A one night stand has never gone so wrong … or so right. Two months after one scorchingly hot July night, tattoo artist Abby is pregnant and the man who showed her everything she’d been missing is nowhere in sight. When he walks into the Hot Ink Tattoo Studio looking for much more than some new ink, she risks their rekindled connection by confessing that she’s pregnant … with his twins. Sworn to serve and protect, Pittsburgh police officer Sam isn’t one to back down from responsibility, and he’s definitely not going to let the woman who’s been haunting his dreams all summer get away again. But two babies on the way means a reunion that’s anything but what he imagined. Can unforgettable chemistry evolve into real love before her due date arrives? Book 3 in the Inked in the Steel City Series

Organ donation is in its infancy and Daisy Howard, who is giving a kidney to her aunt, is in the hands of a pioneering surgeon. After the operation, Daisy is desperate to get back to her family, yet the days go by and she remains in the hospital; meanwhile, an old friend keeps visiting with news of home, and Daisy becomes increasingly uneasy.

Tyler DeHaven may look like a bad boy, but there’s got to be more to the tattoo artist who volunteers at the hospital during the holiday season. Inviting him to a work Christmas party seems innocent enough … at first. Problem is, he’s just as irresistible as he looks and falling fast is more than Mallory bargained for. After all, she’s reminded every day what a gamble love can be, and there’s no question that with him, the stakes are high. It may be cold outside but Mallory Stephens is the hottest nurse Tyler has ever laid eyes on. To top it off, she also likes ink and wants him to be her holiday party date. He’s not going to say no, and when things get rocky, he’s not going to let their passion frost over, either. Book 4 in the Inked in the Steel City Series

Hard times mean hard choices, but falling for Noah Wilder is easy. Beneath his suit and tie, he’s seriously inked and seriously irresistible. When he walks into the Hot Ink Tattoo Studio, the attraction between him and studio receptionist Zoe is mutual – and fierce. And after the opportunity to ditch her demeaning second job to work for him instead arises, suddenly he’s her boss … and much more. With lines blurred in every way imaginable, can she balance passion and professionalism with doing what’s best for her struggling family? Attraction is a powerful thing. So is former fighter Noah’s drive to make his growing mixed martial arts promotion company succeed, and if business happens to coincide with pleasure, so much the better. Tattooed beauty Zoe Ramsey is all his when she’s not working at Hot Ink – for twenty hours a week, anyway. When circumstances bring them close faster than they ever imagined, can he make her see that he’s just as serious about her as he is about the business he’s poured his heart and soul into? Inked in the Steel City Book 5

Photographing exceptional tattoos for the Hot Ink Tattoo Studio turns into much more than just a job when Karen meets Jed, the sexy-as-sin owner. With attraction sizzling between them, each photo shoot is a labor of love … and a chance to get closer to the man of her increasingly naughty dreams. Curvy, vivacious Karen is everything Jed would want in a woman, if he wanted one at all. But a relationship seems like too dangerous a gamble for someone who’s loved before and suffered the ultimate loss. So why can’t he resist when he discovers the attraction is mutual? Even if he were willing to risk everything again, Karen’s too young, too full of life to be burdened with someone whose heart bears scars as permanent as the ink in his skin. When the two finally face what lies between them, the passion is undeniably real, but will the unexpected extinguish the spark of their love, or fan the flames? Book 2 in the Inked in the Steel City Series

The human desire to adorn the body is universal and timeless. While specific forms of body decoration and the motivations for them vary by region, culture, and era, all human societies have engaged in practices designed to augment and enhance people’s natural appearance. Tattooing, the process of inserting pigment into the skin to create permanent designs and patterns, is one of the most widespread forms of body art and was practiced by ancient cultures throughout the world, with tattoos appearing on human mummies by 3200 BCE. Ancient Ink, the first book dedicated to the archaeological study of tattooing, presents new, globe-spanning research examining tattooed human remains, tattoo tools, and ancient art. Connecting ancient body art traditions to modern culture through Indigenous communities and the work of contemporary tattoo artists, the volume’s contributors reveal the antiquity, durability, and significance of body decoration, illuminating how different societies have used their skin to construct their identities.

A quirky and heartfelt coming-of-age story about a teen girl with bipolar II who signs her failed magician father up to perform his legendary but failed illusion on live TV in order to make enough money to pay for the medications they need—from the author of Symptoms of Being Human. Perfect for fans of Adi Alsaid, David Arnold, and Arvin Ahmadi. Sixteen-year-old Ellie Dante is desperate for something in her life to finally go right. Her father was a famous stage magician until he attempted an epic illusion on live TV—and failed. Now Ellie lives with her dad in a beat-up RV, attending high school online and performing with him at birthday parties and bars across the Midwest to make ends meet. But when the gigs dry up, their insurance lapses, leaving Dad’s heart condition unchecked and forcing Ellie to battle her bipolar II disorder without medication. Then Ellie receives a call from a famous magic duo, who offer fifteen thousand dollars and a shot at redemption: they want her father to perform the illusion that wrecked his career—on their live TV special, which shoots in Los Angeles in ten days. Ellie knows her dad will refuse—but she takes the deal anyway, then lies to persuade him to head west. With the help of her online-only best friend and an unusual guy she teams up with along the way, Ellie makes a plan to stage his comeback. But when her lie is exposed, she’ll have to confront her illness and her choices head-on to save her father—and herself.

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The first edition of the Printing Ink Manual was published by the Society of British Printing Ink Manufacturers in 1961 to fill the need for an authorative textbook on printing technology, which would serve both as a training manual and a reliable reference book for everyday use. The book soon became established as a standard source of information on printing inks and reached its fourth edition by 1988. This, the fifth edition, is being published only five years later, so rapid has been the development in technology. The objective of the Printing Ink Manual remains unchanged. It is a practical handbook designed for use by everyone engaged in the printing ink industry and the associated industries. It provides all the information required by the ink technical for the day-to-day formulation of printing inks. It supplies the factory manager with details of the latest equipment and manufacturing methods, including large-scale production, and gives guidance on achieving quality assessment and total quality management specifications. Care has been taken to maintain the value of the Manual for training both technical personnel and others who requiresome kn- ledge of inks. Readers with little scientific knowledge will not find dif- culty in using the Manual, but sufficient chemistry and physics have been included to provide an explanation of the underlying principles and theories governing the behaviour of inks for use by the advanced te- nologist. Suppliers of raw materials, substrate manufacturers, printers and print users will find the book a valuable source of information.

Arthur L. Guptill's classic Rendering in Pen and Ink has long been regarded as the most comprehensive book ever published on the subject of ink drawing. This is a book designed to delight and instruct anyone who draws with pen and ink, from the professional artist to the amateur and hobbyist. It is of particular interest to architects, interior designers, landscape architects, industrial designers, illustrators, and renderers. Contents include a review of materials and tools of rendering; handling the pen and building tones; value studies; kinds of outline and their uses; drawing objects in light and shade; handling groups of objects; basic principles of composition; using photographs, study of the work of well-known artists; on-the-spot sketching; representing trees and other landscape features; drawing architectural details; methods of architectural rendering; examination of outstanding examples of architectural rendering; solving perspective and other rendering problems; handling interiors and their accessories; and finally, special methods of working with pen including its use in combination with other media. The book is profusely illustrated with over 300 drawings that include the work of famous illustrators and renderers of architectural subjects such as Rockwell Kent, Charles Dana Gibson, James Montgomery Flagg, Willy Pogany, Reginald Birch, Harry Clarke, Edward Penfield, Joseph Clement Coll, F.L. Griggs, Samuel V. Chamberlain, Louis C. Rosenberg, John Floyd Yewell, Chester B. Price, Robert Lockwood, Ernest C. Peixotto, Harry C. Wilkinson, Bertram Grosvenor Goodhue, and Birch Burdette Long. Best of all, Arthur Guptill enriches the text with drawings of his own.