"Some Imagist Poets" from Amy Lowell. American poet of the imagist school (1874-1925).

This is the first time that a substantial and representative selection of Flint's poetry has been collected. The Introduction supplies important biographical information, and traces how Flint became involved, along with Ezra Pound, Richard Aldington, and H.D., in the Imagist project. There are sixty-three poems drawn from Flint's three published collections of poetry--In the Net of the Stars (1909), Cadences (1915), and Otherworld (1920), and a further twenty-two uncollected or previously unpublished poems, making eighty-five poems in all. The Introduction also offers a sustained and illuminating discussion of the evolution of Flint's art through three volumes. In addition, there are five appendices, among them Flint's important essays, "Imagisme" and "The History of Imagism." The book seeks to establish Flint as a significant contributor to early Modernist poetry, i.e., Imagism, and to reassess the qualities and achievement of an undeservedly overlooked poet.

The Genius Of T.S. Eliot Contributed Immensely In Ushering Modernism In Poetry, Play And Literary Criticism. Therefore, Our Knowledge Of Modernism Will Remain Incomplete Should We Fail To Understand Eliot. This Book May Serve As An Introduction To Eliot, The Man, The Poet, The Playwright And The Critic. For The Benefit Of Readers, It Quotes In Full, While Introducing And Explaining, The Poet S Master-Pieces, The Waste Land And Four Quartets, And Also Some Of His Other Great Poems. Further, It Discusses About All Of His Five Major Plays, And Nine Important Essays, At Some Length.

Gathers Pound's letters to the publisher of the Little Review and provides background information on this period in Pound's life.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1967.

Winner of the Modernist Studies Association Book Prize of the Modernist Studies Association In this highly original study, Jeremy Braddock focuses on collective forms of modernist expression—the art collection, the anthology, and the archive—and their importance in the development of institutional and artistic culture in the United States. Using extensive archival research, Braddock's study synthetically examines the overlooked practices of major American art collectors and literary editors: Albert Barnes, Alain Locke, Duncan Phillips, Alfred Kreymborg, Amy Lowell, Ezra Pound, Katherine Dreier, and Carl Van Vechten. He reveals the way collections were devised as both models for modernism's future institutionalization and culturally productive objects and aesthetic forms in themselves. Rather than anchoring his study in the familiar figures of the individual poet, artist, and work, Braddock gives us an entirely new account of how modernism was made, one centered on the figure of the collector and the practice of collecting. Collecting as Modernist Practice demonstrates that modernism's cultural identity was secured not so much through the selection of a canon of significant works as by the development of new practices that shaped the social meaning of art. Braddock has us revisit the contested terrain of modernist culture prior to the dominance of institutions such as the Museum of Modern Art and the university curriculum so that we might consider modernisms that could have been. Offering the most systematic review to date of the Barnes Foundation, an intellectual genealogy and analysis of The New Negro anthology, and studies of a wide range of hitherto ignored anthologies and archives, Braddock convincingly shows how artistic and literary collections helped define the modernist movement in the United States.

The Protean personality and career of Ford Madox Ford as poet, novelist, editor, critic, and '’miscellaneous writer" have made: him one of the most elusive of modern authors. In this bibliography, which includes extensive excerpts of writings by and about Ford as well as complete descriptions of the various editions of his book and periodical publications, David Dow Harrvey has at last made it possible to form a true estimate of Ford’s involvements with other writers and his contributions to modern literature. Originally published in 1961. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.