The last thing she remembers is seeing her friends die... Now it's her turn. Eldritch and forgotten arcana wait within its vaults. Twisted accidents of magic prowl its halls. Sinister forces lure the unsuspecting deeper into death or madness. Its victims don't remember how they got there. No one remembers how to get out...

Internationally acclaimed and bestselling author Henning Mankell will be published for the first time in Canada by Knopf Canada with Depths. October 1914: the destroyer Svea emerged from the Stockholm archipelago bearing south-southeast. On board was Lars Tobiasson-Svartman, a naval engineer charged with making depth soundings to find a navigable channel for the Swedish navy. As a child Tobiasson-Svartman was fascinated by measurement; nothing is as magical as exact knowledge. His instinct for his profession is reflected in the comfortable domesticity he enjoys with his wife – herself meticulous in every detail. Close to the waters where soundings are taken Tobiasson-Svartman alights on a barren skerry, presumed uninhabited, and is surprised to discover there a young woman, Sara Fredrika. Despite her almost feral appearance, something about her strikes him to the core. The mission is a success and the Svea returns to Gothenburg. Tobiasson-Svartman, however, remains haunted by this chance encounter; his equilibrium has been disturbed, and he is now compelled to find any pretence to return to the remote islet. In Depths Mankell confirms his status as a writer deserving acclaim beyond the crime genre. By delving deep into the male psyche, he has produced a novel as tense and compelling in every way as the Wallander series, but also powerful, moving and ultimately tragic.

Minds. Seas. Dimensions. All will shatter like glass.His muscles elastic and his mind fragmented, Connor Durham awakens on an unknown beach. In the distance before him is a black tower whose peak rises to meet the clouds. In the water behind him are beings who used to be human, their bodies warping and twisting into horrific new configurations. With nowhere else to turn, Connor runs for the tower. In the Kadath deep-sea mining facility, Lucas Kane feels haunted. He dreams of lives he never lived and hears whispers from people who don't exist. During his days, four grey figures vibrate in and out of focus behind him, their words mostly unintelligible mutters. But there's something else, too, which he sees while both awake and asleep: a sphere, massive, metallic, and beautiful, which awaits him outside Kadath's walls at the bottom of the ocean. Separated by dimensions, these two men - and their unfolding stories - are intrinsically linked. As they descend deeper into the dark terrors of the unknown, they will draw inextricably closer together until, at last, both men find themselves trapped in the very depths of otherworldly madness. Welcome to Shattered Seas.

Confined in a small space for months on end, subject to ship's discipline and living on limited food supplies, many sailors of old lost their minds – and no wonder. Many still do. The result in some instances was bloodthirsty mutinies, such as the whaleboat Sharon whose captain was butchered and fed to the ship's pigs in a crazed attack in the Pacific. Or mob violence, such as the 147 survivors on the raft of the Medusa, who slaughtered each other in a two-week orgy of violence. So serious was the problem that the Royal Navy's own physician claimed sailors were seven times more likely to go mad than the rest of the population. Historic figures such as Christopher Columbus, George Vancouver, Fletcher Christian (leader of the munity of the Bounty) and Robert FitzRoy (founder of the Met Office) have all had their sanity questioned. More recently, sailors in today's round-the-world races often experience disturbing hallucinations, including seeing elephants floating in the sea and strangers taking the helm, or suffer complete psychological breakdown, like Donald Crowhurst. Others become hypnotised by the sea and jump to their deaths. Off the Deep End looks at the sea's physical character, how it confuses our senses and makes rational thought difficult. It explores the long history of madness at sea and how that is echoed in many of today's yacht races. It looks at the often-marginal behaviour of sailors living both figuratively and literally outside society's usual rules. And it also looks at the sea's power to heal, as well as cause, madness.

Explores the century-long controversy over the orgins of coral reefs, a debate that split the world of nineteenth-century science, looking at the diverse roles of Louis Agassiz, his son Alexander, and Charles Darwin and reflecting on how the search for the truth shed new light on the formation of Earth and its natural wonders.

The philosophy of psychosis and the psychosis of philosophy: a philosopher draws on his experience of madness. In this book, philosopher and linguist Wouter Kusters examines the philosophy of psychosis—and the psychosis of philosophy. By analyzing the experience of psychosis in philosophical terms, Kusters not only emancipates the experience of the psychotic from medical classification, he also emancipates the philosopher from the narrowness of textbooks and academia, allowing philosophers to engage in real-life praxis, philosophy in vivo. Philosophy and madness—Kusters's preferred, non-medicalized term—coexist, one mirroring the other. Kusters draws on his own experience of madness—two episodes of psychosis, twenty years apart—as well as other first-person narratives of psychosis. Speculating about the maddening effect of certain words and thought, he argues, and demonstrates, that the steady flow of philosophical deliberation may sweep one into a full-blown acute psychotic episode. Indeed, a certain kind of philosophizing may result in confusion, paradoxes, unworldly insights, and circular frozenness reminiscent of madness. Psychosis presents itself to the psychotic as an inescapable truth and reality. Kusters evokes the mad person's philosophical or existential amazement at reality, thinking, time, and space, drawing on classic autobiographical accounts of psychoses by Antonin Artaud, Daniel Schreber, and others, as well as the work of phenomenological psychiatrists and psychologists and such phenomenologists as Edmund Husserl and Maurice Merleau-Ponty. He considers the philosophical mystic and the mystical philosopher, tracing the mad undercurrent in the Husserlian philosophy of time; visits the cloud castles of mystical madness, encountering LSD devotees, philosophers, theologians, and nihilists; and, falling to earth, finds anxiety, emptiness, delusions, and hallucinations. Madness and philosophy proceed and converge toward a single vanishing point.

How the insane asylum became a laboratory of democracy is revealed in this provocative look at the treatment of the mentally ill in nineteenth-century France. Political thinkers reasoned that if government was to rest in the hands of individuals, then measures should be taken to understand the deepest reaches of the self, including the state of madness. Marcel Gauchet and Gladys Swain maintain that the asylum originally embodied the revolutionary hope of curing all the insane by saving the glimmer of sanity left in them. Their analysis of why this utopian vision failed ultimately constitutes both a powerful argument for liberalism and a direct challenge to Michel Foucault's indictment of liberal institutions. The creation of an artificial environment was meant to encourage the mentally ill to live as social beings, in conditions that resembled as much as possible those prevailing in real life. The asylum was therefore the first instance of a modern utopian community in which a scientifically designed environment was supposed to achieve complete control over the minds of a whole category of human beings. Gauchet and Swain argue that the social domination of the inner self, far from being the hidden truth of emancipation, represented the failure of its overly optimistic beginnings. Madness and Democracy combines rich details of nineteenth-century asylum life with reflections on the crucial role of subjectivity and difference within modernism. Its final achievement is to show that the lessons learned from the failure of the asylum led to the rise of psychoanalysis, an endeavor focused on individual care and on the cooperation between psychiatrist and patient. By linking the rise of liberalism to a chapter in the history of psychiatry, Gauchet and Swain offer a fascinating reassessment of political modernity.

Analyst and author Ann Belford Ulanov draws on her years of clinical work and reflection to make the point that madness and creativity share a kinship, an insight that shakes both analysand and analyst to the core, reminding us as it does that the suffering places of the human psyche are inextricably—and, often inexplicably—related to the fountains of creativity, service, and even genius. She poses disturbing questions: How do we depend on order, when chaos is a necessary part of existence? What are we to make of evil—both that surrounding us and that within us? Is there a myth of meaning that can contain all the differences that threaten to shatter us? Ulanov’s insights unfold in conversation with themes in Jung’s Red Book which, according to Jung, present the most important experiences of his life, themes he explicated in his subsequent theories. In words and paintings Jung displays his psychic encounters from1913–1928, describing them as inner images that “burst forth from the unconscious and flooded me like an enigmatic stream and threatened to break me.” Responding to some of Jung’s more fantastic encounters as he illustrated them, Ulanov suggests that our problems and compulsions may show us the path our creativity should take. With Jung she asserts that the multiplicities within and around us are, paradoxically, pieces of a greater whole that can provide healing and unity as, in her words, “every part of us and of our world gets a seat at the table.” Taken from Ulanov’s addresses at the 2012 Fay Lectures in Analytical Psychology, Madness and Creativity stands as a carefully crafted presentation, with many clinical examples of human courage and fulfillment.

Missionary, linguist, and ethnographer Emile Petitot (1838-1916) was known for his work in Canada's Northwest Territories and as the author of a corpus including the first grammar of an Amerindian language and an astonishing body of transcribed ritual texts and myths. However, over the course of his twenty years in the Arctic Circle, he descended into a long delirium and began to summon imaginary persecutions, pen improbable interpretations of his Arctic hosts, and explode in paroxysms of schizoid fury. In telling this story, Pierre D l age reconstructs, step by step and with the ethnographer's eye, the biography of a delusion. Delving into the obverse of the very texture of ethnographic inquiry, D l age takes us on an enthralling journey across the indigenous Arctic world, moving skilfully between ethnobiography and the analytic conundrums that arise in profound cognitive displacement. Whoever wishes to know the cost of knowing alien cultures will find this anthropological novella hard to put down.