The story of First World War deserters who were shot at dawn, then pardoned nearly a century later has often been told, but these 306 soldiers represent a tiny proportion of deserters. More than 80,000 cases of desertion and absence were tried at courts martial on the home front but these soldiers have been ignored. Andrea Hetherington, in this thought-provoking and meticulously researched account, sets the record straight by describing the deserters who disappeared from camps and barracks within Great Britain at an alarming rate. She reveals how they employed a range of survival strategies, some ridding themselves of all connection with the military while others hid in plain sight. Their reasons for desertion varied. Some were already living a life of crime whilst others were conscientious objectors who refused to respond to their call-up papers. Boredom, protest, troubles at home or physical and mental disabilities all played their part in men deciding to go on the run. Andrea Hetherington’s timely book gives us a vivid insight into a hitherto overlooked aspect of the First World War.

“Powerful and often startling…The Deserters offers a provokingly fresh angle on this most studied of conflicts.” --The Boston Globe A groundbreaking history of ordinary soldiers struggling on the front lines, The Deserters offers a completely new perspective on the Second World War. Charles Glass—renowned journalist and author of the critically acclaimed Americans in Paris: Life and Death Under Nazi Occupation—delves deep into army archives, personal diaries, court-martial records, and self-published memoirs to produce this dramatic and heartbreaking portrait of men overlooked by their commanders and ignored by history. Surveying the 150,000 American and British soldiers known to have deserted in the European Theater, The Deserters: A Hidden History of World War II tells the life stories of three soldiers who abandoned their posts in France, Italy, and Africa. Their deeds form the backbone of Glass’s arresting portrait of soldiers pushed to the breaking point, a sweeping reexamination of the conditions for ordinary soldiers. With the grace and pace of a novel, The Deserters moves beyond the false extremes of courage and cowardice to reveal the true experience of the frontline soldier. Glass shares the story of men like Private Alfred Whitehead, a Tennessee farm boy who earned Silver and Bronze Stars for bravery in Normandy—yet became a gangster in liberated Paris, robbing Allied supply depots along with ordinary citizens. Here also is the story of British men like Private John Bain, who deserted three times but never fled from combat—and who endured battles in North Africa and northern France before German machine guns cut his legs from under him. The heart of The Deserters resides with men like Private Steve Weiss, an idealistic teenage volunteer from Brooklyn who forced his father—a disillusioned First World War veteran—to sign his enlistment papers because he was not yet eighteen. On the Anzio beachhead and in the Ardennes forest, as an infantryman with the 36th Division and as an accidental partisan in the French Resistance, Weiss lost his illusions about the nobility of conflict and the infallibility of American commanders. Far from the bright picture found in propaganda and nostalgia, the Second World War was a grim and brutal affair, a long and lonely effort that has never been fully reported—to the detriment of those who served and the danger of those nurtured on false tales today. Revealing the true costs of conflict on those forced to fight, The Deserters is an elegant and unforgettable story of ordinary men desperately struggling in extraordinary times.

There have been thousands of books on the Great War, but most have focused on commanders, battles, strategy, and tactics. Less attention has been paid to the daily lives of the combatants, how they endured the unimaginable conditions of industrial warfare: the rain of shells, bullets, and chemical agents. In The Secret History of Soldiers, Tim Cook, Canada's foremost military historian, examines how those who survived trench warfare on the Western Front found entertainment, solace, relief, and distraction from the relentless slaughter. These tales come from the soldiers themselves, mined from the letters, diaries, memoirs, and oral accounts of more than five hundred combatants. Rare examples of trench art, postcards, and even song sheets offer insight into a hidden society that was often irreverent, raunchy, and anti-authoritarian. Believing in supernatural stories was another way soldiers shielded themselves from the horror. While novels and poetry often depict the soldiers of the Great War as mere victims, this new history shows how the soldiers pushed back against the grim war, refusing to be broken in the mincing machine of the Western Front. The violence of war is always present, but Cook reveals the gallows humour the soldiers employed to get through it. Over the years, both writers and historians have overlooked this aspect of the men's lives. The fighting at the front was devastating, but behind the battle lines, another layer of life existed, one that included songs, skits, art, and soldier-produced newspapers. With his trademark narrative abilities and an unerring eye for the telling human detail, Cook has created another landmark history of Canadian military life as he reveals the secrets of how soldiers survived the carnage of the Western Front.

Other Fronts, Other Wars? goes beyond the Western Front geographically and delves behind the trenches focusing on the social and cultural history of the First World War: it covers front experiences in the Ottoman and Russian Armies, captivity in Japan and Turkey, occupation at the Eastern war theatre, medical history (epidemics in Serbia, medical treatment in Germany) and war relief (disabled soldiers in Austria). It studies the home front from the aspect of gender (loosing manliness), transnational comparisons (provincial border towns) and culture (home front entertainments in European metropoles) and gives insight on how attitudes were shaped through intellectual wars of scientists and through commemoration in Serbia. Thus the volume offers a wide range of new approaches to the history of the First World War. Contributors are Kate Arrioti, Altai Atlı, Gunda Barth-Scalmani, Joachim Bürgschwentner, Wolfram Dornik, Indira Durakovic, Matthias Egger, Maciej Górny, Andrea Griffante, Ke-chin Hsia, Rudolf Kučera, Eva Krivanec, Stephan Lehnstaedt, Bernhard Liemann, Tilman Lüdke, Andrea McKenzie, Mahon Murphy, Nicolas Patin, Livia Prüll, Philipp Rauh, Paul Simmons, Christian Steppan and Katarina Todić.

Sentenced to death for abandoning his unit, a soldier recounts the events leading up to his arrest. The reality of trench warfare is a shock to Allan McBride. Like many other young soldiers, he enthusiastically signed up for the chance to join the war effort and be a part of the fighting. But after months in the ravaged battlefields, watching men, including his friend Ken, get blown up by German shelling, something in Allan snaps and he leaves his unit, believing he is "walking home to Canada" to get help for his friend. After nearly a week of wandering aimlessly, Allan is taken in by a band of real deserters — men who have abandoned their units and live on the edge of survival in the woods of northern France. Once Allan realizes what he's done, he is paralyzed by the reality of his circumstance: if he stays with these men, it's possible they will be found and have to face the consequences; and if he returns to his unit, he will be charged with desertion — a charge punishable by death. In this outstanding new title in the I Am Canada series, acclaimed author John Wilson explores life in the horrific trenches of WWI and the effect of battle on a shell-shocked soldier.

Widows of the Great War is the first major account of the experience of women who had to cope with the death of their husbands during the conflict and then rebuild their lives. It explores each stage of their bereavement, from the shock of receiving the news that their husband had been killed, through grief and mourning to the practical issues of compensation and a widow's pension. The way in which the state and society treated the widows during this process is a vital theme running through the book as it reveals in vivid detail how the bureaucracy of war helped and hindered them as they sought to come to terms with their loss. Andrea Hetherington also describes often overlooked aspects of bereavement, and she features many telling first-hand accounts from the widows themselves which show how they saw their situation and how they reacted to it. Her study gives us a fascinating insight into the way in which the armed services and the government regarded war widows during the early years of the twentieth century.

Three hundred and fifty-one men were executed by British Army firing squads between September 1914 and November 1920. By far the greatest number, 266 were shot for desertion in the face of the enemy. The executions continue to haunt the history of the war, with talk today of shell shock and posthumous pardons. Using material released from the Public Records Office and other sources, the authors reveal what really happened and place the story of these executions firmly in the context of the military, social and medical context of the period.

The story of Alan Juniper who deserted twice from the British Army during the Second World War.

Private Peaceful relives the life of Private Tommo Peaceful, a young First World War soldier awaiting the firing squad at dawn. During the night he looks back at his short but joyful past growing up in rural Devon: his exciting first days at school; the accident in the forest that killed his father; his adventures with Molly, the love of his life; and the battles and injustices of war that brought him to the front line. Winner of the Blue Peter Book of the Year, Private Peaceful is by the third Children's Laureate, Michael Morpurgo, award-winning author of War Horse. His inspiration came from a visit to Ypres where he was shocked to discover how many young soldiers were court-martialled and shot for cowardice during the First World War. This edition also includes introductory essays by Michael Morpurgo, Associate Director of Private Peaceful production Mark Leipacher, as well as an essay from Simon Reade, adaptor & director of this stage adaptation of Private Peaceful.

"Battle-wearied, lacking food and sleep, shattered by constant bombardment and the deaths of comrades - is it any wonder that men left the ranks in the Second World War? Nearly 100,000 British and 50,000 American soldiers deserted during the war, depriving the Allies of the equivalent of ten divisions. But, as Glass reveals in this ... book, the astonishing fact is not that so many men deserted, but that so relatively few did ..."--Back cover.