In Disco Demolition, Dave Hoekstra sets the record straight about the night that epitomized the rock and disco culture clash.

America, the not-too-distant future. Citizens are indefinitely contracted to megacorporations in a system that is slavery in everything but name. Sundra Glassgarden, one of the enslaved, can't take it anymore. To change her fate, she steals a time machine with the goal of killing the mother of Octavio Velez, the charismatic president who created this nightmare. Meanwhile, in 1979, Archie London, a pugilistic cop-turned-private eye, is on his own messianic mission in decrepit New York, single-handedly battling a gang he believes is a threat to life itself.Along the way, Archie stumbles upon the most remarkable woman he has ever met: 21-year-old Lolita Velez. Waiting for Lolita-and love-struck Archie-is Sundra, hell-bent on freeing her future by undoing the past. Demolition Night is a satirical yet haunting novel about love and fate and technology's grim promise, about the sibilating streets of New York and the utopias we can never have-and why we keep struggling anyway.

“Crais is at the top of his game, and Demolition Angel delivers the goods. With a bang. . . . It’s Silence of the Lambs meets Speed. . . . Crais knows how to press all the right buttons in keeping the story line taut and the action, well, explosive.”—San Francisco Chronicle Carol Starkey is struggling to pick up the pieces of her former life as L.A.’s finest bomb squad technician. Fueled with liberal doses of alcohol and Tagamet, she’s doing time as a Detective-2 with LAPD’s Criminal Conspiracy Section. Three years have passed since the event that still haunts her: a detonation that killed her partner and lover, scarred her body and soul, and ended her career as a bomb tech. When a seemingly innocuous bomb call explodes into a charred murder scene, Carol catches the case and embarks on an investigation of a series of explosions that reveal chilling intentions. The bombs are designed expressly to kill bomb technicians. Now, as the one tech who survived the deadliest of blasts, Carol is in for the most perilous fight of her life. . . . Praise for Demolition Angel “Terrific . . . explosive . . . [a] high powered thrill ride.”—The Wall Street Journal “Gripping . . . Crais piles on plot twists . . . gathering the separate threads at the end and igniting them like a string of fireworks.”—People “A powerful, self-contained novel of suspense that has the compactness, velocity, and effectiveness of a well-aimed bullet . . . This is a thriller that works on every level, a pivotal work from a crime novelist operating at the top of his game.”—Los Angeles Times “Fascinating and frighteningly believable . . . Starkey is one of the toughest characters to grace the crowded field of thriller books in a long time.”—USA Today “A flammable techno-thriller with the kind of force that knocks out windows.”—The New York Times Book Review "Packs an explosive punch. Though the pace of the book moves like a quick-burning fuse, Crais still takes the time in Demolition Angel to sketch out some memorable characters: Starkey, haunted and hollow-eyed, covering up her pain with a Bogart-tough demeanor; and John Michael Fowles (aka Mr. Red), a sociopath who gets all sorts of information from the Internet without breaking a sweat. . . . Crais keeps things wound so tight that readers will be getting paper cuts in their rush to finish this one.”—The Denver Post

Rhiow seems a perfectly ordinary New York City cat. Or so her humans think--but she is much more than she appears. With her partners Saash and Urruah, she collaborates with human wizards, protecting the earth from dark forces and helping to maintain the network of magical gateways between different realities.

In this coming-of-age thriller, a twelve-year-old boy's spark of courage to question the harmonious wooded commune he calls home may burn down more than just his own illusions. Lucien has everything he needs: a loving mama, a library full of books, and House of Earth, a private school nestled safely in the woods of upstate New York. It's where Lucien is taught the importance of living in harmony with nature and building a peaceful and sustainable future. But when his youthful curiosity draws him into town and to Gabrielle, a public-school student living a life wholly different from his own, Lucien's inquisitiveness about life beyond the commune and questions regarding the events of 9/11 threaten to unbalance everything he thought he knew. Slowly, things begin to change at House of Earth. The outside world is off limits. Security measures tighten. New rules are put in place, and anyone who violates them is asked to leave and never spoken of again. As forbidden questions pile up, Lucien's willingness to obey weakens. Continuing to meet Gabrielle in secret only reinforces his gnawing fear that something about his world is terribly wrong. Unable to remain silent any longer, Lucien will soon discover that looking for answers at House of Earth may be the most dangerous rule he can break.

Governor Andrew Cuomo, scion of Mario Cuomo, is today as famous as his father, also a governor of New York state for three terms. Like Robert Moses, he is one of New York's great and infamous power brokers. Though initially lavishly celebrated for his handling of the coronavirus pandemic, not least by himself, it is now apparent that Cuomo's management of the crisis was a juddering and fatal failure. Thousands died because, ignoring the advice of experts, he shut down too late and returned still sick patients to nursing homes. The crisis was intensified by his previous commitment to austerity, which saw the slashing of funding to hospitals. A vital riposte to Cuomo's recently published book about the pandemic, now increasingly derided as self-serving and deceitful, The Prince is a searing indictment of Cuomo's handling of coronavirus and his time overall in the highest office of the state.

Secrets, lies, murder . . . and planning permission. Henry Christie is pulled into two chilling murder investigations and uncovers dark secrets dating back to the Second World War in this unflinching thriller. Henry Christie is focused on running his pub, the Tawny Owl, where he learns of the Kendleton protest group's fury with James Twain, a local property developer, and the keen desire of some residents to solve a murder that stretches back to the Second World War. When James is viciously killed in his barn, and another body is found in similar disturbing circumstances nearby, Henry is drawn into the investigations and the villagers' dark wartime secrets. Pulled out of retirement once more to lead a double murder inquiry for Lancashire police, can he uncover the truth behind chilling events both past and present?

Dance Music Spaces examines the production of physical and digital spaces in dance music, and how the players—clubs, clubbers, and DJs—use authenticity, branding, and commercialism to navigate them. An in-depth study into three women DJs—The Blessed Madonna, Honey Dijon, and Peggy Gou—reveals a new concept, “authenticity maneuvering.” In it Danielle Hidalgo exposes how the strategic use of a rave ethos both bolsters acceptance in dance music spaces and hides often problematic commercial practices. This timely, thoughtful, and deeply personal book presents a compelling analysis of the complicated interplay between dancing bodies, digital practices, and spatial offerings in contemporary dance music.

This synthesis report describes current practice in mitigating nighttime construction nuisances such as noise, vibration, light, and dust. Roadway construction work is increasingly done at night to mediate traffic congestion; however, this trend also increases the potential for disturbing adjacent property owners. This report will be of interest to department of transportation (DOT) construction, design, and project engineers, and to those responsible for community relations. This report of the Transportation Research Board stresses the importance of informing project neighbors and establishing cooperative relations with the community as a first measure of successful mitigation. Examples show how project design can address construction nuisances by locating and sequencing construction operations to minimize their impact. Current practices used in source control, path control, and receptor control are described and documented in examples from the Boston Central Artery/Tunnel project and projects in Arizona and Salt Lake City, Utah. Appended materials provide sample specifications for mitigation of noise and dust control.

Decomposition is a bracing, revisionary, and provocative inquiry into music—from Beethoven to Duke Ellington, from Conlon Nancarrow to Evelyn Glennie—as a personal and cultural experience: how it is composed, how it is idiosyncratically perceived by critics and reviewers, and why we listen to it the way we do. Andrew Durkin, best known as the leader of the West Coast–based Industrial Jazz Group, is singular for his insistence on asking tough questions about the complexity of our presumptions about music and about listening, especially in the digital age. In this winning and lucid study he explodes the age-old concept of musical composition as the work of individual genius, arguing instead that in both its composition and reception music is fundamentally a collaborative enterprise that comes into being only through mediation. Drawing on a rich variety of examples—Big Jay McNeely’s “Deacon’s Hop,” Biz Markie’s “Alone Again,” George Antheil’s Ballet Mécanique, Frank Zappa’s “While You Were Art,” and Pauline Oliveros’s “Tuning Meditation,” to name only a few—Durkin makes clear that our appreciation of any piece of music is always informed by neuroscientific, psychological, technological, and cultural factors. How we listen to music, he maintains, might have as much power to change it as music might have to change how we listen.