An extremely well-written method for 20-key, German-style concertina. One of the best books of its kind available. Written in the key of C.

This book starts at rock bottom by answering the question, "What is an Anglo concertina?" Mick describes the differences found from one Anglo to another, teaches you to play the common scales, and starts with simple tunes before attempting slightly more advanced ones. Mick also has a small useful section on maintenance. This book is written for the C/G Anglo concertina, which is the most common. Mally's and UK product #AX101.

A tutor for beginners to learn to play the rare and unusual type of concertina known as a Jeffries Duet. Includes over 80 tunes, from super easy to ridiculously difficult, many have QR links to YouTube videos.

For beginners on the Anglo concertina, this book includes 35 tunes in easy-to-learn tablature. Starting off with simple tunes on 1-row, then tunes for 2-row 20-button instruments and finally tunes for 30-button Anglos. Single note, harmonica, octave, harmonic and Irish styles are presented with the same simple tablature system used in the author's other books to show which buttons to play along with the melody in standard musical notation.

(Ashley Publications). Easy instructions with over 250 new and old melodies with fingerings; 17 with words; three for both hands; and two easy songs with piano.

(Music Sales America). The first complete instructional book for the Anglo-chromatic concertina! This book assumes no knowledge on the part of the student, taking the beginner from first notes to famous folk melodies. Features easy-to-follow text with clear diagrams.

Accordion Revolution is about more than an instrument: it's a living, breathing restoration of the squeezebox to its rightful place at the roots of North America's popular music.Before the dawn of rock 'n' roll, the accordion ranked among North America's most popular instruments. Arriving in the arms of immigrants, nearly every ethnicity on the continent played the squeezebox: Irish, Scottish, French, German, Eastern European, Latino, Jewish. The instrument packed barn dances, jazz clubs, and recital halls, and was heard in norteño groups on the Mexican frontier; Creole string bands in New Orleans, and Inuit square dances above the Arctic Circle. Portable, cheap, and loud, accordions became the soundtrack for modernity as the music industry exploited them on records, radio, film, and television.Millions of people played accordions until a disastrous combination of economics, demographics, and electronic instruments nearly erased them from mainstream culture. Emerging from exile with a new generation of followers, this book invites beginner or seasoned accordionists and music fans in general to rediscover a forgotten legion of little-known artists. With an eye for colorful characters and a sharp sense of humor, accordion historian Bruce Triggs uncovers the hidden back-story of the squeezebox in everyone's closet.

"On June 15-18, 2005, Wellesley College hosted The Artists' Books Conference, a three day event that brought together artists, librarians, curators, collectors, teachers, and booksellers...They came to learn from each other, to talk about issues that are not usually discussed openly. Librarians revealed their collecting strategies and decision making processes, artists asked questions about selling and marketing their work, and private collectors talked about what they acquire and how they discover new work. What emerged from this conference was a spirit of collaboration between those who create the books, those who represent the artists, and those who build collections." -- Introduction.

Due to the distinctive nature of music as a separate "language" that non-musicians are often unable to read or understand, the cataloging and classification of music materials frequently present special challenges. In response to this often problematic situation, this volume is designed to introduce the principles of music classification to beginning music catalogers, as well as to non-specialist catalogers, and those who only occasionally deal with music materials. It will surely relieve the stress level for general catalogers by providing practical guidelines as well as clarifying and explaining the most commonly used classification systems in the United States—the Dewey Decimal Classification (DDC), the Library of Congress Classification (LCC), and the Alpha-Numeric System for Classification of Recordings (ANSCR). Also included is a general historical overview of music classification, from early attempts to organize specific collections, to the efforts of Oscar Sonneck and others to adapt fundamental principles of classification to the distinctive characteristics of music materials; as well as a discussion of the special needs of the users of those materials.