This volume highlights the copious and various depictions of the three orders of society during the Late Middle Ages and at the beginning of the Early Modern Period. It discusses the origins and development of the trifunctional division into the orders of the oratores, bellatores and laboratores, and the abundantly preserved visual material, which proves that this scheme was one of the most widespread ideological foundations of European societies at that time. Late Gothic and Renaissance depictions of the three orders of society can be found in different mediums, from woodcuts to wall paintings, and were produced by important artists such as J. Fouquet and Pieter Bruegel, as well as anonymous painters. The vast numbers of preserved examples of this topic confirm the significance and strength of this iconographic theme at the end of the Middle Ages.

What is Cultural History? has established itself as an essential guide to what cultural historians do and how they do it. Now fully updated in its second edition, leading historian Peter Burke offers afresh his accessible guide to the past, present and future of cultural history, as it has been practised not only in the English-speaking world, but also in Continental Europe, Asia, South America and elsewhere. Burke begins by providing a discussion of the ‘classic’ phase of cultural history, associated with Jacob Burckhardt and Johan Huizinga, and of the Marxist reaction, from Frederick Antal to Edward Thompson. He then charts the rise of cultural history in more recent times, concentrating on the work of the last generation, often described as the ‘New Cultural History'. He places cultural history in its own cultural context, noting links between new approaches to historical thought and writing and the rise of feminism, postcolonial studies and an everyday discourse in which the idea of culture plays an increasingly important part. The new edition also surveys the very latest developments in the field and considers the directions cultural history may be taking in the twenty-first century. The second edition of What is Cultural History? will continue to be an essential textbook for all students of history as well as those taking courses in cultural, anthropological and literary studies.

Reading Medieval Sources is an exciting new series which leads scholars and students into some of the most challenging and rewarding sources from the European Middle Ages, and introduces the most important approaches to understanding them. Written by an international team of twelve leading scholars, this volume Money and Coinage in the Middle Ages presents a set of fresh and insightful perspectives that demonstrate the rich potential of this source material to all scholars of medieval history and culture. It includes coverage of major developments in monetary history, set into their economic and political context, as well as innovative and interdisciplinary perspectives that address money and coinage in relation to archaeology, anthropology and medieval literature. Contributors are Nanouschka Myrberg Burström, Elizabeth Edwards, Gaspar Feliu, Anna Gannon, Richard Kelleher, Bill Maurer, Nick Mayhew, Rory Naismith, Philipp Robinson Rössner, Alessia Rovelli, Lucia Travaini, and Andrew Woods.

Recent decades have witnessed the fragmentation of Reformation studies, with high-level research confined within specific geographical, confessional or chronological boundaries. By bringing together scholars working on a wide variety of topics, this volume counteracts this centrifugal trend and provides a broad perspective on the impact of the European reformation. The essays present new research from historians of politics, of the church and of belief. Their geographical scope ranges from Scotland and England via France and Germany to Transylvania and their chronological span from the 1520s to the 1690s Considering the impact of the Reformation on political culture and examining the relationship between rulers and ruled; the book also examines the church and its personnel, another sphere of life that was entirely transformed by the Reformation. Important aspects of knowledge and belief are discussed in terms of scientific knowledge and technological progress, juxtaposed with analyses of elite and popular belief, which demonstrates the limitations of Weber's notion of the disenchantment of the world. Together they indicate the diverse directions in which Reformation scholarship is now moving, while reminding us of the need to understand particular developments within a broader European context; demonstrating that movements for religious reform left no sphere of European life untouched.

Correcting the omissions of traditional history, this is "a reliable survey of the real and varied roles played by women in the medieval period. . . . Highly recommended."--"Choice" Copyright © Libri GmbH. All rights reserved.

Debates on the world historical place of the Ottoman Empire in the last few decades have been conducted mainly in Turkey, but increasingly concepts have been introduced into the conversation from the study of European, Chinese and Central Asian history. This book, first published in 1992, examines the nature of the Ottoman state from a variety of perspectives, economic, political and social.