A report on the prehistoric ceramic figurines recovered from the Franchthi Cave in Greece. Talalay reports on a small body of figurines (twenty-four figurines and twenty-one fragments) recovered during excavations at Franchthi Cave and at the nearby open-air settlement along the present shoreline. She also reexamines the theoretical and methodological foundations of scholarship in the field of figurine studies. A thorough and pathfinding study of the most important body of figurines from southern Greece, this book will be especially valuable to specialists in prehistoric Greece and to all scholars interested in early representations of the human figure in prehistoric art and in the significance of these representations to the members of early human communities. The book also makes a contribution to the growing body of literature on gender in early societies with a critical evaluation of the uses of evidence in addressing gender issues.

Talalay reports on a small body of figurines (24 figurines and 21 fragments) recovered during excavations at Franchthi Cave and at the nearby open-air settlement along the present shoreline. She also reexamines the theoretical and methodological foundations of scholarship in the field of figurine studies. A thorough and pathfinding study of the most important body of figurines from southern Greece, this book will be especially valuable to specialists in prehistoric Greece and to all scholars interested in early representations of the human figure in prehistoric art and in the significance of these representations to the members of early human communities. The book also makes a contribution to the growing body of literature on gender in early societies with a critical evaluation of the uses of evidence in addressing gender issues.

Why did the male nude come to occupy such an important place in ancient Greek culture? Despite extended debate, the answer to this question remains obscure. In this book, Sarah Murray demonstrates that evidence from the Early Iron Age Aegean has much to add to the discussion. Her research shows that aesthetics and practices involving male nudity in the Aegean had a complicated origin in prehistory. Murray offers a close analysis of the earliest male nudes from the late Bronze and Early Iron Ages, which mostly take the form of small bronze votive figurines deposited in rural sanctuaries. Datable to the end of the second millennium BCE, these figurines, she argues, enlighten the ritual and material contexts in which nude athletics originated, complicating the rationalizing accounts present in the earliest textual evidence for such practices. Murray's book breaks new ground by reconstructing a scenario for the ritual and ideological origins of nudity in Greek art and culture.

The Art and Archaeology of the Aegean Bronze Age offers a comprehensive chronological and geographical overview of one of the most important civilizations in human history. Jean-Claude Poursat's volume provides a clear path through the rich and varied art and archaeology of Aegean prehistory, from the Neolithic period down to the end of the Bronze Age. Charting the regional differences within the Aegean world, his study covers the full range of material evidence, including architecture, pottery, frescoes, metalwork, stone, and ivory, all lucidly arranged by chapter. With nearly 300 illustrations, this volume is one of the most lavishly illustrated treatments of the subject yet published. Suggestions for further reading provide an up-to-date entry point to the full richness of the subject. Originally published in French, and translated by the author's collaborator Carl Knappett, this edition makes Poursat's deep knowledge of the Aegean Bronze Age available to an English-language audience for the first time.

Archaeological remains are ‘fragmented by definition’: apart from exceptional cases, the study of the human past takes into account mainly traces, ruins, discards, and debris of past civilizations. It is rare that things have been preserved as they were originally made and conceived in the past. However, not all the ancient fragmentary objects were the ‘leftovers’ from the past. A noticeable portion of them was part and parcel of the ancient materiality already in the form of a fragment or damaged item. In 2000, John Chapman, with his volume Fragmentation in Archaeology, attracted the attention of scholars on the need to reconsider broken artifacts as the result of the deliberate anthropic process of physical fragmentation. The phenomenon of fragmentation can be thus explored with more outcomes for a category of objects that played an important role inside the society: the figurines. Due to their portability and size, figurines are particularly entangled and engaged in social, spatial, temporal, and material relations, and – more than other artifacts – can easily accommodate acts of embodiment and dismemberment. The act of creation symmetrically also involves the act of destruction, which in turn is another act of creation, since from the fragmentation comes a new entity with a different ontology. Breaking contains the paradigms of life: creation and reparation, destruction and regeneration. The scope of this volume is to search for traces of any voluntary and intentional fragmentation of ancient artifacts, creating, improving, and sharpening the methods and principles for a scientific investigation that goes beyond single author impression or sensitivity. The comparative lens adopted in this volume can allow the reader to explore different fields taken from ancient societies of how we can address, assess, detect, and even discuss the action of breaking and mutilation of ancient figurines.

"This book is a study of the woman-and-child motif as it appeared in the Bronze Age eastern Mediterranean, focusing on Egypt, the Levant, Anatolia, Mesopotamia, Iran, Cyprus, and the Aegean. Rather than being a universal symbol of maternity, or a depiction of a mother goddess, the woman-and-child motif, called by the technical name kourotrophos, was relatively rare in comparison with other images of women in antiquity, and served a number of different symbolic functions, ranging from honoring the king of Egypt to giving extra oomph to magical spells"--Provided by publisher.

About 24,000 figurines and fragments have been found on Acrocorinth, and this study greatly increases our understanding of the way in which this artform developed over the centuries.

Twenty-five papers presented at the December 1996 symposium held in Athens to celebrate the 100th anniversary of the American School of Classical Studies excavations at ancient Corinth. The papers are intended to illustrate the range in subject matter of research currently being undertaken by scholars of ancient Corinth, and their inclusion in one volume will serve as a useful reference work for nonspecialists. Each of the topics (which vary widely from Corinthian geology to religious practices to Byzantine pottery) is presented by the acknowledged expert in that area. The book includes a full general bibliography of articles and volumes concerning material excavated at Corinth. As a summary of one hundred years' research it will be useful to generations of scholars to come.

Focusing primarily on visual forms of representation, but also including material on literary representation, this volume brings together studies as apparently disparate as the iconography of power in Mediterranean prehistory and clothing and cultural meaning in the First and Second World Wars. What draws these chapters together is the common focus on how the scholar of the twenty-first century can pursue the interpretation of past representational cultural production from a gendered perspective. The fruit of research by academics from the fields of archaeology, classics and ancient history, art history and social history, and from both sides of the Atlantic, this volume is a fascinating introduction to a developing field.