Presents a photographic introduction to the land, history, government, economy, people, and culture of the African nation of Democratic Republic of Congo.

Over the past two decades, the Democratic Republic of Congo has been at the centre of the deadliest series of conflicts since the Second World War, and now hosts the largest United Nations peacekeeping mission in the world. In this compelling book, acclaimed journalist Michael Deibert paints a picture of a nation in flux, inching towards peace but at the same time solidifying into another era of authoritarian rule under its enigmatic president, Joseph Kabila. Featuring a wealth of first-hand interviews and secondary sources, the narrative travels from war-torn villages in the country's east to the chaotic, pulsing capital of Kinshasa in order to bring us the voices of the Congolese - from impoverished gold prospectors and market women to government officials - as it explores the complicated political, ethnic and economic geography of this tattered land. A must-read for anyone interested in contemporary Africa, The Democratic Republic of Congo: Between, Hope and Despair sheds new light on this sprawling and often misunderstood country that has become iconic both for its great potential and dashed hopes.

A collection of photographs taken by Rankin when he visited the Democratic Republic of Congo with Oxfam in 2008 and again at the beginning of this year. Beautifully put together coffee table book of photographs and portraits of those who have been displaced by the fighting.

British photographer Tariq Zaidi presents a fashion subculture of Kinshasa & Brazzaville: La Sape, Societe des Ambianceurs et des Personnes Elegantes. Its followers are known as 'Sapeurs' ('Sapeuses' for women). Most have ordinary day jobs as taxi-drivers, tailors and gardeners, but as soon as they clock off they transform themselves into debonair dandies. Sashaying through the streets they are treated like rock stars - turning heads, bringing 'joie de vivre' to their communities and defying their circumstances.

From the author of the New York Times bestselling and award-winning Not on Our Watch, John Prendergast co-writes a compelling book with Fidel Bafilemba--with stunning photographs by Ryan Gosling--revealing the way in which the people and resources of the Democratic Republic of Congo have been used throughout the last five centuries to build, develop, advance, and safeguard the United States and Europe. The book highlights the devastating price Congo has paid for that support. However, the way the world deals with Congo is finally changing, and the book tells the remarkable stories of those in Congo and the United States leading that transformation. The people of Congo are fighting back against a tidal wave of international exploitation and governmental oppression to make things better for their nation, their neighborhoods, and their families. They are risking their lives to resist and alter the deadly status quo. And now, finally, there are human rights movements led by young people in the United States and Europe building solidarity with Congolese change-makers in support of dignity, justice, and equality for the Congolese people. As a result, the way the world deal with Congo is finally changing. Fidel Bafilemba, Ryan Gosling, and John Prendergast traveled to Congo to document some of the stories not only of the Congolese upstanders who are building a better future for their country but also of young Congolese people overcoming enormous odds just to go to school and help take care of their families. Through Gosling's photographs of Congolese daily life, Bafilemba's profiles of heroic Congolese activists, and Prendergast's narratives of the extraordinary history and evolving social movements that directly link Congo with the United States and Europe, Congo Stories provides windows into the history, the people, the challenges, the possibilities, and the movements that could change the course of Congo's destiny. Chosen by Amazon as the Best Book of the Month for December 2018 in Biographies & Memoirs, History, and Nonfiction. Featuring the life story of Dr. Denis Mukwege, winner of the 2018 Nobel Peace Prize

The third edition of the Historical Dictionary of the Democratic Republic of the Congo looks back at the nearly 48 years of independence, over a century of colonial rule, and even earlier kingdoms and groups that shared the territory. This is done through a chronology, an introductory essay, a bibliography, and over 800 cross-referenced dictionary entries on civil wars, mutinies, notable people, places, events, and cultural practices.

-Showcases paintings by innovative Congolese artists from Lubumbashi, Kinshasa, Bunia, Mbandaka, Kikwit and Kisangani -Explores the concept of painting as visual memory Painting was one of the defining factors in the formation of Congolese national culture during the seventies and eighties. Looking back on works from this era, we gain a clear impression of the country's collective memory. The exhibition of paintings featured in this book explores the development of Congolese society from 1968-2012. Portraits, landscapes and allegorical paintings alternate with urban scenes, historical figures and critical reflections on religion, politics and social problems. Humor is never far away. Historical objects, photos, drawings and archive footage provide a broader perspective, and similarities to older art forms and other genres from Congo are clearly visible. The importance of popular paintings is not fundamentally different from that of more traditionally respected art; both are crucial reflections on their contexts, and informed the development of Congolese society.

Infra, Richard Mosse’s first book, offers a radical rethinking of how to depict a conflict as complex and intractable as that of the ongoing war in the Democratic Republic of Congo. Mosse photographs both the rich topography, inscribed with the traces of conflicting interests, as well as rebel groups of constantly shifting allegiances at war with the Congolese national army (itself a patchwork of recently integrated warlords and their militias). For centuries, the Congo has repeatedly compelled and defied the western imagination. Mosse brings to this subject the use of a discontinued aerial surveillance film, a type of color infrared film called Kodak Aerochrome. The film, originally developed for military reconnaissance, registers an invisible spectrum of infrared light, rendering the green landscape in vivid hues of lavender, crimson and hot pink. The results offer a fevered inflation of the traditional reportage document, underlining the growing tension between art, fiction and photojournalism. Mosse’s work highlights the ineffable nature of current events in today’s Congo. Infra initiates a dialogue with photography that begins as an intoxicating meditation on a broken genre, but ends as a haunting elegy for a vividly beautiful land touched by unspeakable tragedy. Following studies at the London Consortium and Goldsmiths College in London, Richard Mosse (born 1980) graduated from the Yale School of Art. He was awarded the Leonore Annenberg Fellowship in 2008 and the Guggenheim Fellowship in 2011. His work has been featured on the pages of Aperture, Artforum, Art in America, Frieze and Modern Painters.

Just like any kid, Jack dreams of being a hero. In the reimagined story of Jack and the Beanstalk, Jack explores Hewa, the world of the giants. With Grandpa’s help, Jack uses his smarts and some very special tools passed down through the generations to defeat the giants. NubiTales retells classic children’s stories from a modern, multi-cultural perspective. Every story in the series celebrates diversity, and exposes children to people and places from a variety of cultural backgrounds.