A verse drama detailing Guenevere's and Launcelot relationship and the ramifications.

Follows Sir Launcelot of the Round Table as he rescues Queen Guinevere, fights in the tournament at Astolat and pursues other adventures.

'Tightly plotted and hugely readable' Jane Rogers, author of PROMISED LANDS 'Marvellous . . . fans of immersive historical fiction, the 18th century, all things French and a dash of peril, this one's for you' Emily Brand, author of THE FALL OF THE HOUSE OF BYRON 'Glasfurd deftly, elegantly captures this volatile world of impoverished attic rooms and gilded literary salons' DAILY MAIL The King knows the true power and privilege of books. When every book is cause for suspicion, you risk execution for possessing the wrong ones. 1766, PARIS. Ten years have passed since Delphine Vimond last saw her father. After his violent arrest, his library of books is burned. Young Delphine, bereft and fatherless, is forced to seek refuge in the city. Now working as a housekeeper for the radical Monsieur Diderot, her settled life is suddenly disrupted by the arrival of Chancery Smith. A printer's apprentice, he has been sent from London to hunt down the mysterious author of revolutionary papers marked only with the initial D - the possession of which could prove fatal. Pursued by the brutal French censor, Henri Gilbert, Delphine and Chancery set off on a frantic and deadly search that will take them across the country. But can they catch up with D before Gilbert catches up with them? 'Among historical novelists, Glasfurd rides high' FINANCIAL TIMES

William Morris (1834-1896) was an English artist, writer, socialist and activist. He was one of the principal founders of the British arts and crafts movement, best known as a designer of wallpaper and patterned fabrics, a writer of poetry and fiction and a pioneer of the socialist movement in Britain. Morris and his friends formed an artistic movement, the Pre-Raphaelite Brotherhood. They eschewed the tawdry industrial manufacture of decorative arts and architecture and favoured a return to hand-craftsmanship, raising artisans to the status of artists. He espoused the philosophy that art should be affordable, hand-made, and that there should be no hierarchy of artistic mediums. His best-known works are The Defence of Guinevere, and Other Poems (1858), Hopes and Fears for Art (1882), Chants for Socialists (1885), A Dream of John Ball: A King's Lesson (1888), The House of the Wolfings (1889), Child Christopher and Goldilind the Fair (1895), Old French Romances (1896), The Well at the World's End (1896), and The Hollow Land (1897).

DigiCat Publishing presents to you this special edition of "The Once and Future King" by T. H. White. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.