Journalist Konrad Heiden was one of the first to hear the young Adolf Hitler’s rousing orations and to recognize his political ingenuity and perverse, self-serving ideology. As a staff reporter on the Frankfurter Zeitung, Heiden was one of the first writers to take a stand against Nazism, and his is the only contemporary document to give the whole story of Hitler’s rise to power from the very beginning to the day in 1934 when the Blood Purge eliminated the last opposition, leaving him absolute dictator of Germany. As Heiden states, “his path of murder and violence was, in accordance with Hitler’s beliefs, the right path to greatness.” First published at the height of the Second World War, this new edition of Heiden’s work, which the New York Times Book Review called “remorselessly, ruthlessly objective,” shows it to be not only a profound and revealing narrative but also an important historical document essential to both historian and layman for a greater understanding of the calamitous events that dominated the twentieth century.

This book examines portraits of Hitler and how we try to "explain" him in the movies, including comedies, fantasies, psychological studies, documentaries, and docudramas. It then considers how this film Hitler lives on in our culture, in everything from politics to merchandise.

Adolf Hitler was a German politician, demagogue, and Pan-German revolutionary, who was the leader of the Nazi Party, Chancellor of Germany and Führer ("Leader") of Nazi Germany. As dictator, Hitler initiated World War II in Europe with the invasion of Poland and was central to the Holocaust. Inside you'll read about Adolf's Paternal and Maternal roots A troubled childhood Joined the forces of World War I Chancellor Hitler Night of the long knives Fuhrer Hitler World War II and full effect The end is nigh And much more!Hitler gained popular support by attacking the Treaty of Versailles and promoting Pan-Germanism, anti-Semitism and anti-communism with charismatic oratory and Nazi propaganda. He frequently denounced international capitalism and communism as being part of a Jewish conspiracy.

Describes the growth of the Hitler myth and the fascination which Hitler had for people. Analyzes the themes and methods used by Hitler, based on his book "Mein Kampf" and on his speeches (including his attacks on the Jews). Deals especially with his language - the phraseology of sacrifice, of nature, and of prophecy. For material relating to Nazi laws against the Jews, see pp. 159-174.

Hitler and Nazism is an essential introduction to a notorious figure and crucial theme in modern European history. Focusing on the key themes of Nazi domestic policy, this book draws together the results of recent research into a concise analysis of the nature of Nazi rule and its impact on German society. This book continues to explore how Nazism took hold in Germany; the issues of Hitler's beliefs and their role in the Third Reich; the factors that brought the party to power, and the structure and nature of both government and society in the Third Reich. It also develops further its analysis of the important issues of modernisation, gender, racial hygiene and the origins and implementation of the Holocaust.

From acclaimed journalist Walter Shapiro, the true life story of how his great-uncle—a Jewish vaudeville impresario and exuberant con man—managed to cheat Hitler’s agents in the run-up to WWII. All his life, journalist Walter Shapiro assumed that the outlandish stories about his great-uncle Freeman were exaggerated family lore; some cockamamie Jewish revenge fantasies dreamt up to entertain the kids and venerate their larger-than-life relative. Only when he started researching Freeman Bernstein’s life did he realize that his family was actually holding back—the man had enough stories, vocations, and IOUs to fill a dozen lifetimes. Freeman was many people: a vaudeville manager, boxing promoter, stock swindler, card shark and self-proclaimed “Jade King of China.” But his greatest title, perhaps the only man who can claim such infamy, was as The Man Who Hustled Hitler. A cross between The Night They Raided Minsky’s and Guys and Dolls, Freeman Bernstein’s life was itself an old New York sideshow extravaganza, one that Shapiro expertly stages in Hustling Hitler. From a ragtag childhood in Troy, New York, Shapiro follows his great-uncle’s ever-crooked trajectory through show business, from his early schemes on the burlesque circuit to marrying his star performer, May Ward, and producing silent films—released only in Philadelphia. Of course, all of Freeman’s cons and schemes were simply a prelude to February 18, 1937, the day he was arrested by the LAPD outside of Mae West’s apartment in Hollywood. The charge? Grand larceny—for cheating Adolf Hitler and the Nazi government. In the capstone of his slippery career, Freeman had promised to ship thirty-five tons of embargoed Canadian nickel to the Führer; when the cargo arrived, the Germans found only huge, useless quantities of scrap metal and tin. It was a blow to their economy and war preparations—and Hitler did not take the bait-and-switch lightly. Told with cinematic verve and hilarious perspective, Hustling Hitler is Shapiro’s incredible investigation into the man behind the myth. By reconstructing his great-uncle’s remarkable career, Shapiro has transformed Freeman Bernstein from a barely there footnote in history to the larger-than-life, eternal hustler who forever changed it.

Many are the photographs of Hitler standing proudly in the passenger seat of a midnight blue Mercedes, arm outstretched in his famous salute to the adoring German crowds. Hitler loved cars and loved to be seen in and next to the special automobiles he purchased or was presented with through friends and Nazi Party funds. His first car was a 1920 green Selve 8/30, purchased in 1922, which was soon disposed of in favor of a Daimler-built Mercedes 15/70/100 – and from that moment on every car in which Hitler was chauffeured around the Third Reich and occupied countries would be a Mercedes. Indeed, even while in Landsberg prison following his failed putsch in 1923, he was writing to a Mercedes-Benz car salesman in Munich about his next car, concerning the merits of the Benz 11/40 versus the larger 16/50. It was a grey 11/40 in which Hitler was driven away from Landsberg on his release in 1924. It was in his next car – a super-charged Mercedes-Benz 15/70/100 – that Hitler was involved in an accident with a large truck in March 1930. The truck was completely wrecked while the large Mercedes suffered only minor damage. This prompted Hitler to remark: ‘It was then I decided to use only a Mercedes for the rest of my life.’ From 1930 onwards, Hitler was driven around in a Mercedes-Benz 770, also known as the Grosser Mercedes. Only 205 of these huge, luxury cars were manufactured with many of those being used by top-ranking Nazis. Such was Hitler’s interest in cars, he arranged state sponsorship for Mercedes and Porsche (Auto Union) to participate in Grand Prix racing (today’s F1). So strong was the resulting financial support that German teams swept all before them between 1935 and 1939. Security was always a great concern of Hitler and his entourage and his 770 was protected with bullet-proof windows and steel armor-plate built into all metal work. Wartime brought increased security fears, resulting in another Mercedes entering the German leader’s car collection. This was the heavily armored, six-wheel G4, the first off-road Mercedes, in which Hitler could safely parade through the streets of conquered lands. As well as providing photographs of Hitler’s cars and the men who became his chauffeur, John Starkey lists the technical specifications of those cars, and describes many of the journeys undertaken by the German leader over the course of two dramatic decades.

A look at Adolf Hitler’s residences and their role in constructing and promoting the dictator’s private persona both within Germany and abroad. Adolf Hitler’s makeover from rabble-rouser to statesman coincided with a series of dramatic home renovations he undertook during the mid-1930s. This provocative book exposes the dictator’s preoccupation with his private persona, which was shaped by the aesthetic and ideological management of his domestic architecture. Hitler’s bachelor life stirred rumors, and the Nazi regime relied on the dictator’s three dwellings—the Old Chancellery in Berlin, his apartment in Munich, and the Berghof, his mountain home on the Obersalzberg—to foster the myth of the Führer as a morally upstanding and refined man. Author Despina Stratigakos also reveals the previously untold story of Hitler’s interior designer, Gerdy Troost, through newly discovered archival sources. At the height of the Third Reich, media outlets around the world showcased Hitler’s homes to audiences eager for behind-the-scenes stories. After the war, fascination with Hitler’s domestic life continued as soldiers and journalists searched his dwellings for insights into his psychology. The book’s rich illustrations, many previously unpublished, offer readers a rare glimpse into the decisions involved in the making of Hitler’s homes and into the sheer power of the propaganda that influenced how the world saw him. “Inarguably the powder-keg title of the year.”—Mitchell Owen, Architectural Digest “A fascinating read, which reminds us that in Nazi Germany the architectural and the political can never be disentangled. Like his own confected image, Hitler’s buildings cannot be divorced from their odious political hinterland.”—Roger Moorhouse, Times