The word “change” stormed onto the political lexicon in 1992 when Democratic Presidential nominee Bill Clinton aimed to deny George H.W. Bush a second term. Often overlooked, however, is that “change” also caused a ruckus in Congress. Redistricting, a check overdraft scandal that consumed the chamber and overall frustration with the system produced a wild and woolly year that sent 110 House members into retirement or defeat. Departures On The House portrays comprehensive biographies of each of those members.

A moving reflection on the complicated nature of home and homeland, and the heartache and adventure of leaving an adopted country in order to return to your native land—this is a “winsome memoir of departure and reversal . . . about the way a series of unknowns accrue into a life” (Jia Tolentino, author of Trick Mirror). When the New Yorker writer Rebecca Mead relocated to her birth city, London, with her family in the summer of 2018, she was both fleeing the political situation in America and seeking to expose her son to a wider world. With a keen sense of what she’d given up as she left New York, her home of thirty years, she tried to knit herself into the fabric of a changed London. The move raised poignant questions about place: What does it mean to leave the place you have adopted as home and country? And what is the value and cost of uprooting yourself? In a deft mix of memoir and reportage, drawing on literature and art, recent and ancient history, and the experience of encounters with individuals, environments, and landscapes in New York City and in England, Mead artfully explores themes of identity, nationality, and inheritance. She recounts her time in the coastal town of Weymouth, where she grew up; her dizzying first years in New York where she broke into journalism; the rich process of establishing a new home for her dual-national son in London. Along the way, she gradually reckons with the complex legacy of her parents. Home/Land is a stirring inquiry into how to be present where we are, while never forgetting where we have been.

Like Adam Silvera’s They Both Die at the End and Colleen Hoover’s It Ends with Us, Early Departures by Justin A. Reynolds, author of Opposite of Always, is a powerful and deeply moving YA contemporary novel with a speculative twist about love, death, grief, and friendship. What if you could bring your best friend back to life—but only for a short time? Jamal’s best friend, Q, doesn’t know that he died, and that he’s about to die . . . again. He doesn’t know that Jamal tried to save him. And that the reason they haven’t been friends for two years is because Jamal blames Q for the accident that killed his parents. But what if Jamal could have a second chance? A new technology allows Q to be reanimated for a few weeks before he dies . . . permanently. And Q’s mom is not about to let anyone ruin this miracle by telling Q about his impending death. So how can Jamal fix everything if he can’t tell Q the truth? Early Departures weaves together loss, grief, friendship, and love to form a wholly unique homage to the bonds that bring people together for life—and beyond.

This volume sheds new light on the experience of ancient Greek warfare by identifying and examining three fundamental transitions undergone by the classical Athenian hoplite as a result of his military service: his departure to war, his homecoming from war having survived, and his homecoming from war having died. As a conscript, a man regularly called upon by his city-state to serve in the battle lines and perform his citizen duty, the most common military experience of the hoplite was one of transition – he was departing to or returning from war on a regular basis, especially during extended periods of conflict. Scholarship has focused primarily on the experience of the hoplite after his return, with a special emphasis on his susceptibility to Post-Traumatic Stress Disorder (PTSD), but the moments of transition themselves have yet to be explored in detail. Taking each in turn, Owen Rees examines the transitions from two sides: from within the domestic environment as a member of an oikos, and from within the military environment as a member of the army. This analysis presents a new template for each and effectively maps the experience of the hoplite as he moves between his domestic and military duties. This allows us to reconstruct the effects of war more fully and to identify moments with the potential for a traumatic impact on the individual.

From the author of the #1 bestselling The Atlantis Gene comes a new novel in which the world’s past and future rests in the hands of five unwitting strangers in this definitive edition of A. G. Riddle's time-traveling, mind-bending speculative thriller. En route to London from New York, Flight 305 suddenly loses power and crash-lands in the English countryside, plunging a group of strangers into a mysterious adventure that will have repercussions for all of humankind. Struggling to stay alive, the survivors soon realize that the world they’ve crashed in is very different from the one they left. But where are they? Why are they here? And how will they get back home? Five passengers seem to hold clues about what’s really going on: writer Harper Lane, venture capitalist Nick Stone, German genetic researcher Sabrina Schröder, computer scientist Yul Tan, and Grayson Shaw, the son of a billionaire philanthropist. As more facts about the crash emerge, it becomes clear that some in this group know more than they’re letting on—answers that will lead Harper and Nick to uncover a far-reaching conspiracy involving their own lives. As they begin to piece together the truth, they discover they have the power to change the future and the past—to save our world . . . or end it. A wildly inventive and propulsive adventure full of hairpin twists, Departure is a thrilling tale that weaves together power, ambition, fate, memory, and love, from a bold and visionary talent.

Three stories for devoted fans of Christy Miller, Sierra Jensen, and Cooper Ellis have the three characters crossing paths while traveling.

"We weren't religious per se. The most frequent mention of God in our house was my mother yelling 'Goddammit!'" Elisa Bernick grew up "different" (i.e., Jewish) in the white, Christian suburb of New Hope, Minnesota during the 1960s and early 1970s. At the center of her world was her mother, Arlene, who was a foul-mouthed, red-headed, suburban Samson who ultimately shook the walls of their family until it collapsed. Poignant and provocative, Departure Stories peers through the broader lens of Minnesota's recent history to reveal an intergenerational journey through trauma that unraveled the Bernick family and many others. Deftly interweaving reporting, archival material, memoir, jokes, scrapbook fragments, personal commentary, and one very special Waikiki Meatballs recipe, Bernick explores how the invisible baggage of place and memory, Minnesota's uniquely antisemitic history, and the cultural shifts of feminism and changing marital expectations contributed to her family's eventual implosion. Departure Stories: Betty Crocker Made Matzoh Balls (and other lies) is a personal exploration of erasure, immigrants, and exiles that examines the ways departures—from places, families and memory—have far-reaching effects.

On 17 March 2003, Robin Cook, Leader of the House of Commons and former Foreign Secretary, resigned from the Cabinet in protest against the coming war in Iraq. His resignation speech against that war prompted the first standing ovation in the history of the House and marked the end of the ministerial career of one of Labour's most brilliant politicians. His arguments against that war are of profound interest and importance to American readers. For the two years prior to his resignation, Robin Cook kept a diary, a personal record of Labour's second term, that forms the core of this narrative. The Point of Departure is Robin Cook's unvarnished account of this dramatic period in British political history. Though surprised by his abrupt dismissal in 2001 as Foreign Secretary, he became determined to effect the changes in Parliamentary democracy that he believed were essential if Parliament was to move into the twenty-first century. As Tony Blair told Cook on offering him leadership of the House of Commons, "This is the job for you." Drawing on firsthand experiences in the Commons and the Cabinet, of encounters in conferences and corridors and late-night conversations, Cook details his gathering disillusionment with Tony Blair's change of direction, which he believes to be profoundly mistaken, and, above all, the change in foreign policy that led the United Kingdom away from its destiny in Europe and into participation in President Bush's war in Iraq. This is the inside story of a government in power -- and of the tensions between those who govern. But above all it is the story of a politician who genuinely wanted to bring democracy closer to the people, but who saw a government increasingly detached from the values of himself and his party, and who developed a growing conviction that the government position on Iraq was morally, diplomatically, and politically wrong.

The adventure begins when Meg’s mother, Addie, vacationing in Florida, takes a spill. At the hospital, Addie bolts upright on her gurney and yells “I demand an autopsy!” before passing out cold. “One minute, she is unconscious, the next, she’s nuts,” observes Meg Federico in this hilarious and poignant memoir of taking care of eighty-year-old Addie and her relatively new (and equally old) husband, Walter, in their not-so-golden years. Addie’s accident is a portent of things to come over the next two years as Meg oversees her mother’s home care in the Departure Lounge, the nickname Meg gives Addie and Walter’s house in suburban New Jersey. It is a place of odd behaviors and clashing caregivers, where chaos and confusion reign supreme. Meg had expected that Addie and Walter would settle into a Rockwellian dotage of docile dependency. Instead the pair regress into terrible teens. Meg watches from the sidelines in disbelief as her mother and stepfather, forbidden by doctors to drink, conspire to order cases of scotch by phone; as Addie’s attendant accuses the evening staff of midnight voodoo; as the increasingly demented Walter’s sex drive becomes unbridled and mail-order sex aids are delivered to the front door. Meg jumps in to cope with the pandemonium–even as she struggles to manage her own family back in Nova Scotia. With a fresh voice and a keen eye for the absurd, Meg Federico writes a story that will resonate with the generation now caring for their parents. Welcome to the Departure Lounge is a moving and madcap chronicle of a family–their moments of joy, the memories they’d rather forget, and the just plain loopiness of their situation. “How’s life at the Departure Lounge?” Meg’s brother asks. Meg doesn’t know where to start. “Let’s just say the drinks are outrageous, and they never run out of nuts.”