues From the onset of her career, Charlotte Perriand was a maverick who believed in good design as a force for the betterment of society. Many young designers would be devastated by a rejection from Le Corbusier's studio, but when the great architect told her they had no use for a female furniture designer, Perriand only became more determined to prove her mettle as an artist. Under Le Corbusier, and long after she left his studio, Perriand's contributions to both furniture design and architecture demonstrated a unique attention to the organic artistry of nature as well as the egalitarian possibilities of the machine age. Her leftwing populist politics motivated much of her work, from modular furniture systems to major architectural projects. This monograph explores Perriand's most famous interiors, original furniture and architectural projects, as well as her never-before-seen sketchbooks, shedding new light on her creative process and place in design history. Charlotte Perriand (1903-99) experienced the first breakthrough in her career with Le Bar sous le toit, a 1927 interior design piece that predicted the elegant minimalism and utilitarian nature of her future work. Although today she is perhaps best known for her early chaise longue designs, Perriand also created the plans for a number of major buildings across Europe and contributed interior designs to Le Corbusier's Unit d'habitation. She worked in places as diverse as Tokyo, Rio de Janeiro and London in her pursuit of accessible design.

Perriand's career embraced Art Deco, machine-age modernism, the organic rusticity of the 1930s, serially produced metal and wood furniture in the '50s and '60s, and plastic and prefabricated units in the '70s. This volume contains texts by leading scholars covering many facets of her work and life.

In the current world of twentieth-century design collecting, the trend has shifted away from accessible, mass-manufactured modernist furniture and toward designs that were custom-made or produced in very limited editions, with emphasis on American studio design of the 1940s to the 1990s. In contrast to the mass-produced mid-century furniture by Knoll and Herman Miller, American studio designs of the same period focused on novel forms and exquisite craftsmanship. Ranging from the organic shapes of George Nakashima and Vladimir Kagan to metalworks by Paul Evans, these limited production designs were highly sought after in their days by original tastemakers and movie stars. In the last decade, a revival for these rare designs began with connoisseurs such as Tom Ford.Modern Americanais the first full survey of the designs of this prolific but forgotten period, bringing to life again the works of Samuel Marx, Billy Haines, Wendell Castle, T.H. Robsjohn-Gibbings, Karl Springer, James Mont, and many others -- including J.B. Blunk, Michael Coffey, Wharton Esherick, Arthur Espenet Carpenter, Sam Maloof, Jack Rogers Hopkins, Paul Evans & Philip Lloyd Powell, Vladimir Kagan, George Nakashima, Silas Seandel, Charles Hollis Jones, Philip & Kevin LaVerne, Tommi Parzinger, Harvey Probber, Edward Wormley, John Dickinson, Arthur Elrod, and Paul Laszlo.

A comprehensive history of women designers working internationally from 1900 to the present day. Women designers have created some of the most important objects in history. By revealing the untold stories of female design pioneers, this wide-ranging introduction celebrates their crucial role in the history of modern processes of making. Arranged chronologically, this guide considers the structural barriers to professional success and how women overcame these hurdles, charting the works of designers including Anni Albers at the Bauhaus, the architects Eileen Gray and Zaha Hadid, interior decorator Elsie de Wolfe, and fashion icon Mary Quant. Focusing on the key subjects of architecture, craft, fashion, furniture, graphics, interior, product, and textile design, author Anne Massey explores the link between early twentieth– century revolutionary design and lifestyle, as well as the idea of shopping and consumerism as liberatory. Massey also discusses the important contribution of designers during and after World War II, along with design activism, design collectives, and the current success of women working transnationally in architecture and design. Illustrated throughout, Women in Design is the definitive history of women designers working around the world over the past 120 years.

The work of women designers has not traditionally been the focus of mainstream histories of design. By revealing the untold story of female design pioneers, this comprehensive introduction celebrates their crucial role in the history of modern processes of making. Arranged chronologically, this guide considers the structural barriers to professional success and how women overcame these hurdles, charting the success of designers including Anni Albers at the Bauhaus, the architect Eileen Grey, interior decorator Elsie de Wolfe and fashion icon Mary Quant, focusing on the key subjects of architecture, craft, fashion, furniture, graphics, interior, product and textile design. The link between early twentieth-century revolutionary design and lifestyle is explored, as well the ideas of shopping and consumerism as a liberating activity. The important contribution of designers during and after the Second World War is also discussed, along with design activism, design collectives and the current success of women working transnationally in architecture and design.

Le Corbusier, one of the world's most important and influential architects and accomplished visual artists, has also created a vast oeuvre of interior and furniture designs. The chaise-longue LC4, the armchair LC2 or the sling chair LC1, created in cooperation with Pierre Jeanneret and Charlotte Perriand, have become icons of 20th-century design. Le Corbusier's contribution to modern interior design, though, reaches far beyond these well-known classics. The vast part of his work as a young architect from 1912-16 was in interior and furniture design. From the early 1920s he developed a particular interest in fitting of residential buildings with indispensable pieces of furniture, eventually leading to the legendary metal-tube types. After the second World War, he turned back to less refined, almost primitive designs more suitable for most peoples elementary everyday requirements. The new book 'Le Corbusier. Furniture and Interiors 1905-1965' is both a comprehensive monograph of his work in interior design and a Catalogue Raisonne. The main essay is richly illustrated and arranged in four chronological parts: I) Charles- Edouard Jeanneret (1905 - 17); II) Le Corbusier & Pierre Jeanneret (1922 - 27); III) le Corbusier, Pierre Jeanneret & Charlotte Perriand (1927 - 37); IV) Le Corbusier (1938 - 65). All items in the Catalogue Raisonne section are documented with images and a wealth of detailed information highly valuable for art historians, dealers and collectors alike.

Charlotte Perriand (24 October 1903 - 27 October 1999) was a French architect and designer. Her work aimed to create functional living spaces in the belief that better design helps in creating a better society. In her article "L'Art de Vivre" from 1981 she states, "The extension of the art of dwelling is the art of living-living in harmony with man's deepest drives and with his adopted or fabricated environment." Charlotte liked to take her time in a space before starting the design process. Her approach to design includes taking in the site and appreciating it for what it is. Perriand connected with any site she was working with or just visiting she enjoyed the living things and would reminisce on a site that was presumed dead. She is well known for the playful way in which she mixed and superposed materials and styles in most of the furniture she created during her career. Nonetheless, one of the most essential influence on her entire work has been the Japanese craftmanship that kept on inspiring her.

Originally published in Germany in 1968, this first comprehensive and critical survey of Le Corbusier's life and work soon became the standard text on the architect and polymath. French, Spanish, English, Japanese and Korean editions followed, but the book has now been out of print for almost two decades. In the meantime, Le Corbusier's archives in Paris have become available for research, resulting in an avalanche of scholarship. Von Moos' critical take and the basic criteria by which the subject is organized and historicized remain surprisingly pertinent in the context of this recent jungle of Corbusier studies. This new, completely revised edition is based on the 1979 version published in English by the MIT Press but offers a substantially updated body of illustrations. Each of the seven chapters is supplemented by a critical survey of recent scholarship on the respective issues. An updated edition of this acclaimed book, an essential read for students of architecture and architectural history.